Isolde Standish

Last updated

Isolde Standish
Alma mater University of Ballarat

Isolde Standish is an Australian and British academic film theorist who specialises on East Asia (mainly Japan and South Korea). Mostly known for her works on Japanese Cinema, [1] [2] she is currently an Emerita Reader (Professor Emeritus) at the School of Oriental and African Studies (SOAS) in London, England and teaches Post-War Cinema and the Avant-Garde at the Tokyo University of Foreign Studies. [3] Standish mostly works in Japan, South Korea and the United Kingdom. She has been awarded numerous prizes and grants, including the Ouseley Memorial Scholarship, a Japan Foundation scholarship, an AHRC Research Leave Award and a Leverhulme Trust Major Research Fellowship in 2014. [4]

Contents

Early life and education

Standish obtained a Bachelor of Arts in Humanities and Social Sciences in 1983 from the Ballarat College of Advanced Education (now Federation University Australia), a public dual-sector university based in Ballarat (Victoria, Australia) [4] and a PhD from the School of Oriental and African Studies, a constituent college of the University of London.

Career

Standish has held teaching positions in Japan. She also worked as an emerita Reader in 'Film and Media Studies' with the Japan and Korea Section of the East Asian Languages and Culture Department and a member of the Centre for Creative Industries, Media and Screen Studies at the School of Oriental and African Studies, in London. She worked within the Centre of Korean Studies and the Japan Research Centre (JRC). At SOAS, she has been the lead convenor for the master's degree in Global Cinemas and the Transcultural and supervised a number of PhD students. In 2018, Standish accepted the Ishibashi Foundation Visiting Professorship in Japanese Art History at Heidelberg University. [5]

Selected bibliography

Authored books

Articles

Edited books or journals

Book chapters

Related Research Articles

<span class="mw-page-title-main">Avant-garde</span> Works that are experimental or innovative

In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.

<span class="mw-page-title-main">Nagisa Ōshima</span> Japanese filmmaker (1932–2013)

Nagisa Ōshima was a Japanese filmmaker, writer, and left-wing activist who is best known for his fiction films, of which he directed 23 features in a career spanning from 1959 to 1999. He is regarded as one of the greatest Japanese directors of all time, and as one of the most important figures of the Japanese New Wave, alongside Shōhei Imamura. His film style was bold, innovative and provocative. Common themes in his work include youthful rebellion, class and racial discrimination and taboo sexuality.

Dai Jinhua is a Chinese feminist cultural critic. She is a professor in the Institute of Comparative Literature and Culture, Peking University. Her research interests include popular culture, film studies, and gender studies.

Nora Elisabeth Mary Boyce was a British scholar of Iranian languages, and an authority on Zoroastrianism. She was Professor of Iranian Studies at the School of Oriental and African Studies (SOAS) of the University of London. The Royal Asiatic Society's annual Boyce Prize for outstanding contributions to the study of religion is named after her.

Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.

Marjorie Hewitt Suchocki is an author and United Methodist professor emerita of theology at Claremont School of Theology. She is also co-director of the Center for Process Studies at Claremont.

East Asian studies is a distinct multidisciplinary field of scholarly enquiry and education that promotes a broad humanistic understanding of East Asia past and present. The field includes the study of the region's culture, written language, history and political institutions. East Asian studies is located within the broader field of Asian studies and is also interdisciplinary in character, incorporating elements of the social sciences and humanities, among others. The field encourages scholars from diverse disciplines to exchanges ideas on scholarship as it relates to the East Asian experience and the experience of East Asia in the world. In addition, the field encourages scholars to educate others to have a deeper understanding of and appreciation and respect for, all that is East Asia and, therefore, to promote peaceful human integration worldwide.

<i>Eros + Massacre</i> 1970 Japanese film

Eros + Massacre is a 1969 Japanese experimental drama film directed by Yoshishige Yoshida, who wrote it in cooperation with Masahiro Yamada. The film is a biography of anarchist Sakae Ōsugi, who was murdered by the Japanese military police in 1923. It is the first film in a loose trilogy, followed by Heroic Purgatory (1970) and Coup d'État (1973).

Gavan McCormack is a researcher specializing in East Asia who is Emeritus Professor and Visiting Fellow, Division of Pacific and Asian History of the Australian National University. He is also a coordinator of an award-winning open access journal The Asia-Pacific Journal: Japan Focus.

<span class="mw-page-title-main">Korea Foundation</span> South Korean diplomacy non-profit

The Korea Foundation is a non-profit public diplomacy organization established in 1991 to promote a better understanding of Korea and strengthen friendships in the international community. The foundation carries out various projects for exchange between the South Korea and foreign countries to cultivate mutual understanding.

Timon Screech was professor of the history of art at the School of Oriental and African Studies (SOAS), University of London from 1991 - 2021, when he left the UK in protest over Brexit. He is now a professor at the International Research Center for Japanese Studies (Nichibunken) in Kyoto. Screech is a specialist in the art and culture of early modern Japan.

<span class="mw-page-title-main">Kashiko Kawakita</span>

Kashiko Kawakita was a Japanese film producer and film curator, and the wife of Nagamasa Kawakita. As vice president of Tōwa Trading, together with her husband and daughter Kazuko Kawakita she was influential in the development of the post-war Japanese film industry, sponsoring actors and actresses, and in promoting Japanese cinema to overseas audiences.

Yoshizawa Shōten (吉沢商店) was a film studio and importer active in the early years of cinema in Japan. Originally involved in the magic lantern business, Yoshizawa bought a cinématographe camera off a visiting Italian and began exhibiting motion pictures in 1897. Run by Ken'ichi Kawaura, and having an office in London, Yoshizawa soon became the most prosperous and stable of the early film companies. It was the first to manufacture motion picture equipment domestically in 1900 and it established the first permanent movie theater, the Denkikan, in Asakusa in Tokyo in 1903.

<span class="mw-page-title-main">Luna Park, Tokyo</span>

In operation in 1910 and 1911, Tokyo's Luna Park was the first park of that name to be open in Japan. Owned and constructed by the Japanese motion picture company Yoshizawa Shōten in the Tokyo district Asakusa, the park was designed to mimic the original Luna Park that was built in Brooklyn, New York in 1903.

Betzy Bromberg is an American director, editor, and experimental filmmaker. She was the Director of the Program in Film and Video at California Institute of the Arts, and remains in the position of full time Faculty. Her work has been shown at the Rotterdam, London, Edinburgh, Sundance and Vancouver Film Festivals as well as the Museum of Modern Art, Museum of Fine Arts, Boston, the San Francisco Cinematheque, the Harvard Film Archive (Cambridge), Anthology Film Archives, the National Film Theater (London), The Vootrum Centrum (Belgium) and the Centre Georges Pompidou (France).

<span class="mw-page-title-main">Guido Rings</span>

Guido Rings is Professor of Postcolonial Studies, director of the Research Unit for Intercultural and Transcultural Studies (RUITS), and Course Leader for the MA Intercultural Communication at Anglia Ruskin University in Cambridge, United Kingdom. He was previously Reader in Intercultural Studies and Head of Modern Foreign Languages at the same institution, and he was Visiting Professor for Romance Literature and Film at the University of Düsseldorf and the University of Bayreuth, Germany. Professor Rings is also co-editor of German as a Foreign Language (GFL) and Interdisciplinary Mexico (iMex), the first fully refereed internet journals in Europe for their respective fields. He is member of the Higher Education Academy (HEA).

<i>A Japanese Tragedy</i> 1953 film by Keisuke Kinoshita

A Japanese Tragedy, also known as Tragedy of Japan, is a 1953 Japanese drama film written and directed by Keisuke Kinoshita. The film tells the story of a widowed mother who turns to prostitution to raise two children during and after World War II, but her children, ashamed of her, reject her. It was ranked as the 6th best film of the year in 1953 by Kinema Junpo.

<span class="mw-page-title-main">Rachel Dwyer</span>

Rachel Dwyer is a professor of Indian Cultures and Cinema at SOAS, University of London.

Almut Hintze, FBA is an academic, philologist, linguist and scholar of Indo-Iranian studies and Zoroastrianism. Since 2010, she has been Zartoshty Brothers Professor of Zoroastrianism at the School of Oriental and African Studies, University of London.

References

  1. "Search". Cambridge Core. Retrieved 13 April 2020.
  2. "Isolde Standish". data.bnf.fr. Retrieved 13 April 2020.
  3. "Isolde Standish". 教員インタビュー (in Japanese). Retrieved 13 April 2020.
  4. 1 2 Unknown (20 August 2018). "STANDISH, Isolde". Federation University Australia. Retrieved 13 April 2020.
  5. "Institute of East Asian Art History | Ishibashi Visiting Professorship". www.zo.uni-heidelberg.de. Retrieved 13 April 2020.