Israelism | |
---|---|
Directed by | Erin Axelman and Sam Eilertsen |
Produced by | Daniel J. Chalfen, Nadia Saah, Erin Axelman |
Cinematography | Sam Eilertsen |
Edited by | Tony Hale |
Music by | Cody Westheimer |
Country | United States |
Israelism is a 2023 American documentary about the portrayal of the Israeli-Palestinian conflict in American Jewish institutions. Directed by Erin Axelman and Sam Eilertsen, it has screened at various film festivals in the United States and won a Brooklyn Film Festival Spirit Award. [1] [2] [3]
The film is critical of Israel's treatment of Palestinians, and of the American Jewish community's education on the Israeli-Palestinian conflict. It follows two American Jews as they learn about the conflict and come to revise their views. The film also includes interviews with academics and political activists.
Some late 2023 screenings of the film at universities and other venues in the U.S. and Canada were canceled, following an online campaign accusing the film of antisemitism, with screenings reinstated following criticism from academic and civil liberties organizations. [4]
Israelism argues that many American Jews are taught a narrative of the Israeli-Palestinian conflict that "almost entirely erases the existence of Palestinians", Sam Wolfson wrote in The Guardian . [5] Interviewees include Noam Chomsky, Cornel West, Jeremy Ben-Ami, and Sami Awad. [2] The film focuses on the perspectives of Simone Rimmon Zimmerman (co-founder of IfNotNow) and another Jewish American, a former IDF soldier identified only as "Eitan", [6] following them as they learn more about the treatment of Palestinians and come to revise their views on Israel. [7] The filmmakers also interviewed Abe Foxman, former director of the Anti-Defamation League, who later said he could only get through 10 minutes of watching the film and that he regretted participating in it. [8] [9]
The film has won awards at film festivals, including at the San Francisco Jewish Film Festival. [9] Writing in Jacobin of "the idea that caring about Jewish people means supporting the state of Israel and that anyone who condemns Israel's treatment of the Palestinians must be an antisemite", Ben Burgis said, "Israelism takes apart that narrative, brick by brick, until nothing is left." [8] For The Forward , Mira Fox wrote, "Israelism's depiction of the American Jewish education system is damning. But it can feel unfocused on other topics, such as when detailing Israel's unjust treatment of Palestinians, which feels redundant at a time when criticism of Israel is becoming increasingly mainstream." [6] In The Jewish Journal of Greater Los Angeles , David Suissa wrote that the film is a "gross misrepresentation of the complex Israel-Palestinian conflict ... that specializes in withholding information" and "wants us to believe that Zionist advocacy was so one-sided and all-consuming it created a generation of young Jews who, feeling duped, have turned against the Jewish state." [10]
The Washington Post included Simone Zimmerman in a list of the 13 "emerging faith leaders" who had a significant impact in 2023, citing her appearance in the film. [11]
In the aftermath of the 7 October 2023 Hamas attack on Israel, the film was the target of an online campaign calling for the cancellation of screenings on college campuses. The campaign primarily received support from people not affiliated with the universities in question. [4] The online campaign extended also to some non-university venues with scheduled screenings. [12]
The decision to cancel a 14 November screening at Hunter College was denounced by the college's student, faculty and staff senate, which demanded that a screening be rescheduled within the month. [9] PEN America also criticized the decision. [13] A spokesperson for the college said it would be rescheduled, and that screening the film at a later date "was always the plan". [9] On 29 November, the same spokesperson announced that the delayed screening would take place on 5 December. [14] Hunter College then insisted on the addition of a rabbi as a moderator. Members of the audience were invited to write questions to the filmmakers on index cards and pass them to the moderator, but he submitted very few of them and instead asked his own questions. Some students complained about their questions being ignored, which led to booing of the moderator by audience members. [15]
The University of Pennsylvania refused to allow a Jewish student group to screen the film on 28 November. The Penn chapter of the American Association of University Professors (AAUP) condemned the university's action [16] and the screening went ahead, facilitated by the university's Middle East Center. [14] The Center's director resigned on the same day. According to a statement by the AAUP chapter, his resignation was in response to pressure from university administrators who had instructed the Center not to show the film. [17]
The board of directors of The Westdale, a community cinema and arts venue in Hamilton, Ontario, canceled a screening of the film scheduled for 6 December. The Westdale's executive director said that the staff had received around a dozen emails, with almost identical wording, calling for the cancellation. [12] The group that had organized the event argued that the theater was failing in its mission to encourage the use of art to explore differences. On 1 December, the board reversed its decision to cancel the screening, saying a review found "no credible evidence that the screening would cause harm to anyone in our community" and that "screening a film that deals with a controversial topic is core to [The Westdale's] mandate." [18] On the day of the screening, the local news website InTheHammer reported that the town's Jewish Film Festival had withdrawn from the Westdale "as a reprisal for the Westdale's decision to show Israelism". [19]
In a New York Times column, Michelle Goldberg discussed what she sees as the threat to free speech in an ongoing "backlash to pro-Palestinian activism", writing, "The fact that a documentary by and about left-wing Jews is seen, on some campuses, as too insensitive to Israel to be shown publicly demonstrates what a confused moment this is for academic free speech." [20]
Promises is a 2001 documentary film that examines the Israeli–Palestinian conflict from the perspectives of seven children living in the Palestinian communities in the West Bank and Israeli neighborhoods of Jerusalem. Promises has been shown at many film festivals and received excellent reviews and many accolades.
Jewish Voice for Peace is an American anti-Zionist left-wing Jewish advocacy organization that is critical of Israel's occupation of the Palestinian territories, and supports the Boycott, Divestment and Sanctions (BDS) campaign against Israel.
StandWithUs (SWU) is a nonprofit right-wing pro-Israel advocacy organization founded in Los Angeles in 2001 by Roz Rothstein, Jerry Rothstein, and Esther Renzer.
Palestine: Peace Not Apartheid is a book written by 39th President of the United States Jimmy Carter. It was published by Simon & Schuster in November 2006.
Benny Brunner is an Israeli-Dutch filmmaker, born in Bârlad, Romania and based in Amsterdam since 1986. He studied film at Tel Aviv University. Since the late 1980s, Brunner has written, directed and produced films about the history of the Israeli-Palestinian conflict including The Concrete Curtain, It Is No Dream, Al-Nakba and The Great Book Robbery, films about Jewish history like The Seventh Million, and films concerning the modern history of the Middle East. He describes himself as "a veteran leftist" and his political films take the side of the 'other'. Brunner has worked in the Middle East, Europe, South Africa, and the United States. In addition to winning a special commendation by the Prix Europa for A Philosopher for All Seasons in 1991, his films have been screened at the San Francisco Jewish Film Festival, the International Documentary Film Festival Amsterdam, the Jerusalem Film Festival, the San Diego Jewish Film Festival, and numerous international, human rights and Jewish film festivals.
Confrontation at Concordia is a documentary film by Martin Himel which documents the 2002 Concordia University Netanyahu riot at Concordia University in Montreal, Quebec, Canada. The film chronicles how pro-Palestinian student activists staged a direct action aimed to cancel the former Israeli Prime Minister Benjamin Netanyahu's address on campus. The talk by the prime minister had been organized by Hillel, a Jewish student organization.
Shalom Abu Bassem is a documentary by Nissim Mossek about the Israeli–Palestinian conflict that follows a New York City Jewish settler and an Arab hummus vendor that are forced to live as neighbors in the heart of Jerusalem. The documentary spans a nearly 20-year period, beginning before the First Intifada, to demonstrate how the nation's politics affect their neighborly relations. The film won Best Editing at the Haifa International Film Festival.
500 Dunam on the Moon is a 2002 documentary film directed by Rachel Leah Jones about Ein Hod, a Palestinian village that was captured and depopulated by Israeli forces as part of the 1948 Palestinian expulsion and flight in the 1948 Arab–Israeli War.
Just Vision is a non religiously unaffiliated nonprofit organization that utilizes storytelling, media and public engagement campaigns to highlight Palestinian and Israeli grassroots leaders working to end the occupation and conflict through unarmed means. They are based in Washington, New York and Jerusalem.
Barricades was one of the first documentary films created for Israeli television. It tells the story of two families, one Jewish and the other Palestinian, who both lost children during the 1948 Arab-Israeli War, known to Palestinians as the 1948 Palestinian expulsion and flight, the Naqba, or "Catastrophe." The film, directed by Ram Loevy, caused considerable controversy when it aired on 1 August 1972. It was the first time that an Arab viewer had a chance through an Israeli film to experience the emotional significance of the Holocaust for Jews, and it was also the first time that Israeli Jews had an opportunity to experience the emotional significance of the Naqba to the Palestinian people.
Miral is a 2010 biographical political film directed by Julian Schnabel about the coming of age of a Palestinian girl named Miral who grows up in the wake of the 1948 Arab–Israeli War and finds herself drawn into the conflict. The screenplay was written by Rula Jebreal, based on her novel of the same name. The film was released on 3 September at the 2010 Venice Film Festival and on 15 September 2010 in France.
Some families of Jews and Arabs killed in the Israeli-Arab conflict have chosen to donate organs to transplant patients on the "opposite side". Examples are Yoni Jesner, a 19-year-old student at Yeshivat Har Etzion in Gush Etzion, and Ahmed Khatib, a Palestinian boy shot by Israeli Defense Forces soldiers who mistook his toy gun for a real one. The generosity of families prepared to donate the organs of their loved ones under such circumstances has been praised. Their story was also made the subject of an award-winning BBC World Service program, Heart and Soul, in 2007.
Avi Shlaim is an Israeli and British historian of Iraqi Jewish descent. He is one of Israel's "New Historians", a group of Israeli scholars who put forward critical interpretations of the history of Zionism and Israel.
A Wing and a Prayer is a 2015 PBS documentary by Boaz Dvir. The film predominantly covers the story of American pilot Al Schwimmer and his covert operation to deliver weapons to the Israeli Army prior to and during the 1948 Arab–Israeli War. It was first released on PBS to coincide with the 70th anniversary of the end of World War II.
Canary Mission is a website established in 2014 that compiles dossiers on student activists, professors, and organizations, focusing primarily on those at North American universities, which it considers be anti-Israel or antisemitic, and has said that it will send the names of listed students to prospective employers. Canary Mission listings have been used by the Israeli government and border security officials to interrogate and deny entry to pro-Boycott, Divestment and Sanctions (BDS) American citizens, and by potential employers.
Rachel Leah Jones is an American-Israeli documentary film director and producer. Her documentary film Advocate about the controversial human rights lawyer Leah Tsemel, which she co-directed and co-produced with cinematographer Philippe Bellaïche, premiered at 2019 Sundance Film Festival, and won top prizes at Kraków Film Festival, Thessaloniki Documentary Festival and Docaviv Festival.
Advocate is a 2019 Israeli documentary film, directed by Rachel Leah Jones and Philippe Bellaïche. The film premiered at the 2019 Sundance Festival, and went on to win top prizes at Thessaloniki Documentary Festival, Kraków Film Festival, Hong Kong International Film Festival and Docaviv Festival. Advocate won the Emmy for Best Documentary in the 42nd News and Documentary Emmy Awards.
Rudy IsraelRochman is a Jewish-Israeli rights activist.
The Occupation of the American Mind is a 2016 American documentary film directed by Loretta Alper and Jeremy Earp, and narrated by Roger Waters. According to Al Jazeera, the film seeks to show how information warfare waged by Israel and its supporters distorted the truth about the Israeli–Palestinian conflict, and won over the hearts and minds of Americans for the last 50 years. In other words, The Occupation of the American Mind seeks to explore the United States' steadfast support for Israel in the face of the latter's controversial actions.
Bearing Witness to the October 7th Massacre is a compilation by the IDF Spokesperson's Unit of raw footage from the 2023 Hamas attack on Israel. The film includes footage captured from body cameras worn by Hamas militants on 7 October, and contains scenes of extreme violence recorded during and after the incursion.