"},"parts":[{"template":{"target":{"wt":"efn","href":"./Template:Efn"},"params":{"1":{"wt":"All character names and descriptors in this list is sourced by ''Variety'':"}},"i":0}}]}"> [a]
In November 2022, Deadline Hollywood reported that the independent film completed production, after filming for 18 days in Portland, Oregon. [6] Greg Jardin directed and wrote the screenplay. Brittany O'Grady, James Morosini, Alycia Debnam-Carey, Devon Terrell, Gavin Leatherwood, Reina Hardesty, Nina Bloomgarden, David Thompson, and Madison Davenport round out the cast. [7] [5] The film is a co-production between Such Content, Edith Productions, and Boldly Go Productions. It was produced by William Rosenfeld, Kate Andrews, Jason Baum, and Raùl Domingo. Colman Domingo and Robert Kapp were the two lead executive producers. [8] Andrew Hewitt composed the score for the film. [9]
It's What's Inside had its world premiere in the Midnight section at the Sundance Film Festival on January 19, 2024. [10] [1] Shortly after, Netflix acquired worldwide distribution rights to the film for $17 million in the largest deal made at that edition of the festival. [8] It also screened at South by Southwest on March 15, 2024. [11] [12] The film was released on Netflix on October 4, 2024. [13]
On the review aggregator website Rotten Tomatoes , 79% of 77 critics' reviews are positive, with an average rating of 7.3/10.The website's consensus reads: "Cleverly constructed and leaping off the screen with stylistic verve, It's What's Inside centers around a party from hell that audiences can enjoy from a safe remove." [14] Metacritic , which uses a weighted average , assigned the film a score of 57 out of 100, based on 22 critics, indicating "mixed or average" reviews. [15]
John Nugent of Empire called It's What's Inside "a fun and stylish rethink of body-swap movies". He stated that "Jardin's emphasis on style and verve can feel excessive at times, but for this particular story it doesn't actually seem out of place. Its excess is the animating engine of the film: a story about the superficiality of the modern world, and the masks we put on. While it’s admittedly not always easy keeping track of who is wearing which body-swapped mask — Jardin sometimes gives us a stylized, red-lit glimpse behind the curtain of who’s who — it is an undeniably compelling, frequently surprising, deeply trippy trip." [16]
In a positive review, Johnny Oleksinski of the New York Post called the film "smart sci-fi that keeps you guessing", stating: "Jardin’s concept is a devilishly clever one. The millennial generation has grown up obsessed with how they are perceived — online and in-person — and adopting totally new faces with anonymity unleashes their inner animals. [...] If only his satire included more memorable characters. Whereas the similarly eerie millennial send-up Search Party took vicious aim at recognizable tropes, this pack makes an impression as a tight ensemble rather than as compelling individuals. This is partly why when one reveler ends up in the body of another, it can be confusing to keep track of who’s who at any given time. Perhaps Jardin means for the viewer to be as mixed up as the participants, but the tension went slack whenever I had to piece a complex puzzle together." He rated the film two and a half stars out of four. [17]
In a mixed review, Ronak Kotecha of The Times of India wrote, "The film’s biggest flaw is that it attempts to juggle two overdone concepts—body swapping and the gathering of old friends in a single location—without offering anything new or compelling. Ironically, the story’s theme of revealing one’s true self through the swapping process feels underexplored. It veers between being overly simplistic and needlessly chaotic, often sidelining the supporting characters to focus more on the central couple, leaving the rest of the ensemble cast feeling underutilized." He praised the production values and performances, but felt that "The potential for a more engaging story was there, but it’s overshadowed by a lack of depth and consistency in the character arcs... The film leaves a mixed impression—ambitious but lacking the execution needed to truly stand out in its genre." [18]
Award | Date of ceremony | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
Critics Choice Awards | February 7, 2025 | Best Movie Made for Television | It's What's Inside | Nominated | [19] |