"It Ain't Enough" | ||||
---|---|---|---|---|
Single by Corey Hart | ||||
from the album First Offense | ||||
B-side | "Araby (She's Just a Girl)" | |||
Released | 1983 (Canada); 1984 (US) | |||
Recorded | April 1982, Revolution Studios UK | |||
Length | 3:28 (7" version) | |||
Label | EMI America (US) | |||
Songwriter(s) | Corey Hart | |||
Producer(s) | Jon Astley, Phil Chapman | |||
Corey Hart singles chronology | ||||
|
"It Ain't Enough" is a song by Canadian singer Corey Hart, released as the second single from his debut album, First Offense . The song was written by Hart and produced by Jon Astley and Phil Chapman.
There are two distinct mixes of the song, each one a hit in a different country. The original Canadian mix was issued on initial vinyl copies of Hart's debut album First Offense, and as a single in Canada. This version peaked at #4 on the Canadian charts.[ citation needed ] This "original mix" version was also featured in the song's original video, a performance-oriented clip featuring Hart and his band and saw inclusion in some CD releases, such as in Japan.
For the US single release, the song was remixed and a distinctive guitar lick was added that runs throughout the entire track. As well, the backing vocals before the sax solo were omitted; there are also several other subtler differences in the US mix. The video for "It Ain't Enough" was also altered; although the performance element remained, new footage was shot outside a bar in The Beaches neighbourhood of Toronto and intercut into the existing video to create a romantic storyline featuring Hart. This version of "It Ain't Enough" peaked at #17 on the US Billboard Hot 100 chart, [1] and is the version found on all post-1984 issues of First Offense.
Chart (1984–5) | Peak position |
---|---|
Australia (Kent Music Report) [2] | 37 |
Canadian RPM Singles[ citation needed ] | 4 |
US Billboard Hot 100 [1] | 17 |
US Billboard Adult Contemporary [3] | 19 |
"Get Ready" is a Motown song written by Smokey Robinson, which resulted in two hit records for the label: a U.S. No. 29 version by The Temptations in 1966, and a U.S. No. 4 version by Rare Earth in 1970. It is significant for being the last song Robinson wrote and produced for the Temptations, due to a deal Berry Gordy made with Norman Whitfield, that if "Get Ready" did not meet with the expected degree of success, then Whitfield's song, "Ain't Too Proud to Beg", would get the next release, which resulted in Whitfield more or less replacing Robinson as the group's producer.
Corey Mitchell Hart is a Canadian singer, musician and songwriter known for his hit singles "Sunglasses at Night", "Never Surrender" and "It Ain't Enough". He has sold over 16 million records worldwide and recorded nine US Billboard Top 40 hits. In Canada, 30 of Hart's recordings have been Top 40 hits, including 11 in the Top 10, over the course of over 35 years in the music industry. Nominated for the Grammy Award for Best New Artist in 1984, Hart is an inductee of both Canada's Music Hall of Fame and Canada's Walk of Fame, and is also a multiple Juno award nominee and winner, including the Diamond Award for his best-selling album Boy in the Box. He has also been honoured by the American Society of Composers, Authors and Publishers (ASCAP) and the Society of Composers, Authors and Music Publishers of Canada (SOCAN).
"Ain't No Sunshine" is a song by Bill Withers from his 1971 album Just As I Am, produced by Booker T. Jones. The record featured musicians Donald "Duck" Dunn on bass guitar, Al Jackson Jr. on drums and Stephen Stills on guitar. String arrangements were done by Booker T. Jones. The song was recorded in Los Angeles, with overdubs in Memphis by engineer Terry Manning.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"South Side" is a song written and recorded by American electronica musician Moby. It was released to radio on October 10, 2000, as the seventh single from his fifth studio album, Play. Initially recorded with No Doubt frontwoman Gwen Stefani, production problems forced Moby to leave Stefani's vocals off the mix of the song included on Play; Stefani's vocals were then restored for the song's single release. The drums are sampled from "What's Up Front That Counts" by the Counts.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by the Neighborhood, and most notably by Amy Grant in 1994 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
"Gimme Little Sign" is a 1967 soul song, originally performed by Brenton Wood and written by Wood, Joe Hooven and Jerry Winn. The charted versions were Wood's, Peter Andre's, the Sattalites', and Danielle Brisebois's.
"The Loco-Motion" is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. "The Loco-Motion" was originally written for R&B singer Dee Dee Sharp, but Sharp turned the song down.
"Sunglasses at Night" is a song by Canadian singer Corey Hart. It was released on January 21, 1984 as the first single from his debut album, 1983's First Offense, and became a hit single in the United States, officially rising to number 7 on the Billboard Hot 100 during the week that ended on September 1, 1984. The song combines an unflagging synthesizer hook, characteristic arpeggio, rock guitar and cryptic lyrics. AllMusic has since described it as "an instant classic with its distinctive melody and catchy chorus".
"You Win My Love" is a song recorded by Canadian country music singer Shania Twain. It was released on January 27, 1996, as the fifth single from her second studio album The Woman in Me. The song was written solely by then husband and producer Robert John "Mutt" Lange, making it one of Twain's only songs she didn't write. Lyrically, the song uses car metaphors to describe a fruitful relationship.
"God Bless the Child" is a song co-written and recorded by Canadian country music artist Shania Twain. It was released on October 26, 1996 as the eighth and final single from her sophomore studio album The Woman in Me (1995). The album version was solely written by Twain and the single version was co-written by Mutt Lange. The album version is more a poem than a song, completely done a cappella. A country version and an alternate version without the banjo were later released for airplay.
First Offense is the debut studio album by Corey Hart, released in 1983. It includes the hit single "Sunglasses at Night" and the ballad "It Ain't Enough". Hart was subsequently nominated for four Juno Awards and a Grammy Award for "Best New Artist".
"Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead single from his second album, No Brakes (1984). It reached number one on Billboard's Album Rock Tracks and on the Hot 100, as well as number 9 on the UK Singles Chart. "Missing You" was the only record in 1984 to spend only a single week at the top of the Hot 100. The song was nominated for the 1985 Best Pop Vocal Performance Male Grammy Award.
"The Sun Ain't Gonna Shine (Anymore)" is a song written by Bob Crewe and Bob Gaudio.
The discography of American rhythm and blues singer Diana Ross, the former lead singer of the Supremes, consists of 25 studio albums and 116 singles. Throughout her career, Ross has sold over 100 million records worldwide. Billboard ranked her as the 47th Greatest Artist of all time and the 11th Greatest Hot 100 Female Artist of all time. In 1993, Guinness World Records crowned Ross as the "most successful female artist in music history". Her 11th studio album "Diana" remains the best-selling album of her career, selling more than 10 million copies around the world.
"Two Out of Three Ain't Bad" is a power ballad performed by the American musician Meat Loaf. It is a track off his 1977 album Bat Out of Hell, written by Jim Steinman. It spent 23 weeks on the Billboard Hot 100, peaking at #11, and earned a million-selling Gold single from the RIAA, eventually being certified platinum. It remains his second-highest charting hit in the US, behind "I'd Do Anything for Love " (1993), and stands as one of his career signature tunes.
"If You Love Somebody Set Them Free" is the first single by English musician Sting from his solo debut album, The Dream of the Blue Turtles (1985). It is also the opening track of the album, and is featured on Fields of Gold: The Best of Sting 1984–1994 as well as The Very Best of Sting & The Police.
"Too Much Ain't Enough Love" is a song by Australian rock singer, Jimmy Barnes. It was released in October 1987 as the first single from Barnes' 1987 album, Freight Train Heart. It was his first Australian No. 1 hit single and reached No. 4 on the New Zealand Singles Chart. In the United States it was issued in the following year, which peaked at No. 91 on the Billboard Hot 100 in July 1988. It featured back-up vocals by Venetta Fields, as well as Wendy Matthews, who later found acclaim as a solo singer.
"How Do You Sleep?" is the third single from Jesse McCartney's third studio album, Departure. The song was released on January 20, 2009. The song was written and produced by R&B singer Sean Garrett, and his production partner Clubba Langg.
"Never Surrender" is a song by Canadian singer Corey Hart. It was released in June 1985 as the first single from his second studio album, Boy in the Box. The song was number-one for four weeks in Canada and was Hart's highest charting single in the United States, reaching number three on the Billboard Hot 100 in August 1985.