The Itinerant Artist Project (IAP) is a painting-based project with strong public outreach and performance art dimensions, devised and undertaken by Western NY landscape painter Jim Mott. The IAP is based on the principles of gift exchange discussed in Lewis Hyde's seminal work, the Gift. The project involves locating (by various means) a series of voluntary hosts around the USA, touring by car from host to host, and at each stop painting several small location paintings, offering one in exchange for the hospitality provided (room, board and occasional conversation for 2–5 days). [1]
Motivated by a concern that the spheres of art and everyday life have become too disconnected, to the impoverishment of both, the IAP experiments with radically resituating the individual artist's painting practice, usually into the households of strangers. In collaboration with his hosts, Mott sets up a non-commercial but supportive context within which to operate. Mott sees this as a temporary but valuable break with social and professional convention—on the understanding that money, while ultimately necessary, distorts the relations between art and imagination, artist and public. [2] Among other things, the project explores the function of art as gift and the effect of a gift economy on creative productivity.
Since its beginning in the spring of 2000, there have been fifteen IAP tours, covering over 25,000 miles, with stops at approximately 125 locations in 35 states. In a total of thirteen months on the road, the IAP has generated over 550 small landscape paintings (oil on panel).
The IAP uses painting as a means of promoting, enhancing and celebrating direct human interaction in a virtual age. Although the project's focus is the integration of art into everyday life, [3] primarily through situating the artist in other people's households for a sustained period, recent tours have involved spontaneous bartering, including the trading of art for meals, commercial lodging—and a speeding ticket in Missoula, MT. [4]
George Inness was a prominent American landscape painter.
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Alexander Young Jackson LL. D. was a Canadian painter and a founding member of the Group of Seven. Jackson made a significant contribution to the development of art in Canada, and was instrumental in bringing together the artists of Montreal and Toronto. He helped found the Group of Seven in 1920. In addition to his work with the Group of Seven, his long career included serving as a war artist during World War I (1917–19) and teaching at the Banff School of Fine Arts, from 1943 to 1949. In his later years he was artist-in-residence at the McMichael Canadian Art Collection in Kleinburg, Ontario.
Peredvizhniki, often called The Wanderers or The Itinerants in English, were a group of Russian realist artists who formed an artists' cooperative in protest of academic restrictions; it evolved into the Society for Travelling Art Exhibitions in 1870.
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Emma Lampert Cooper was a painter from Rochester, New York, described as "a painter of exceptional ability". She studied in Rochester, New York; New York City under William Merritt Chase, Paris at the Académie Delécluse and in the Netherlands under Hein Kever. Cooper won awards at several World's Expositions, taught art and was an art director. She met her husband, Colin Campbell Cooper in the Netherlands and the two traveled, painted and exhibited their works together.
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Gregorio Prestopino (1907–1984) was an American artist. According to the art historian Irma B. Jaffe, he was "one of the major American painters who refused to reject the image, [and] has devoted his career to depicting the human condition with a warmth tempered only by honesty".
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Julie Blackmon is a photographer who lives and works in Missouri. Blackmon's photographs are inspired by her experience of growing up in a large family, her current role as both mother and photographer, and the timelessness of family dynamics. As the oldest of nine children and mother to three, Blackmon uses her own family members and household to "move beyond the documentary to explore the fantastic elements of our everyday lives."
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