Jacob "Jack" Kluger (January 23, 1912, Antwerp - May 26, 1963, Brussels) was a Belgian jazz bandleader. In the early 1930s he led a group called the Collegians, and also worked with Maurice Pinto later in the decade. He then put together his own ensemble made principally of musicians from his previous two bands, which toured throughout Europe immediately before World War II; Johnny Claes was one of his sidemen. Between 1939 and 1941 his band made several recordings which The New Grove called "some of the finest to have been made by Belgian jazz musicians." [1] Following the war he was employed at the International Music Company as a producer, studio arranger, promoter, and publisher.
The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
George Vital "Papa Jack" Laine was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. He was often credited for training many musicians who would later become successful in jazz music.
Irving Milfred Mole known professionally as Miff Mole, was an American jazz trombonist and band leader. He is generally considered one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style."
The music of Belgium is a cultural mix where Flemish Dutch-speaking and Walloon French-speaking traditions mix with those of German minorities and of immigrant communities from Democratic Republic of the Congo or other distant countries.
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of his predecessor bassists Jimmy Blanton and Charles Mingus, Haden revolutionized the harmonic concept of bass playing in jazz, evolving a way of playing that sometimes complemented the soloist, and sometimes moved independently, to help liberate bass players from a strictly accompanying role, to becoming more direct participants in group improvisation.
Jack DeJohnette is an American jazz drummer, pianist, and composer.
Jack Hylton was an English pianist, composer, band leader and impresario.
Malcolm Earl "Mal" Waldron was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
Giuseppe "Joe" Venuti was an American jazz musician and pioneer jazz violinist.
Octave John Claes was an English-born racing driver who competed for Belgium. Before his fame as a racing driver, Claes was also a jazz trumpeter and successful bandleader in Britain.
Jim Robinson, also known as Big Jim Robinson was an American jazz musician, based in New Orleans, renowned for his deep, wide-toned, robust "tailgate" style of trombone playing, using the slide to achieve a wide swoop between two notes and rhythmic effects.
Irving Harold Mills was an American music publisher, musician, lyricist, and jazz artist promoter. He often used the pseudonyms Goody Goodwin and Joe Primrose.
Truman Eliot "Jack" Jenney was an American jazz trombonist.
Jean-Jacques (Jack) Sels was a Belgian jazz saxophonist, arranger, and composer.
Herbert Arnold Geller was an American jazz saxophonist, composer and arranger. He was born in Los Angeles, California, United States.
The history of jazz in Belgium starts with the Dinant instrument maker Adolphe Sax, whose saxophone became part of military bands in New Orleans around 1900 and would develop into the jazz instrument par excellence. From then on the early history of jazz in Belgium virtually runs parallel to developments in the country of the birth of jazz, from the minstrel shows in the late 19th century until the first Belgian jazz album in 1927 and beyond.
Robert De Keersmaeker, better known as Robert De Kers was a Belgian jazz trumpeter and bandleader.
Gustave De Clercq, better known as Gus Clark was a Belgian jazz pianist.