Author | Matthew Kapell, William G. Doty (editors) |
---|---|
Country | United Kingdom |
Language | English |
Subject | The Matrix trilogy |
Genre | Non-fiction |
Publisher | Bloomsbury Academic |
Publication date | June 1, 2004 [1] |
Media type | Print, e-book |
Pages | 230 pp. |
ISBN | 978-0826415875 hardcover edition |
OCLC | 54279998 |
Jacking In to the Matrix Franchise: Cultural Reception and Interpretation is a book about The Matrix trilogy of films and other associated media. [2] [3] It was published by Bloomsbury Academic on 1 June 2004 and edited by Matthew Kapell, anthropological historian, and William G. Doty, professor emeritus of religious studies and religion at the University of Alabama. A second printing was published in September 2006, essentially the same volume with a new cover.
Jacking In to the Matrix Franchise examines the films, video and computer games, comics, anime short films and other aspects of the franchise. The book is organized as a series of essays on the cultural and religious implications of the Matrix franchise, including gender, race, ethics, religion, and cybernetics. Contributors include John Shelton Lawrence, Russell Blackford, Matthew Kapell, Bruce Isaacs, and William G. Doty.
Susannah Mandel of The Boston Phoenix stated, "This collection's strength is that it doesn't try to tell you that the Matrix films are good or bad movies. The writers are as interested in the films' failures as in their innovations, and in the opportunities they offer to take the measure of the American mind. They ask intriguing questions. I came away from Jacking convinced that the Matrix films are more than action flicks. By provoking such passionate and thoughtful responses, from academics and water-cooler philosophers alike, the series has embodied the cyborg dreams, the fears and desires, of Americans at the turn of the millennium. And that's something worth reading about." [4] Ginette Paris of Spring Journal wrote "...the collection of articles offers much more: it is a grand tour of all the subjects that matter in film studies: gender and degenderization, race and multiraciality, evolving and contradictory definitions of male and female heroism, religious symbolism in an entertainment culture, hidden agendas and embedded political values, postmodern deconstruction and reconstruction of hope, archetypal characters showing up unannounced, the opposition of an old in the new market of spiritual values." [4]
Postmodernism is a broad movement that developed in the mid-to-late 20th century across philosophy, the arts, architecture, and criticism, marking a departure from modernism. The term has been more generally applied to describe a historical era said to follow after modernity and the tendencies of this era.
The Matrix is a 1999 science fiction action film written and directed by the Wachowskis, and produced by Joel Silver. Starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano, and as the first installment in the Matrix franchise, it depicts a dystopian future in which humanity is unknowingly trapped inside a simulated reality, the Matrix, which intelligent machines have created to distract humans while using their bodies as an energy source. When computer programmer Thomas Anderson, under the hacker alias "Neo", uncovers the truth, he "is drawn into a rebellion against the machines" along with other people who have been freed from the Matrix.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Late capitalism, or late-stage capitalism, is a term first used in print by German economist Werner Sombart around the turn of the 20th century. Since 2016, the term has been used in the United States and Canada to refer to perceived absurdities, contradictions, crises, injustices, and inequality created by modern business development.
Because speculative genres explore variants of reproduction, as well as possible futures, SF writers have often explored the social, political, technological, and biological consequences of pregnancy and reproduction.
The Matrix is an American media franchise created by writers-directors the Wachowskis and producer Joel Silver. The series consists of three movies, beginning with The Matrix (1999) and continuing with two sequels, The Matrix Reloaded and The Matrix Revolutions, all written and directed by the Wachowskis and produced by Joel Silver. The franchise is owned by Warner Bros., which distributed the films along with Village Roadshow Pictures. The latter, along with Silver Pictures, are the two production companies that worked on the first three films.
Trinity is a fictional character in the Matrix franchise. She is portrayed by Carrie-Anne Moss in the films. In the gameplay segments of Path of Neo, she is voiced by Jennifer Hale. Trinity first appears in the first film in the trilogy, The Matrix.
Nebuchadnezzar is a fictional hovership captained by Morpheus in the The Matrix franchise. Its name is a Biblical reference to Nebuchadnezzar II, from the Book of Daniel. It received scholarly attention due to its role in the series and metaphorical significance.
Persephone is a fictional character in The Matrix franchise. She is portrayed by Monica Bellucci. In the films The Matrix Reloaded and The Matrix Revolutions, Persephone is the wife of the Merovingian. She seems bored with her existence in the Matrix, and is dissatisfied with her husband.
The exploration of politics in science fiction is arguably older than the identification of the genre. One of the earliest works of modern science fiction, H. G. Wells’ The Time Machine, is an extrapolation of the class structure of the United Kingdom of his time, an extreme form of social Darwinism; during tens of thousands of years, human beings have evolved into two different species based on their social class.
The terms "red pill" and "blue pill" refer to a choice between the willingness to learn a potentially unsettling or life-changing truth, by taking the red pill, or remaining in contented ignorance with the blue pill. The terms refer to a scene in the 1999 film The Matrix.
Nancy Katherine Hayles is an American postmodern literary critic, most notable for her contribution to the fields of literature and science, electronic literature, and American literature. She is professor and Director of Graduate Studies in the Program in Literature at Duke University.
Matthew Wilhelm Kapell is a historian and anthropologist, with Master's Degrees in each discipline, who has a Ph.D. in American Studies.
John Shelton Lawrence is an emeritus professor of philosophy at Morningside College in Sioux City, Iowa, United States. His initial major publication, The American Monomyth, written with Robert Jewett, was published in 1977.
Russell Blackford is an Australian writer, philosopher, and literary critic.
Lilith's Brood is a collection of three works by Octavia E. Butler. The three volumes of this science fiction series were previously collected in the now out of print volume, Xenogenesis. The collection was first published under the current title of Lilith's Brood in 2000.
Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction (2009) is a book of literary and cultural criticism by American author D. Harlan Wilson. The book analyzes the evolution of technology, the self, subjectivity, culture, commodity fetishism and capitalism as it has been represented by postmodern science fiction novels and films. Ultimately Wilson points to a postcapitalist subjectivity that is an extension of technocapitalism.
Rita Felski is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016–2021).
William G. Doty (1939–2017) was an American religious studies scholar and educator. He an author and editor known for his writings about myth and mythology.