Jacob Bellaert (born in Zierikzee) was an early Dutch publisher who produced seventeen books in Haarlem from 1483 to 1486. The early Netherlandish painter Master of Bellaert or Master of Jacob Bellaert is so called for his many woodcuts in Bellaert's publications.
Little is known of his life or that of his illustrator. According to the National Library of the Netherlands (KB), the edition of Der sonderen troest of het Proces tussen Belial ende Moyses is the only version of Jacobus de Teramo's story of Liber Bellial known to have been produced in Dutch. [1] In his 1484 edition of Bartholomeus Anglicus's book Van de proprieteiten der dingen (English:"Of the propriety of things"), Jacob Bellaert printed his own name in the colophon, which is how his name survived. [2]
According to the RKD the art historian W.R. Valentiner identified the illustrator as identical to the painter Albert van Ouwater and the Master of the Tiburtine Sibyl. [3]
Emanuel van Meteren or Meteeren was a Flemish historian and Consul for "the Traders of the Low Countries" in London. He was born in Antwerp, the son of Sir Jacobus van Meteren, Dutch financier and publisher of early English versions of the Bible, and Ottilia Ortellius, of the famous Ortellius family of mapmakers, and nephew of the cartographer Abraham Ortelius.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Romeyn de Hooghe was a late Dutch Baroque painter, sculptor, engraver and caricaturist.
Cornelis de Bie was a Flemish rederijker, poet, jurist and minor politician from Lier. He is the author of about 64 works, mostly comedies. He is known internationally today for his biographical sketches of Flemish and Dutch painters in his Het Gulden Cabinet der Edel Vry Schilderconst, first printed in 1662.
The decade of the 1480s in art involved some significant events.
Arnold Houbraken was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters.
Matthys Cock or Matthijs Wellens de Cock was a Flemish landscape painter and draughtsman. He is known for his landscapes, marine art and architectural drawings.
Jan Peeters the Elder or Johannes Peeters was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings, many of which were engraved by contemporary printmakers and published by the Antwerp printers.
Abraham van den Tempel was a Dutch Golden Age painter.
Jacob Levecq (c.1634–1675), né Jacques L'Evesque, who signed his name J. Leveck or J. L., and was also referred to as Jakob Lavecq, Jacobus Levecq, Jacobus L'Evesque, and Jacobus Lavecq, was a Dutch Golden Age painter trained by Rembrandt.
Abraham Rademaker was an 18th-century painter and printmaker from the Northern Netherlands.
Jacob Vrel was a Dutch, Flemish, or Westphalian painter of interiors and urban street scenes during the Dutch Golden Age (1588–1672). He was likely most active from 1654 to 1662.
Johann Veldener, also known as Jan Veldener or Johan Veldenaer; was an early printer in Flanders. He worked as a punchcutter and printer in Cologne, together with William Caxton, who may have financed his first books. They both left for Flanders in 1472. Evidence indicates that Veldener assisted Caxton in setting up his printing office in Bruges and helped printing his first work there, the 1472-1473 Recuyell of the Historyes of Troye by Raoul Lefèvre. Afterwards, Veldener went to Leuven and set up his printing company there, becoming the second printer in Leuven after John of Westphalia, and the third or fourth in the Netherlands. He entered the Leuven University on 30 July 1473 in the faculty of Medicine.
Jacob Neefs or Jacob Neeffs was a Flemish etcher, engraver and publisher. He worked on publication projects for prominent Flemish artists of his time including Rubens, van Dyck and Jacob Jordaens.
The Master of the Tiburtine Sibyl was an unidentified Early Netherlandish painter, probably from Haarlem, named after The Tiburtine Sibyl meets Augustus, a work in the Städel in Frankfurt.
The Master of the Legend of Saint Catherine is the notname for an unknown late 15th century Early Netherlandish painter. He was named after a painting with Scenes from the Legend of Saint Catherine, now kept in the Royal Museums of Fine Arts of Belgium. He was active between c. 1470 and c. 1500, probably around Brussels.
Herbarius moguntinus or Aggregator practicus de simplicibus is an illustrated Latin herbal which was edited and printed in 1484 by Peter Schöffer in Mainz. Together with the German herbal Gart der Gesundheit and the Latin herbal Hortus sanitatis, Herbarius moguntinus belongs to the so-called "Group of Mainz Herbal Incunabula."
Jacob van Liesvelt or Jacob van Liesveldt, was a Flemish printer, publisher and bookseller. His printing press put out publications in a wide range of genres, including poetry by Anna Bijns, Roman Catholic literature such as an anti-heresy decree, and publications that conflicted with Catholic teachings. He published the first complete Dutch translation of the Bible in 1526, largely based on Martin Luther's translation. He was eventually executed for publishing unauthorised versions of the Bible.
Jacob Herreyns or Jacob Herreyns (I) Antwerp, baptized on 23 December 1643 – Antwerp, 1 January 1732) was a Flemish painter, printmaker and designer of tapestries. He worked in Antwerp where he painted many altarpieces. He was a known staffage painter who added the figures in the landscapes of other artists. As a printmaker, he produced mostly prints of mythological subjects. He held also the position of 'muntmeester' (mint master) of Brabant.
Hugo van den Eynde was a Dutch statesman, and Pensionary of Delft. He was succeeded in this position by his son Jacob van den Eynde.
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