Jacqueline | |
---|---|
Directed by | Roy Ward Baker |
Written by | Patrick Kirwan Liam O'Flaherty additional dialogue Patrick Campbell Catherine Cookson |
Based on | A Grand Man (novel) by Catherine Cookson |
Starring | John Gregson |
Cinematography | Geoffrey Unsworth |
Edited by | John D. Guthridge |
Music by | Cedric Thorpe Davie |
Production company | George H. Brown Productions |
Distributed by | Rank |
Release date |
|
Running time | 89 minutes |
Country | United Kingdom |
Language | English |
Jacqueline is a 1956 British drama film shot in Belfast and directed by Roy Ward Baker. It is based on the novel The Grand Man (1954) by Catherine Cookson. [1]
Steel worker Mike McNeil's drinking spirals out of control when he loses his job due to vertigo at the Belfast shipyard. But his devoted young daughter Jacqueline vows to help him.
She is picked as soloist at a church festival and attempts to persuade a tough land-owner to give her troubled dad another chance. [1]
The film was based on the novel The Grand Man (1954) by Catherine Cookson. It was Cookson's fifth book. Cookson was paid £750 for the rights and a draft of the script. The film was set in Belfast as opposed to Tyneside which is where the novel was set. Cookson disliked the casting of Jacqueline Ryan in the lead role, feeling she was miscast. She was ultimately unhappy with the film, as she was with Rooney another adaptation from the Rank Organisation of one of her novels. [2]
Baker said "the picture was partly made because of the introduction at that time of the blue backing process which made back projection very much easier than the old-fashioned process but it had its teething problems and difficulties. So, I boldly was the first one to use it and it worked extremely well. Again, we had an extremely good cast." [3]
Baker said John Gregson "was excellent for the part except he kept saying I wish I was Victor McLaglen because it needed a great big hunk of a man and John wasn't." [3]
Jacqueline Ryan was the daughter of Phyllis Ryan, an actor and later manager. [4]
There was some location work done in Belfast but the bulk of the film was shot at Pinewood. Ward said "Every film has its problems and with this one it was that the central character was the little girl who since she was nine had never been in front of a camera before. She'd been tested and looked at and seemed all right. But she was frightened to death. I think she thought the Duke of Wellington was going to come and put her in the Tower and leave her there. Anyway, she got through it and in the end she wasn't bad. Also, I'd never directed a child before. [3]
The Observer called it "a nice, dull film." [5]
Variety called it
A saccharine, sentimental yarn... notable for the fact that it introduces an attractive new child personality. Also that it permits most of £he other characters to indulge in large doses of conventional Irish blarney. Pic is strictly for the family trade. The story is oldfashioned in conception and presentation, and never attempts 'to be anything but dated melodrama... The emphasis all the way is on the tear-jerking aspects and they’re frequently very contrived. There is a limited appeal in the background and the scenes of a slum neighborhood celebrating the Coronation with a street party has some interest. The picture, however, is dominated by the moppet performer who, without precociousness, and with no previous experience, acts with genuine con¬viction and sincerity. [6]
Britmovie called the film "gushingly sentimental"; [1] while Sky Movies called it "a likeable little drama with earnest performances and atmospheric background detail." [7]
Roy Ward Baker said "the film was quite successful. It was a harmless fairy tale. They were all good in it and they were picturesque and quite funny. " [3]
Winifred Jacqueline Fraser BissetLdH is a British actress. She began her film career in 1965 and first came to prominence in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. In the 1970s, she starred in Airport (1970), The Mephisto Waltz (1971), Day for Night (1973), which won the Academy Award for Best Foreign Language Film, Le Magnifique (1973), Murder on the Orient Express (1974), St. Ives (1976), The Deep (1977), The Greek Tycoon (1978) and Who Is Killing the Great Chefs of Europe? (1978), which earned her a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical.
A Study in Scarlet is an 1887 detective novel by British writer Arthur Conan Doyle. The story marks the first appearance of Sherlock Holmes and Dr. Watson, who would become the most famous detective duo in English literature. The book's title derives from a speech given by Holmes, a consulting detective, to his friend and chronicler Watson on the nature of his work, in which he describes the story's murder investigation as his "study in scarlet": "There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it."
Dame Catherine Ann Cookson, DBE, was a British writer. She is in the top 20 of the most widely read British novelists, with sales topping 100 million, while she retained a relatively low profile in the world of celebrity writers. Her books were inspired by her deprived youth in South Shields, North East England, the setting for her novels. With 104 titles written in her own name or two other pen names, she is one of the most prolific British novelists.
Jacqueline Susan McKenzie is an Australian film and stage actress.
Murder Most Foul is the third of four Miss Marple films made by Metro-Goldwyn-Mayer. Loosely based on the 1952 novel Mrs McGinty's Dead by Agatha Christie, it stars Margaret Rutherford as Miss Jane Marple, Ron Moody as the theater company director H. Driffold Cosgood, Charles Tingwell as Inspector Craddock, and Stringer Davis as Mr Stringer. The story is ostensibly based on Christie's novel, but notably changes the action and the characters. Hercule Poirot is replaced by Miss Marple and most of the other characters are not in the novel.
Love in the Afternoon is a 1957 American romantic comedy film produced and directed by Billy Wilder, and starring Gary Cooper, Audrey Hepburn and Maurice Chevalier. The screenplay by Wilder and I.A.L. Diamond is based on the 1920 Claude Anet novel Ariane, jeune fille russe. The story explores the relationship between a notorious middle-aged American playboy business magnate and the 20-something daughter of a private detective hired to investigate him. The supporting cast features John McGiver and Lise Bourdin.
The House in the Square is a 1951 science fiction fantasy film starring Tyrone Power and Ann Blyth. It was an early film for director Roy Ward Baker.
And Now the Screaming Starts! is a 1973 British gothic horror film directed by Roy Ward Baker and starring Peter Cushing, Herbert Lom, Patrick Magee, Stephanie Beacham and Ian Ogilvy. It is one of the few feature-length horror stories by Amicus, a company best known for anthology or "portmanteau" films. Baker felt the title was "silly".
Earl St. John was an American film producer in overall charge of production for The Rank Organisation at Pinewood Studios from 1950 to 1964, and was credited as executive producer on 131 films. He was known as the "Earl of Pinewood". John Davis of Rank called him "the greatest showman that The Rank Organisation has ever had, and probably the greatest showman to have lived in this country. "
This Is My Street is a 1964 British black and white kitchen sink drama film directed by Sidney Hayers and starring Ian Hendry,June Ritchie, Avice Landone, John Hurt and Meredith Edwards. The screenplay is by Bill MacIlwraith based on the 1963 novel of the same name by Nan Maynard.
Tiger in the Smoke is a 1956 British crime film directed by Roy Ward Baker and starring Donald Sinden, Muriel Pavlow, Tony Wright, Bernard Miles and Christopher Rhodes. It is based on the 1952 novel The Tiger in the Smoke by Margery Allingham. The film is set in a noirish smog-shrouded London and briefly in Brittany, France, and combines the genres of mystery, thriller, crime and drama. The cinematography was by Geoffrey Unsworth.
Highly Dangerous is a 1950 British spy film starring Margaret Lockwood and Dane Clark. It was directed by Roy Ward Baker, based on a screenplay and novel The Dark Frontier written by Eric Ambler.
Passage Home is a 1955 British drama film directed by Roy Ward Baker and starring Anthony Steel, Peter Finch and Diane Cilento. The screenplay was by William Fairchild based on the 1952 novel of the same name by Richard Armstrong.
The Secret Place is a 1957 British crime film that was the directorial debut of Clive Donner. It stars Belinda Lee, Ronald Lewis, and David McCallum.
Paul Anthony "Tony" Wright was an English film actor. The son of actor Hugh E. Wright, he was a Rank Organisation contract player for some years.
Rooney is a 1958 British comedy film directed by George Pollock and starring John Gregson, Muriel Pavlow and Barry Fitzgerald. It was based on the 1957 novel of the same name by Catherine Cookson.
Life with the Lyons is a 1954 British comedy film directed by Val Guest and starring Bebe Daniels, Ben Lyon and Barbara Lyon. It was a spin-off from the radio series Life with the Lyons, and the screenplay was based on previous episodes from the show. It was shot at Southall Studios in London with sets designed by the art director Wilfred Arnold.
Maureen Ward, Countess of Dudley, was a British actress. Born in Glasgow, Scotland, Lady Dudley was the daughter of James Swanson. As Maureen Swanson, she featured in British pictures during the 1950s and retired from acting in 1961, following her marriage to Viscount Ednam.
Sara Dane is a 1982 Australian television miniseries about a woman transported from England to Australia for a crime she did not commit.
Evelyn Maureen Baker was a British fashion designer. She was the chief designer for the Susan Small label for many years, before working for her own label. She is perhaps best known as the designer of the first wedding dress of Princess Anne.