Jacqueline Wernimont | |
---|---|
Alma mater | University of Iowa Brown University |
Scientific career | |
Fields | Scripps College Arizona State University Dartmouth College |
Jacqueline D. Wernimont is an American academic who is the Distinguished Professor in Digital Humanities and Social Engagement at Dartmouth College. Her first book, Numbered Lives Life and Death in Quantum Media, was released by MIT Press in January 2019. It is the first book to map connections in feminist media history. She is the founding Director of Human Security Collaborator (HS Collab), a collaboration of interdisciplinary academics working on digital civil rights and big data.
Wernimont studied English and molecular biology at the University of Iowa. [1] [2] She moved to Brown University for her graduate studies, earning a master's degree and PhD in English Literature. [3] [4] When she started graduate school she worked on how postcolonial literature and the accounting of death were related. [5] Wernimont worked on the Brown University Women Writers Project, where she began her career as a text encoder and ended up as a project manager. [6] The Women Writers Project, which later relocated from Brown to Northeastern University, looks to reclaim the importance of pre-Victorian women's writing. [7]
Wernimont joined Scripps College as an Assistant Professor of English, where she explored how poetries could be transformed into a 3D object. [8] She directed the Counting the Dead project, which explored the relationship between early modern numerical and commemorative poetic technologies. [9] [10] She was appointed at Arizona State University, [11] where she specialised in literary history and feminist digital media. [12] She directed the graduate certificate in Digital Humanities. [12] In 2015 she established the Center for Solutions to Online Violence. [13] [14] Together with Elizabeth Losh and Mikki Kendall, Wernimont looked at the Gamergate controversy. [15] The trio convened the Addressing Anti-Feminist Violence Online conference at the Arizona State University. [15]
She studied the history of eugenic sterilisation in California. [16] Together with Alexandra Stern, Wernimont wrote The Eugenic Rubicon, a digital resource that compiled archival documents and data visualisation. [17] The work was supported by the National Endowment for the Humanities Humanities Collections and Reference Resources seed grant. [17] Indiana was the first state to pass eugenics laws in 1907, allowing the sterilisation of people deemed to be of diminished mental capacity. [17] Wernimont has described how, with the illusion for genetic improvement, eugenics became a chance for men to control women. [17] Between the 1920s and 1930s, sterilisation shifted from mainly men to women, with the majority from underrepresented minority groups. [17] She found that girls as young as 13 were being sterilised, with some being described as being "in the class of the feebleminded". [17] Eugenics laws began to be repealed in the 1970s, but non-consenting sterilisation has been reported as recently as 2010. [17]
In October 2018 Wernimont joined Dartmouth College. [18] [19] She maintains an "angry bibliography", a collection of content produced by diverse academics. [20] She was the chief editor of Intersectional Feminism and Digital Humanities. [21] She is an active part of FemTechNet collective. [1]
In January 2019 Wernimont's first book was published by MIT Press. [22] Numbered Lives Life and Death in Quantum Media is a feminist media history of quantification. [22] It includes death counts and activity trackers, quotidian media that determine who counts. [2]
The Women Writers Project, or WWP, is a long-term research and digital publication project within the field of feminist digital humanities that makes texts from early modern women writers in the English language available online through electronic text encoding. Since 1999, WWP has maintained Women Writers Online, an electronic collection of rare or difficult to obtain works written or co-authored by women from the early modern period. It is currently housed within the Northeastern University Library’s Digital Scholarship Group.
Compulsory sterilization, also known as forced or coerced sterilization, refers to any government-mandated program to involuntarily sterilize a specific group of people. Sterilization removes a person's capacity to reproduce, and is usually done by surgical or chemical means.
The Eugenics Record Office (ERO), located in Cold Spring Harbor, New York, United States, was a research institute that gathered biological and social information about the American population, serving as a center for eugenics and human heredity research from 1910 to 1939. It was established by the Carnegie Institution of Washington's Station for Experimental Evolution, and subsequently administered by its Department of Genetics.
The Adelphi Genetics Forum is a non-profit learned society based in the United Kingdom. Its aims are "to promote the public understanding of human heredity and to facilitate informed debate about the ethical issues raised by advances in reproductive technology."
Eugenics has influenced political, public health and social movements in Japan since the late 19th and early 20th century. Originally brought to Japan through the United States, through Mendelian inheritance by way of German influences, and French Lamarckian eugenic written studies of the late 19th and early 20th centuries. Eugenics as a science was hotly debated at the beginning of the 20th, in Jinsei-Der Mensch, the first eugenics journal in the Empire. As the Japanese sought to close ranks with the West, this practice was adopted wholesale, along with colonialism and its justifications.
HASTAC (/ˈhāˌstak/), also known as the Humanities, Arts, Science and Technology Alliance and Collaboratory, is a virtual organization and platform comprising over 18,000 individuals and more than 400 affiliate institutions. Members of the HASTAC network actively contribute to the community through an open-access website, by organizing and participating in HASTAC conferences and workshops, and by collaborating with fellow network members.
Cathy N. Davidson is an American scholar and university professor. Beginning July 1, 2014, she is a professor at the Graduate Center of the City University of New York.
Mary Flanagan is an American artist, author, educator, and designer in the field of game studies. She is the founding director of the research laboratory and design studio Tiltfactor Lab at Dartmouth College. She is the author of scholarly books from MIT Press, including Playing Oppression: The Legacy of Conquest and Empire in Board Games,Values at Play in Digital Games, and Critical Play: Radical Game Design. She is the CEO of the board game company Resonym. Her artwork has exhibited at museums such as the Whitney Museum and The Guggenheim.
Deb Verhoeven is currently the Canada 150 Research Chair in Gender and Cultural Informatics at the University of Alberta. Previously she was Associate Dean of Engagement and Innovation at the University of Technology Sydney, and before this she was Professor of Media and Communication at Deakin University. Until 2011 she held the role of director of the AFI Research Collection at RMIT. A writer, broadcaster, film critic and commentator, Verhoeven is the author of more than 100 journal articles and book chapters. Her book Jane Campion published by Routledge, is a detailed case study of the commercial and cultural role of the auteur in the contemporary film industry.
Eugenics, the set of beliefs and practices which aims at improving the genetic quality of the human population, played a significant role in the history and culture of the United States from the late 19th century into the mid-20th century. The cause became increasingly promoted by intellectuals of the Progressive Era.
Feminist Digital Humanities is a more recent development in the field of Digital Humanities, a project incorporating digital and computational methods as part of its research methodology. Feminist Digital Humanities has risen partly because of recent criticism of the propensity of Digital Humanities to further patriarchal or hegemonic discourses in the Academy. Women are rapidly dominating social media in order to educate people about feminist growth and contributions. Research proves the rapid growth of Feminist Digital Humanities started during the post-feminism era around from the 1980s to 1990s. Such feminists’ works provides examples through the text technology, social conditions of literature and rhetorical analysis. Feminist Digital Humanities aims to identify and explore women's digital contributions as well as articulate where and why these contributions are important.
Laila Shereen Sakr, known by her moniker, VJ Um Amel, is an Egyptian–American digital media theorist and artist. She is the founder of the digital lab, R-Shief, Inc., an Annenberg Fellow, and Assistant Professor of Media Theory & Practice at University of California, Santa Barbara, where she founded the Wireframe digital media studio.
Alexandra Minna Stern is the Humanities Dean, and Professor of English and History, and at the Institute for Society and Genetics, at the University of California, Los Angeles.
Dalida María Benfield is a media artist, researcher, and writer. In Benfield's research-based artistic and collective practices, she produces video, installation, archives, artists' books, workshops, and other pedagogical and communicative actions, across online and offline platforms. She is currently faculty in the Vermont College of Fine Arts MFA in Visual Arts program, and was a Research Fellow and Faculty Associate at the Berkman Center for Internet and Society at Harvard University (2011–2015).
Eugenic feminism was a current of the women's suffrage movement which overlapped with [[eugenics]]. Originally coined by the Lebanese-British physician and vocal eugenicist Caleb Saleeby, the term has since been applied to summarize views held by prominent feminists of Great Britain and the United States. Some early suffragettes in Canada, especially a group known as The Famous Five, also pushed for various eugenic policies.
Eugenics was practiced in about 33 different states. Oregon was one of the many states that implemented eugenics programs and laws. This affected a number of different groups that were marginalized for being "unfit" and often were subject to forced sterilization.
Roopika Risam is an associate professor of film and media studies and of comparative literature and faculty in the Digital Humanities and Social Engagement cluster at Dartmouth College. She was formerly Chair of the Department of Secondary and Higher Education and Associate Professor of Education at Salem State University. She is a scholar of digital and postcolonial humanities.
Sex Variant Woman: The Life of Jeannette Howard Foster is a biography of Jeannette Howard Foster, a pioneer in lesbian studies, by American historian Joanne Passet. It was published in 2008 by Da Capo Press. The book includes a foreword by Lillian Faderman.
The Brock Report or Report of the Departmental Committee on Sterilisation (1934) was a British Parliamentary report advocating for the sterilisation of disabled people.
Durba Mitra is an American historian and professor in the history of social and feminist studies departments at Harvard University. Her work has contributed to the intersection of feminist theory and queer studies through her publications. Mitra's book Indian Sex Life: Sexuality and the Colonial Origins of Modern Social Thought was published by Princeton University Press. She was chosen for Carol K. Pforzheimer student fellowship as an assistant Professor at the Radcliffe Institute [2018]. At Harvard, she accepted the first full-time faculty member position for the Committee on Degrees in Studies of Women, Gender, and Sexuality.