Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.
André Robert Breton was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto of 1924, in which he defined surrealism as "pure psychic automatism".
Guillaume Apollinaire was a French poet, playwright, short story writer, novelist and art critic of Polish descent.
Comte de Lautréamont was the nom de plume of Isidore Lucien Ducasse, a French poet born in Uruguay. His only works, Les Chants de Maldoror and Poésies, had a major influence on modern arts and literature, particularly on the Surrealists and the Situationists. Ducasse died at the age of 24.
French literature generally speaking, is literature written in the French language, particularly by citizens of France; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in the French language by citizens of other nations such as Belgium, Switzerland, Canada, Senegal, Tunisia, Algeria, Morocco, etc. is referred to as Francophone literature.
Robert Desnos was a French poet who played a key role in the Surrealist movement.
The Surrealist Manifesto refers to a collection of several publications between Yvan Goll and André Breton, prior leaders of the rival Surrealist groups. Goll and Breton had both originally published manifestos in October 1924 titled Manifeste du surréalisme. Breton later wrote a second in 1929, publishing it the following year, with his third manifesto in 1942.
Julien Torma was credited as a French writer, playwright and poet who was part of the Dadaist movement.
Philippe Soupault was a French writer and poet, novelist, critic, and political activist. He was active in Dadaism and later was instrumental in founding the Surrealist movement with André Breton. Soupault initiated the periodical Littérature together with writers Breton and Louis Aragon in Paris in 1919, which, for many, marks the beginnings of Surrealism. The first book of automatic writing, Les Champs magnétiques (1920), was co-authored by Soupault and Breton.
Arthur Cravan was a Swiss writer, poet, artist and boxer. He was the second son of Otho Holland Lloyd and Hélène Clara St. Clair. His brother Otho Lloyd was a painter and photographer married to the Russian émigré artist Olga Sacharoff. His father's sister, Constance Mary Lloyd, was married to Irish poet Oscar Wilde. He changed his name to Cravan in 1912 in honour of his fiancée Renée Bouchet, who was born in the small village of Cravans in the department of Charente-Maritime in western France.
Minotaure was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published between 1933 and 1939. Minotaure published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.
20th-century French literature is literature written in French from 1900 to 1999. For literature made after 1999, see the article Contemporary French literature. Many of the developments in French literature in this period parallel changes in the visual arts. For more on this, see French art of the 20th century.
Jacques Rigaut was a French surrealist poet. Born in Paris, he was part of the Dadaist movement. His works frequently talked about suicide and he came to regard its successful completion as his occupation. In 1929 at the age of 30, as he had announced, Rigaut shot himself, using a ruler to be sure the bullet would pass through his heart.
Roger Vitrac was a French surrealist playwright and poet.
Philippe Léotard was a French actor, poet and singer.
The Anthology of Black Humor is an anthology of 45 writers edited by André Breton. It was first published in 1940 in Paris by Éditions du Sagittaire and its distribution was immediately banned by the Vichy government. It was reprinted in 1947 after Breton's return from exile, with a few additions. In 1966, Breton, "having resisted the temptation to add more names", published the book again and called this edition "the definitive".
Dadaglobe was an anthology of the Dada movement slated for publication in 1921, but abandoned for financial and other reasons and never published. At 160 pages with over a hundred reproductions of artworks and over a hundred texts by some fifty artists in ten countries, Dadaglobe was to have documented Dada's apogee as an artistic and literary movement of international breadth. Edited by Dada co-founder Tristan Tzara (1896-1963) in Paris, Dadaglobe was not conceived as a summary of the movement since its founding in 1916, but rather meant to be a snapshot of its expanded incarnation at war's end. Not merely a vehicle for existing works, the project functioned as one of Dada's most generative catalysts for the production of new works.
The Spiritual Hunt is a prose poem purportedly written by French writer Arthur Rimbaud, claimed to be his masterpiece by his friend and lover Paul Verlaine. Supposedly strongly resembling in form the only book he published during his lifetime, A Season in Hell, the poem is considered to be one of the most famous lost artworks, despite the fact that in 1949, a twelve-page work by the same title was unveiled to the public by Pascal Pia; Rimbaud scholars, almost unanimously, have denounced this poem as a literary forgery.
Marc Dachy was a French art historian whose speciality was Dadaism and Surrealism, an art curator, a translator, lecturer and publisher. The Prix des Créateurs was awarded to Dachy in 1978 by Eugène Ionesco.
