Paul Love, better known as Jah Screw (born in Greenwich Farm, Jamaica, 9 February 1955) [1] is a Jamaican singer and record producer best known for his work in the 1980s and 1990s with artists such as Barrington Levy, Barry Brown, and Ranking Joe
Jah Screw started in the music business in the second half of the 1970s working as a selector on the Echo Vibration, Ray Symbolic, and (U-Roy's) King Stur-Gav Hi-Fi sound systems. [2] [3] By 1980, he had begun working as a record producer, initially working with his friend from sound system days, Ranking Joe, and they set up the Sharp Axe label together. [3] The success from the label, with hots such as "Ice Cream Style" and the album Armageddon, was enough encouragement for Jah Screw to set up his own label, Time One Records. [1] [3]
He continued to produce Ranking Joe and also produced music for artists such as Earl 16, Tristan Palma, Dennis Brown and Barry Brown.
In 1984 he started laying rhythms in London. The version to the classic "African Beat" rhythm became the foundation for Barrington Levy's massive hit "Under Mi Sensi". [2] Screw then produced the even more successful single "Here I Come" for Barrington, which reached number 41 in the UK Singles Chart in 1985. [2] [4] Levy moved on to work with Black Scorpio but returned to work with Jah Screw for several years. Jah Screw released his Harry J-produced album, Herb Base Function in 1986. Further collaborations from this era included Levy's Duets album, the 1991 reggae chart-topper "Dancehall Rock", with Levy joined by Cutty Ranks, and the 1996 hit "Living Dangerously". [2] [3] [5] Ever since then Barrington and Jah Screw have had a fruitful relationship releasing music up in to the 90's with Jah Screw even turning his hand at producing Jungle remixes of Barrington's music.
Jah Screw has written, arranged, engineered and produced a lot of influential reggae music. He continued to be active as a producer until 1996, after which he said he "wasn't getting the vibes to do any more production". [1] He has since been working on preserving his back-catalogue of productions. [1]
Barrington Ainsworth Levy is a Jamaican reggae and dancehall artist.
Osbourne Ruddock, better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s.
Lincoln Barrington "Sugar" Minott was a Jamaican reggae singer, producer and sound-system operator.
Hopeton Overton Brown is a recording engineer and producer who rose to fame in the 1980s mixing dub music as "Scientist". A protégé of King Tubby, Scientist's contemporaries include several figures who, working at King Tubby's studio, had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly and Prince Jammy.
Jah Shaka has been operating a South East London-based, roots reggae Jamaican sound system since the early 1970s. His name is an amalgamation of the Rastafarian term for God and that of the Zulu king Shaka Zulu.
Errol Thompson, better known as "ET", was a record producer, audio engineer, and one of the first studio engineers to be involved in dub music.
Edward O'Sullivan Lee OD, better known as Bunny "Striker" Lee, was a Jamaican record producer.
Dennis Emmanuel Brown CD was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers.
Lloyd James, who is better known as Prince Jammy or King Jammy, is a dub mixer and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs were known for their clear sound and use of effects.
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Carlton "Santa" Davis is a musician from Jamaica, primarily known for his drumming with bands such as Bob Marley & The Wailers, The Aggrovators, Soul Syndicate and Roots Radics. He has worked with reggae artists such as Jimmy Cliff, Black Uhuru, Burning Spear, Big Youth, The Wailers, Peter Tosh, Andrew Tosh, Wailing Souls, Ini Kamoze, Big Mountain, Michael Rose, and Ziggy Marley.
Roy Anthony Johnson, better known simply as Anthony Johnson, is a Jamaican reggae musician who was a member of the group Mystic I and is known for the 1980s hit song "Gunshot".
Nkrumah "Jah" Thomas is a reggae deejay and record producer who first came to prominence in the 1970s, later setting up his own Midnight Rock and Nura labels.
Michael George Haynes, known professionally as Michael Prophet, was a Jamaican roots reggae singer known for his "crying" tenor vocal style, whose recording career began in 1977. Prophet was one of Jamaica’s most popular roots reggae singers and had several prominent hits during his 40-year career.
Ranking Joea.k.a.Little Joe is a reggae deejay who rose to prominence in the 1970s and had continuing success in the 1980s.
Johnny Ringo was a reggae/dancehall deejay active from the late 1970s to the early 1990s.
Triston Palma aka Triston or Tristan Palmer is a reggae singer/deejay. He has been active since the mid-1970s.
Alpha And Omega are a roots dub duo that mix both analogue and digital elements, comprising bassist Christine Woodbridge and keyboard player John Sprosen, both of whom had played in reggae bands previously, Sprosen also having worked with the Roaring Lion Sound System. They began working together in the mid-1980s, splitting their time between their home towns of London and Plymouth, and issued their debut home-recorded cassette in 1988. They were picked up by Greensleeves Records, who acted as a parent company to the duo's A&O label, and also worked with Jah Shaka, for whom they supplied rhythm tracks. Although they are strongly influenced by artists such as Lee "Scratch" Perry, King Tubby and Augustus Pablo, they have developed a sound that has been described as "uniquely British". In a review of their Mystical Things album, Rick Anderson, writing for Allmusic, wrote: "This prolific London-based duo is responsible for some of the most convincing old-school reggae to come from the first world."
Philip Smart was a Jamaican music producer based in New York City.