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Jyeshtha or Jyēṣṭha is a month of the Hindu calendar. In India's national civil calendar, Jyestha is the third month of the year. Known as Joishtho in Bengali, it is the second month of the Bengali calendar.
Alam Ara is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir tells the king that the former wife will give birth to a boy, later named Qamar, but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil, leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida).
New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar. It was formed on February 10th, 1931. The company motto was "Jivatang Jyotiretu Chhayam," meaning, "Light infusing shadows with life." Sircar preferred to function roughly analogous to an executive producer. He built a processing laboratory, and acquired staff. Once a film subject was selected and a team assembled to create the picture, Sicar ensured that adequate funds were provided, while refraining from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence.
Jahanara Kajjan, or "Miss Kajjan", was an Indian singer and actress active during the 1920s and 1930s, often referred to as the "Nightingale of Bengal". The reigning queen of early talkie movies glamorous movie sensation the trained classical singer, the fashion icon and the trendsetter, Jahanara Kajjan she was known as "Lark of Hindi Cinema" and the "Beautiful Nightingale of Bengal Screen". She along with Master Nissar made most sought after and popular singing pair of the stage and film.
Akkineni Laxmi Vara Prasada Rao, known professionally as L. V. Prasad, was an Indian film director, producer, actor, and businessman. He was one of the pioneers of Indian cinema and is the recipient of the Dadasaheb Phalke Award, the highest Award for films in India. In 1980, he was awarded the Raghupathi Venkaiah Award, for his contribution to Telugu cinema.
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The Cinema of Bangladesh, also known as Bangla cinema, is a diverse and vibrant entity, consisting of films produced across various regions in Bangladesh, each contributing its unique linguistic and cultural perspective. Beyond the dominant Dhaka based Bengali-language film industry Dhallywood, which is a portmanteau of "Dhaka" and "Hollywood", Bangladesh is home to cinema in several other languages and dialects. For instance, Chakma cinema from Bandarban, Garo cinema from Sherpur, Meitei and Sylheti cinema from Sylhet, Chatgaiya cinema from Chattogram. These regional cinemas play a crucial role in preserving and promoting the linguistic and cultural heritage of the country. The dominant style of Bangladeshi cinema is melodramatic cinema, which developed from 1947 to 1990 and characterizes most films to this day. Cinema was introduced in Bangladesh in 1898 by the Bradford Bioscope Company, credited to have arranged the first film release in Bangladesh. Between 1913 and 1914, the first production company, Picture House, was opened. A 1928 short silent film titled Sukumari was the first Bengali-produced film in the region. The first full-length film, The Last Kiss, was released in 1931.
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Amar Choudhury was an Indian film actor, director, editor and writer. He wrote and directed Jamai Shashthi in 1931 produced by Madan Theatre Limited, credited as the first Bengali talkie. He acted in this film too as in all of the films written and directed by him. It was released on 11 April 1931 at Crown Cinema Hall in Calcutta in the same year as Alam Ara, the first Indian talkie was released.
Jamai Sasthi is a traditional cultural ritual of Bengali people. This ritual is performed on the sixth tithi of the Shukla paksha of the Joishtho month. On this day married women and their sons-in-law are invited and entertained by women's parents. In this way, in an attempt to keep the son-in-law happy, the mundane tradition of Shashthi Puja has become the festival of Bengali's Joishtho month.
Shashthi, Shashti, Soshthi or Chhathi (Sanskrit: षष्ठी, Bengali: ষষ্ঠী, Hindi: छठी, Ṣaṣṭhī, literally "sixth") is a Hindu goddess, venerated in Nepal and India as the benefactor and protector of children. She is also the deity of vegetation and reproduction and is believed to bestow children and assist during childbirth. She is often pictured as a motherly figure, riding a cat and nursing one or more infants. She is symbolically represented in a variety of forms, including an earthenware pitcher, a banyan tree or part of it or a red stone beneath such a tree; outdoor spaces termed Shashthi Tala are also consecrated for her worship. The worship of Shashthi is prescribed to occur on the sixth day of each lunar month of the Hindu calendar as well as on the sixth day after a child's birth. Barren women desiring to conceive and mothers seeking to ensure the protection of their children will worship Shashthi and request her blessings and aid. She is especially venerated in eastern India.
Birendranath Sircar was an Indian film producer and the founder of New Theatres Calcutta. He made Bengali-language films that were noted for introducing many film directors who later became famous. He was awarded the Dada Saheb Phalke Award in 1970 and the third highest civilian award in India, the Padma Bhushan, in 1972.
Jamai may refer to:
Tritiya Paksha (1931) is a Bengali short film directed by Amar Chowdhury. The film was made under Madan Theatres Ltd. banner.
Master Vithal or Vithal (1906-1969) was an actor in Indian cinema, best known as the hero of India's first talkie Alam Ara (1931) and of Marathi and Hindi silent stunt films, which gave him the epithet as the Douglas Fairbanks of India.
References
- ↑ "Jamai Sasthi (1931)". Indiancine.ma. Retrieved 9 June 2024.
- ↑ "Yesterdate: This day from Kolkata's past, April 11, 1931" . Retrieved 9 June 2024.
- ↑ Gokulsing, K.; Wimal Dissanayake (2004). Indian popular cinema: a narrative of cultural change. Trentham Books. p. 24. ISBN 1-85856-329-1.
- ↑ "Jamai Shashthi (1931)". The A.V. Club. Retrieved 9 June 2024.
