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James C. Faris is an American anthropologist and epistemologist. He obtained his PhD in Cambridge in 1966 and joined the faculty of the University of Connecticut in 1969 as associate professor of anthropology. [1] After retirement he moved to New Mexico. As an anthropologist he has published work on communities in Newfoundland, Sudan, and the Southwestern United States.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Oliver Hazard Perry La Farge II was an American writer and anthropologist. In 1925 he explored early Olmec sites in Mexico, and later studied additional sites in Central America and the American Southwest. In addition to more than 15 scholarly works, mostly about Native Americans, he wrote several novels, including the Pulitzer Prize-winning Laughing Boy (1929). La Farge also wrote and published short stories, in magazines such as The New Yorker and Esquire.
Solon Toothaker Kimball was a noted educator and anthropologist. Kimball was born and raised in Manhattan, Kansas. He graduated from Kansas State University in 1930, then received a master's degree and Ph.D in social anthropology from Harvard in 1933 and 1936.
Douglas Tyndall Wright, was a Canadian civil engineer, civil servant, and university administrator.
Sol Worth was a painter, photography and visual communication scholar. His parents, Ida and Jacob Wishnepolsky, were Russian immigrants who worked in the garment industry and were active members of the International Ladies' Garment Workers' Union. His first language was Yiddish, and he spoke virtually no English until he began school at age 5. Worth attended the founding class of the High School of Music and Art in New York City as an art student from 1936 until 1940; in 1937 one of his paintings was chosen to be part of a student exhibition at the Museum of Modern Art. Upon graduation from high school he attended the State University of Iowa, where he studied with the painter Philip Guston. He graduated in 1943 with a Bachelor of Fine Arts in painting, but entered the Navy before graduation and did not formally receive his diploma until already on board the USS Missouri in the Pacific. While in the Navy, Worth served as helmsman on the Missouri and was later assigned to Military Intelligence at the Joint Intelligence Center in Hawaii.
John Adair, was an American anthropologist best known for work in visual anthropology but also very much involved and interested in applied anthropology.
Vratislav Effenberger was a Czech literature theoretician. He has German Bohemian descent from his paternal side, but has assimilated into Czech.
Edmund "Ted" Snow Carpenter was an American anthropologist best known for his work on tribal art and visual media.
Navajo weaving are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one art historian wrote, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
Anthony Francis Clarke Wallace was a Canadian-American anthropologist who specialized in Native American cultures, especially the Iroquois. His research expressed an interest in the intersection of cultural anthropology and psychology. He was famous for the theory of revitalization movements.
Gary J. Witherspoon was a professor of Native American studies at the University of Washington. His area of expertise was the Navajo language and Navajo culture.
Joe Ben Wheat (1916–1997) was an American archaeologist, curator, teacher, and author known for his expertise on blanket weavings and textiles of the Navajo and other Indians in Arizona, New Mexico, and Colorado. His research focused on Mogollon, Anasazi, Great Plains Paleo-Indian, and African Paleolithic archaeology.
Michael James Harner was an anthropologist, educator and author. His 1980 book, The Way of the Shaman: a Guide to Power and Healing, has been foundational in the development and popularization of Core shamanism as a new age path of personal development for adherents of neoshamanism. He also founded the Foundation for Shamanic Studies.
Saad Nadim was an Egyptian documentary film director, considered by many the pioneer of documentary cinema in Egypt and the Arab world.
Oswald J. Werner, known as Ossy, was a Professor of Anthropology and Linguistics for thirty years at Northwestern University and retired in 1998 as Professor Emeritus of Anthropology and Linguistics. During this period he researched the Navajo language and culture. Although specializing in their medicine and science, he impacted anthropology, linguistics, ethnography, ethnographic methodology, ethnoscience, and cognitive anthropology.
Thomas William Burgess is an Irish-born former Newfoundland and Labrador politician. He represented Labrador West from 1966 to 1972 in the Newfoundland House of Assembly.
Dorothy L. Keur was an American cultural anthropologist specializing in Navajo and Netherlands cultures. She was a professor at Hunter College and was the president of the American Ethnological Society from 1974 to 1979.
Dr. Carl Nelson Gorman, also known as Kin-Ya-Onny-Beyeh (1907–1998) was a Navajo code talker, visual artist, painter, illustrator, and professor. He was faculty at the University of California, Davis, from 1950 until 1973. During World War II, Gorman served as a code talker with the United States Marine Corps in the Pacific.
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