Memetics is a theory of the evolution of culture based on Darwinian principles with the meme as the unit of culture. The term "meme" was coined by biologist Richard Dawkins in his 1976 book The Selfish Gene, to illustrate the principle that he later called "Universal Darwinism". All evolutionary processes depend on information being copied, varied, and selected, a process also known as variation with selective retention. The information that is copied is called the replicator, and genes are the replicator for biological evolution. Dawkins proposed that the same process drives cultural evolution, and he called this second replicator the "meme". He gave as examples, tunes, catchphrases, fashions, and technologies. Like genes, memes are selfish replicators and have causal efficacy; in other words, their properties influence their chances of being copied and passed on. Some succeed because they are valuable or useful to their human hosts while others are more like viruses.
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".
Jonathan P. Bowen FBCS FRSA is a British computer scientist and an Emeritus Professor at London South Bank University, where he headed the Centre for Applied Formal Methods. Prof. Bowen is also the Chairman of Museophile Limited and has been a Professor of Computer Science at Birmingham City University, Visiting Professor at the Pratt Institute, University of Westminster and King's College London, and a visiting academic at University College London.
Konrad Becker is an artist, hypermedia researcher, and interdisciplinary content developer, director of the Institute for New Culture Technologies-t0 and initiator of Public Netbase and World-Information.Org.
The Electronic Visualisation and the Arts conferences are a series of international interdisciplinary conferences mainly in Europe, but also elsewhere in the world, for people interested in the application of information technology to the cultural and especially the visual arts field, including art galleries and museums.
The Computer Arts Society (CAS) was founded in 1968, in order to encourage the creative use of computers in the arts.
The Stanley Kubrick Archive is held by the University of the Arts London in their Archives and Special Collection Centre at the London College of Communication. The Archive opened in October 2007 and contains material collected and owned by the film director Stanley Kubrick (1928–1999). It was transferred from his home in 2007 through a gift by his family. It contains much of Kubrick's working material that was accumulated during his lifetime.
Ian McKay is a British writer, art critic, publisher and translator. A former editor of Contemporary Art magazine, and the founder-editor of The Journal of Geography and Urban Research, throughout the 1990s he was best known for his writings on the arts of Eastern Europe, being cited as the first British art critic to emphasize the negative impact of the western art market in that region. Throughout the 1990s and early-2000s, he was a contributor to a wide range of art journals, as well as writing on subjects relating to photography, cinema, and music. Since 2007 his publishing activities have mainly centred on UK Rural Affairs, and the environment however. Though periodically he continues to publish works of art criticism, his most recent publications concern social justice in rural Britain, as well as environmental conservation in the wider European sphere. He has also worked as an academic in several UK universities.
Kirk Martinez is a Professor in Electronics and Computer Science at the University of Southampton UK. He gained a BSc in Physics from the University of Reading and a PhD in Image Processing in the department of Electronic Systems Engineering at the University of Essex. While Arts Computing Lecturer at Birkbeck College London (1987–96) he pioneered the digital imaging of paintings together with The National Gallery, London in the European project VASARI (1980s). This led to development of art imaging projects to print accurate art books, view high detail images on the web and find art images online. He has published this research in books on image processing and computer architecture as well as Transactions of the IEEE on content-based image retrieval He was an advisor on the imaging and image processing required for the Archimedes Palimpsest. Recent research led to a new imaging system for ancient seals together with Oxford University - which is helping to capture and read historic texts.
Edward Wadie Said was a Palestinian-American philosopher, academic, literary critic, and political activist. As a professor of literature at Columbia University, he was among the founders of post-colonial studies. As a cultural critic, Said is best known for his book Orientalism (1978), a foundational text which critiques the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. His model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle Eastern studies.
Edward A. Shanken is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cruz. His scholarship has appeared in numerous journals and anthologies and has been translated into many languages. Shanken is the author of Art and Electronic Media, among other titles.
Jeremy Gardiner is a contemporary landscape painter who has been based in the United Kingdom and the United States. His work has been featured in books. It has also been reviewed in The Boston Globe, Miami Herald, The New York Times, and British newspapers including The Guardian and The Observer. He is represented by the Portland Gallery in London.
Eddie Chambers is a British contemporary art historian, curator and artist, who is Department of Art and Art History professor at the University of Texas at Austin.
Kim (Keimpe) Henry Veltman was a Dutch/Canadian historian of science and art, director of the Virtual Maastricht McLuhan Institute (VMMI), consultant and author, known for his contributions in the fields of "linear perspective and the visual dimensions of science and art," new media, culture and society.
Stephen John Bury is an English art historian and the Andrew W. Mellon Chief Librarian of the Frick Art Reference Library in New York City. He is known for his scholarship on artists' books, although his research interests also include the literature of art, the impact of the digital on the future of humanities, and the use of the past in the project of modernism.
The International Society for the Study of Medieval Latin Culture is an Italian non-profit cultural institute, based in Florence. It promotes multi-disciplinary research into the history, art, literature and philology of the medieval Latin era.
Andy Lomas is a British artist with a mathematical background, formerly a television and film CG supervisor and more recently a contemporary digital artist, with a special interest in morphogenesis using mathematical morphology.
Museums and Digital Culture (2019) is an interdisciplinary book about developments in digital culture with respect to museums. It is edited by Tula Giannini and Jonathan P. Bowen, who are also the authors of 12 chapters. The book is part of the Springer Series on Cultural Computing, edited by Ernest Edmonds. The book was launched at the EVA London 2019 Conference.
Prof. Tula Giannini is an American academic with subject expertise in musicology, digital culture, and digital heritage.
Susan Hazan is a museum curator based in Jerusalem, Israel. She has been a curator at the Israel Museum for much of her career and is known for promoting digital aspects of museum access, especially in the form of virtual museums.
