Scottish literature is literature written in Scotland or by Scottish writers. It includes works in English, Scottish Gaelic, Scots, Brythonic, French, Latin, Norn or other languages written within the modern boundaries of Scotland.
Scottish national identity is a term referring to the sense of national identity, as embodied in the shared and characteristic culture, languages and traditions, of the Scottish people.
Malcolm Laing was a Scottish historian, advocate and politician.
James Hamilton, Duke of Châtellerault, 2nd Earl of Arran was a regent for Mary, Queen of Scots from 1543 to 1554.
The Jacobite succession is the line through which Jacobites believed that the crowns of England, Scotland, and Ireland should have descended, applying primogeniture, since the deposition of James II and VII in 1688 and his death in 1701. It is in opposition to the line of succession to the British throne in law since that time.
Scotland in the Middle Ages concerns the history of Scotland from the departure of the Romans to the adoption of major aspects of the Renaissance in the early sixteenth century.
The Scottish Reformation was the process by which Scotland broke with the Papacy and developed a predominantly Calvinist national Kirk (church), which was strongly Presbyterian in its outlook. It was part of the wider European Protestant Reformation that took place from the sixteenth century.
Roxburgh Castle is a ruined royal castle that overlooks the junction of the rivers Tweed and Teviot, in the Borders region of Scotland. Its castleton developed into the royal burgh of Roxburgh, which the Scots destroyed along with the castle after capturing it in 1460. Today the ruins stand in the grounds of Floors Castle, the seat of the Duke of Roxburghe, across the river from Kelso.
Scotland in the early modern period refers, for the purposes of this article, to Scotland between the death of James IV in 1513 and the end of the Jacobite risings in the mid-eighteenth century. It roughly corresponds to the early modern period in Europe, beginning with the Renaissance and Reformation and ending with the start of the Enlightenment and Industrial Revolution.
The Kingdom of Scotland was a sovereign state in northwest Europe traditionally said to have been founded in 843. Its territories expanded and shrank, but it came to occupy the northern third of the island of Great Britain, sharing a land border to the south with the Kingdom of England. It suffered many invasions by the English, but under Robert the Bruce it fought a successful War of Independence and remained an independent state throughout the late Middle Ages. Following the annexation of the Northern Isles from the Kingdom of Norway in 1472 and the final capture of the Royal Burgh of Berwick by the Kingdom of England in 1482, the territory of the Kingdom of Scotland corresponded to that of modern-day Scotland, bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the southwest. In 1603, James VI of Scotland became King of England, joining Scotland with England in a personal union. In 1707, the two kingdoms were united to form the Kingdom of Great Britain under the terms of the Acts of Union.
The Rough Wooing was part of the Anglo-Scottish Wars of the 16th century between Scotland and England. Following its break with the Roman Catholic Church, England attacked Scotland, partly to destroy the Auld Alliance and prevent Scotland being used as a springboard for future invasion by France, partly to weaken Scotland, and partly to force Scotland to agree to a marriage alliance between Mary, Queen of Scots, and the English heir apparent Edward, son of King Henry VIII,. An invasion of France was also contemplated. Henry declared war in an attempt to force the Scots to agree to a marriage between Edward, who was six years old at the start of the war, and the infant queen, thereby creating a new alliance between Scotland and England. Upon Edward's accession to the throne in 1547 at the age of nine, the war continued for a time under the direction of the Duke of Somerset, before Somerset's removal from power in 1549 and replacement by the Duke of Northumberland, who wished for a less costly foreign policy than his predecessor. It was the last major conflict between Scotland and England before the Union of the Crowns in 1603, excepting perhaps the English intervention at the Siege of Leith in 1560.
Marcus Merriman (1940–2006) was an historian and academic researching Anglo-Scottish relations in the 16th century and their European context.
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century. It involved an attempt to revive the principles of the classical era, including humanism, a spirit of scholarly enquiry, scepticism, and concepts of balance and proportion. Since the twentieth century, the uniqueness and unity of the Renaissance has been challenged by historians, but significant changes in Scotland can be seen to have taken place in education, intellectual life, literature, art, architecture, music, science and politics.
The Jacobean debate on the Union took place in the early years of the reign of James I of England, who came to the English throne in 1603 as James VI of Scotland, and was interested in uniting his Kingdoms of England and Scotland. With one monarch on the two thrones there was de facto a "regnal union", bur since James was very widely accepted in England, the debate was not on that plane. A political union was more controversial and is often referred to as a "statutory union", underlining the fact that the legal systems and institutions involved were different, and had had distinct historical paths. Thar wider union did not in fact come about in the 17th century, but at the time of the Union of England and Scotland in 1707, arguments from the earlier period were again put into circulation.
Government in early modern Scotland included all forms of administration, from the crown, through national institutions, to systems of local government and the law, between the early sixteenth century and the mid-eighteenth century. It roughly corresponds to the early modern era in Europe, beginning with the Renaissance and Reformation and ending with the last Jacobite risings and the beginnings of the industrial revolution. Monarchs of this period were the Stuarts: James IV, James V, Mary Queen of Scots, James VI, Charles I, Charles II, James VII, William III and Mary II, Anne, and the Hanoverians: George I and George II.
Music in early modern Scotland includes all forms of musical production in Scotland between the early sixteenth century and the mid-eighteenth century. In this period the court followed the European trend for instrumental accompaniment and playing. Scottish monarchs of the sixteenth century were patrons of religious and secular music, and some were accomplished musicians. In the sixteenth century the playing of a musical instrument and singing became an expected accomplishment of noble men and women. The departure of James VI to rule in London at the Union of Crowns in 1603, meant that the Chapel Royal, Stirling Castle largely fell into disrepair and the major source of patronage was removed from the country. Important composers of the early sixteenth century included Robert Carver and David Peebles. The Lutheranism of the early Reformation was sympathetic to the incorporation of Catholic musical traditions and vernacular songs into worship, exemplified by The Gude and Godlie Ballatis (1567). However, the Calvinism that came to dominate Scottish Protestantism led to the closure of song schools, disbanding of choirs, removal of organs and the destruction of music books and manuscripts. An emphasis was placed on the Psalms, resulting in the production of a series of Psalters and the creation of a tradition of unaccompanied singing.
The geography of Scotland in the early modern era covers all aspects of the land in Scotland, including physical and human, between the sixteenth century and the beginnings of the Agricultural Revolution and industrialisation in the eighteenth century. The defining factor in the geography of Scotland is the distinction between the Highlands and Islands in the north and west and the Lowlands in the south and east. The Highlands were subdivided by the Great Glen and the Lowlands into the fertile Central Lowlands and the Southern Uplands. The Uplands and Highlands had a relatively short growing season, exacerbated by the Little Ice Age, which peaked towards the end of the seventeenth century.
Scottish literature in the Middle Ages is literature written in Scotland, or by Scottish writers, between the departure of the Romans from Britain in the fifth century, until the establishment of the Renaissance in the late fifteenth century and early sixteenth century. It includes literature written in Brythonic, Scottish Gaelic, Scots, French and Latin.
Literature in early modern Scotland is literature written in Scotland or by Scottish writers between the Renaissance in the early sixteenth century and the beginnings of the Enlightenment and Industrial Revolution in mid-eighteenth century. By the beginning of this era Gaelic had been in geographical decline for three centuries and had begun to be a second class language, confined to the Highlands and Islands, but the tradition of Classic Gaelic Poetry survived. Middle Scots became the language of both the nobility and the majority population. The establishment of a printing press in 1507 made it easier to disseminate Scottish literature and was probably aimed at bolstering Scottish national identity.
Scots-language literature is literature, including poetry, prose and drama, written in the Scots language in its many forms and derivatives. Middle Scots became the dominant language of Scotland in the late Middle Ages. The first surviving major text in Scots literature is John Barbour's Brus (1375). Some ballads may date back to the thirteenth century, but were not recorded until the eighteenth century. In the early fifteenth century Scots historical works included Andrew of Wyntoun's verse Orygynale Cronykil of Scotland and Blind Harry's The Wallace. Much Middle Scots literature was produced by makars, poets with links to the royal court, which included James I, who wrote the extended poem The Kingis Quair. Writers such as William Dunbar, Robert Henryson, Walter Kennedy and Gavin Douglas have been seen as creating a golden age in Scottish poetry. In the late fifteenth century, Scots prose also began to develop as a genre. The first complete surviving work is John Ireland's The Meroure of Wyssdome (1490). There were also prose translations of French books of chivalry that survive from the 1450s. The landmark work in the reign of James IV was Gavin Douglas's version of Virgil's Aeneid.