George Segal was an American painter and sculptor associated with the pop art movement. He was presented with the United States National Medal of Arts in 1999.
Medardo Rosso was an Italian sculptor. He is considered, like his contemporary and admirer Auguste Rodin, to have been an artist working in a post-Impressionist style.
Henry Spencer Moore was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Moore also produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper.
A Bucket of Blood is a 1995 American comedy horror television film. A remake of the 1959 film of the same name, it follows the original closely, adapting it to a contemporary setting. The film was directed by comedian Michael McDonald, produced by Roger Corman, and co-written by McDonald and Brendan Broderick, based on the 1959 screenplay by Charles B. Griffith.
Unique Forms of Continuity in Space is a 1913 bronze Futurist sculpture by Umberto Boccioni. It is seen as an expression of movement and fluidity. The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin.
In mammals, the vulva consists of the external female genitalia. The human vulva includes the mons pubis, labia majora, labia minora, clitoris, vulval vestibule, urinary meatus, the vaginal opening, hymen, and Bartholin's and Skene's vestibular glands. The urinary meatus is also included as it opens into the vulval vestibule. The vulva includes the entrance to the vagina, which leads to the uterus, and provides a double layer of protection for this by the folds of the outer and inner labia. Pelvic floor muscles support the structures of the vulva. Other muscles of the urogenital triangle also give support.
Draped Seated Woman 1957–58 is a bronze sculpture by the British artist Henry Moore, cast in an edition of seven in the 1950s. The sculpture depicts a female figure resting in a seated position, with her legs folded back to her right, her left hand supporting her weight, and her right hand on her right leg. The drapery emphasises the female figure, but the facial features are abstracted and barely picked out.
Vulva activism is the promotion of a raised awareness of the appearance of female genitalia and the breaking of taboos surrounding the vulva, as carried out by feminist movements and advocacy groups. Other names for this advocacy movement are labia pride, labia liberation, vulvaversity, viva la vulva, pussy positivity and similar. It is supported by several independent feminist groups and based on diverse channels of communication such as cyberfeminism, protest marches and advocating boycotts against physicians and clinics that make use of deceptive advertising.
Baboon and Young is a bronze sculpture by Pablo Picasso. It depicts a female baboon standing up, holding its offspring.
101 Vagina is a black-and-white coffee table photo-book by Philip Werner, with a foreword by Toni Childs. It was self-published in March 2013 in Melbourne, Australia. The book contains 101 close-up nude photos shot in a non-provocative way, along with an accompanying story or message written by each woman about her vagina.
Pi-Chacán is a sculpture by the Peruvian artist Fernando de la Jara that has stood in the grounds of the University of Tübingen's Institute for Microbiology and Virology since 2001. Weighing 32 tons and measuring 4.2 × 1.7 × 1.7 metres (13.8 × 5.6 × 5.6 ft), the sculpture is made from red Verona marble and represents a woman's vulva. It cost €120,000 and was originally intended to have a pool of water at its base, but budgetary constraints prevented this element of the design from being constructed.
Megumi Igarashi, who uses the pseudonym Rokudenashiko, is a Japanese sculptor and manga artist who creates works that feature female genitalia and are often modeled after her own vulva. Rokudenashiko considers it her mission to reclaim female genitalia as part of women's bodies and demystify them in Japan's male dominated society, where she believes that they are "overly hidden" and marginalized as “taboo” and “obscene” in comparison to phallic imagery. As such, the artist has created a variety of different representations of manko, the Japanese slang for vagina or pussy, using representations of her own body as the raw material to emphasize as return to experience within art and manga. Rokudenashiko has been called an international symbol of “manko positivity.”
Physical Energy is a bronze equestrian statue by the English artist George Frederic Watts. Watts was principally a painter, but also worked on sculptures from the 1870s. Physical Energy was first cast in 1902, two years before his death, and was intended to be Watts's memorial to "unknown worth". Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton, Surrey. Other smaller bronze casts were also made after Watts's death.
Meridian is a bronze sculpture by British artist Barbara Hepworth. It is an early example of her public commissions, commissioned for State House, a new 16-storey office block constructed at 66–71 High Holborn, London, in the early 1960s. The sculpture was made in 1958–59, and erected in 1960. When the building was demolished in 1992, the sculpture was sold and moved to the Donald M. Kendall Sculpture Gardens in Purchase, New York.
The vagina and vulva have been depicted from prehistory onwards. Visual art forms representing the female genitals encompass two-dimensional and three-dimensional. As long ago as 35,000 years ago, people sculpted Venus figurines that exaggerated the abdomen, hips, breasts, thighs, or vulva.
Sheep Piece is a sculpture by Henry Moore made in three sizes from 1969-1972, starting in 1969 with a 14 centimetres (5.5 in) maquette modelled in plaster and then cast in bronze, enlarged in 1971 to a 142 centimetres (56 in) working model in plaster and then cast in bronze, and finally a full size bronze on a monumental scale, 570 centimetres (220 in) high, cast in 1971-72. The four full-size casts are at the Henry Moore Foundation in Perry Green, Hertfordshire, in Zürich, in Kansas City, and at the Donald M. Kendall Sculpture Gardens in Purchase, New York.
Oval with Points is a series of enigmatic abstract sculptures by British sculptor Henry Moore, made in plaster and bronze from 1968 to 1970, from a 14-centimetre (5.5 in) maquette in 1968 made in plaster and then cast in bronze, through a 110-centimetre (43 in) working model in 1968–1969 also made plaster and then cast in bronze, to a full-size 332-centimetre (131 in) bronze version cast in 1969.
Family Group is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the 1930s, through a series of models to bronze castings in 1950–51. It also one of the last important sculptures that Moore developed from preliminary drawings: in future, he worked mainly from found objects, maquettes and models.
An Athlete Wrestling with a Python was the first of three bronze sculptures produced by the British artist Frederic Leighton. Completed in 1877, the sculpture was a departure for Leighton, and heralded the advent of a new movement, New Sculpture, taking a realistic approach to classical models. It has been described as a "sculptural masterpiece" and as "possibly Leighton's greatest contribution to British art". Despite its indebtedness to the Classical tradition, it can be understood as one of the first stirrings of modern sculpture in Britain as well as in Europe. The Athlete was arguably the most influential piece of English sculpture of the 19th century.
Locking Piece is a sculpture by Henry Moore. It comprises two interlocking forms holding a third element between them, on a bronze base. It is usually mounted on a separate plinth. The sculpture was created in 1962–1964, and bronze casts were made in 1964–1967.
