Death mask

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The death mask of 18th century sailor Richard Parker Death mask of Richard Parker.jpg
The death mask of 18th century sailor Richard Parker
Golden funeral mask of Tutankhamun CairoEgMuseumTaaMaskMostlyPhotographed.jpg
Golden funeral mask of Tutankhamun
Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask WLA vanda Henry VII bust.jpg
Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask

A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead or be used for creation of portraits.

Contents

The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for sculptors in creating statues and busts of the deceased person. Not until the 1800s did such masks become valued for themselves. [1]

In other cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites, and normally buried with them. The best known of these are the masks used in ancient Egypt as part of the mummification process, such as the mask of Tutankhamun, and those from Mycenaean Greece such as the Mask of Agamemnon.

In some European countries, it was common for death masks to be used as part of the effigy of the deceased, displayed at state funerals; the coffin portrait was an alternative. Mourning portraits were also painted, showing the subject lying in repose. During the 18th and 19th centuries masks were also used to permanently record the features of unknown corpses for purposes of identification. This function was later replaced by post-mortem photography.

When taken from a living subject, such a cast is called a life mask.

History

Sculptures

Masks of deceased people are part of traditions in many countries. The most important process of the funeral ceremony in ancient Egypt was the mummification of the body, which, after prayers and consecration, was put into a sarcophagus enameled and decorated with gold and gems. A special element of the rite was a sculpted mask, put on the face of the deceased. This mask was believed to strengthen the spirit of the mummy and guard the soul from evil spirits on its way to the afterworld. The best known mask is Tutankhamun's mask. Made of gold and gems, the mask conveys the highly stylized features of the ancient ruler. Such masks were not, however, made from casts of the features; rather, the mummification process itself preserved the features of the deceased.

In 1876 the archaeologist Heinrich Schliemann discovered in Mycenae six graves, which he was confident belonged to kings and ancient Greek heroes—Agamemnon, Cassandra, Evrimdon and their associates. To his surprise, the skulls were covered with gold masks. It is now thought most unlikely that the masks actually belonged to Agamemnon and other heroes of the Homeric epics; in fact they are several centuries older.

The lifelike character of Roman portrait sculptures has been attributed to the earlier Roman use of wax to preserve the features of deceased family members (the so-called imagines maiorum). The wax masks were subsequently reproduced in more durable stone. [2]

The use of masks in the ancestor cult is also attested in Etruria. Excavations of tombs in the area of the ancient city of Clusium (modern Chiusi, Tuscany) have yielded a number of sheet-bronze masks dating from the Etruscan late orientalizing period. [3] In the 19th century it was thought that they were related to the Mycenaean examples, but whether they served as actual death masks cannot be proven. The most credited hypothesis holds that they were originally fixed to cinerary urns, to give them a human appearance. In Orientalising Clusium, the anthropomorphization of urns was a prevalent phenomenon that was strongly rooted in local religious beliefs.

Casts

Bronze death mask of Napoleon Napoleon Death Mask.jpg
Bronze death mask of Napoleon
19th century death mask of an infant Infant Death Mask.jpg
19th century death mask of an infant

The Roman élites used during the funerals "death masks" which were in fact casts made during life. These masks were displayed, after one's death in his family's atrium as a sign of social and political prominence. This usage was already established by the 2nd century BC and continued to be used into the 4th and perhaps as late as the 6th century AD. [4] In the late Middle Ages, the masks were not interred with the deceased. Instead, they were used in funeral ceremonies and were later kept in libraries, museums, and universities. Death masks were taken not only of deceased royalty and nobility (Henry VIII, Sforza), but also of eminent people: composers, dramaturges, military and political leaders, philosophers, poets, and scientists, such as Dante Alighieri, Ludwig van Beethoven, Napoleon Bonaparte (whose death mask was taken on the island of Saint Helena), Filippo Brunelleschi, Frédéric Chopin, Oliver Cromwell (whose death mask is preserved at Warwick Castle), Joseph Haydn, John Keats, Franz Liszt, Blaise Pascal, Nikola Tesla (commissioned by his friend Hugo Gernsback and now displayed in the Nikola Tesla Museum), Torquato Tasso, Richard Wagner and Voltaire.

In Russia, the death mask tradition dates back to the times of Peter the Great, whose death mask was taken by Carlo Bartolomeo Rastrelli. Also well known are the death masks of Nicholas I, and Alexander I. Stalin's death mask is on display at the Stalin Museum in Gori, Georgia.

One of the first real Ukrainian death masks was that of the poet Taras Shevchenko, taken by Peter Clodt von Jürgensburg in St. Petersburg, Russia. [5]

In early spring of 1860 and shortly before his death in April 1865, two life masks were created of President Abraham Lincoln. [6]

Science

Two men in the process of making a death mask, c. 1908 Making Death Mask Edit 4.jpg
Two men in the process of making a death mask, c.1908

Death masks were increasingly used by scientists from the late 18th century onwards to record variations in human physiognomy. The life mask was also increasingly common at this time, taken from living people.

Forensic science

L'Inconnue de la Seine L'inconnue de la Seine (masque mortuaire).jpg
L'Inconnue de la Seine

Before the widespread availability of photography, the facial features of unidentified bodies were sometimes preserved by creating death masks so that relatives of the deceased could recognize them if they were seeking a missing person.[ citation needed ]

One mask, known as L'Inconnue de la Seine , recorded the face of an unidentified young girl who, around the age of 16, according to one man's story, had been found drowned in the Seine River in Paris around the late 1880s. A cast of her face was made by a morgue worker who explained that "her beauty was breathtaking and showed few signs of distress at the time of passing. So bewitching that I knew beauty as such must be preserved." The cast was also compared to the Mona Lisa and other famous paintings and sculptures. Copies of the mask were fashionable in Parisian Bohemian society, and the face of Resusci Anne, the world's first CPR training mannequin, introduced in 1960, was modeled after the mask. [7] [8]

See also

Related Research Articles

<span class="mw-page-title-main">Mummy</span> Human or animal whose skin and organs have been preserved

A mummy is a dead human or an animal whose soft tissues and organs have been preserved by either intentional or accidental exposure to chemicals, extreme cold, very low humidity, or lack of air, so that the recovered body does not decay further if kept in cool and dry conditions. Some authorities restrict the use of the term to bodies deliberately embalmed with chemicals, but the use of the word to cover accidentally desiccated bodies goes back to at least the early 17th century.

<span class="mw-page-title-main">Tutankhamun</span> Pharaoh of ancient Egypt (18th Dynasty)

Tutankhamun, Tutankhamon or Tutankhamen, also known as Tutankhaten, was the antepenultimate pharaoh of the Eighteenth Dynasty of ancient Egypt. His death marked the cessation of the dynasty's royal line.

<span class="mw-page-title-main">Fayum mummy portraits</span> Portraits attached to mummies in Roman Egypt

Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits.

Embalming is the art and science of preserving human remains by treating them to forestall decomposition. This is usually done to make the deceased suitable for viewing as part of the funeral ceremony or keep them preserved for medical purposes in an anatomical laboratory. The three goals of embalming are sanitization, presentation, and preservation, with restoration being an important additional factor in some instances. Performed successfully, embalming can help preserve the body for many years. Embalming has a very long and cross-cultural history, with many cultures giving the embalming processes religious meaning.

<span class="mw-page-title-main">Tomb of Tutankhamun</span> Ancient Egyptian tomb

The tomb of Tutankhamun, also known by its tomb number, KV62, is the burial place of Tutankhamun, a pharaoh of the Eighteenth Dynasty of ancient Egypt, in the Valley of the Kings. The tomb consists of four chambers and an entrance staircase and corridor. It is smaller and less extensively decorated than other Egyptian royal tombs of its time, and it probably originated as a tomb for a non-royal individual that was adapted for Tutankhamun's use after his premature death. Like other pharaohs, Tutankhamun was buried with a wide variety of funerary objects and personal possessions, such as coffins, furniture, clothing and jewelry, though in the unusually limited space these goods had to be densely packed. Robbers entered the tomb twice in the years immediately following the burial, but Tutankhamun's mummy and most of the burial goods remained intact. The tomb's low position, dug into the floor of the valley, allowed its entrance to be hidden by debris deposited by flooding and tomb construction. Thus, unlike other tombs in the valley, it was not stripped of its valuables during the Third Intermediate Period.

<span class="mw-page-title-main">Ancient Egyptian funerary practices</span> Elaborate set of funerary practices

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Clusium was an ancient city in Italy, one of several found at the site. The current municipality of Chiusi (Tuscany) partly overlaps this Roman walled city. The Roman city remodeled an earlier Etruscan city, Clevsin, found in the territory of a prehistoric culture, possibly also Etruscan or proto-Etruscan. The site is located in northern central Italy on the west side of the Apennines.

<span class="mw-page-title-main">Mask of Agamemnon</span> Gold funeral mask discovered at the ancient Greek site of Mycenae

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<span class="mw-page-title-main">Chiusi</span> Comune in Tuscany, Italy

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<span class="mw-page-title-main">Wax sculpture</span>

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<span class="mw-page-title-main">KV63</span> Ancient Egyptian tomb

KV63 is a chamber in Egypt's Valley of the Kings pharaonic necropolis. Initially believed to be a royal tomb, it is now believed to have been a storage chamber for the mummification process. It was found in 2005 by a team of archaeologists led by Otto Schaden.

<i>LInconnue de la Seine</i> Anonymous woman famous for her death mask

L'Inconnue de la Seine was an unidentified young woman whose putative death mask became a popular fixture on the walls of artists' homes after 1900. Her visage inspired numerous literary works. In the United States, the mask is also known as La Belle Italienne.

<span class="mw-page-title-main">Roman portraiture</span>

Roman portraiture was one of the most significant periods in the development of portrait art. The surviving portraits of individuals are almost entirely sculptures, covering a period of almost five centuries. Roman portraiture is characterised by unusual realism and the desire to convey images of nature in the high quality style often seen in ancient Roman art. Some busts even seem to show clinical signs. Several images and statues made in marble and bronze have survived in small numbers. Roman funerary art includes many portraits such as married couple funerary reliefs, which were most often made for wealthy freedmen rather than the patrician elite.

Tutankhamun's mummy was discovered by English Egyptologist Howard Carter and his team on 28 October 1925 in tomb KV62 of Egypt's Valley of the Kings. Tutankhamun was the 13th pharaoh of the 18th Dynasty of the New Kingdom of Egypt, making his mummy over 3,300 years old. Tutankhamun's mummy is the only royal mummy to have been found entirely undisturbed.

<span class="mw-page-title-main">Grave Circle A, Mycenae</span> 16th-century BC royal cemetery in southern Greece

Grave Circle A is a 16th-century BC royal cemetery situated to the south of the Lion Gate, the main entrance of the Bronze Age citadel of Mycenae in southern Greece. This burial complex was initially constructed outside the walls of Mycenae and ultimately enclosed in the acropolis when the fortification was extended during the 13th century BC. Grave Circle A and Grave Circle B, the latter found outside the walls of Mycenae, represents one of the significant characteristics of the early phase of the Mycenaean civilization.

<span class="mw-page-title-main">Grave Circle B, Mycenae</span> Historic site in Mycenae

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<span class="mw-page-title-main">Mask of Tutankhamun</span> Gold mask of Egyptian pharaoh Tutankhamun

The mask of Tutankhamun is a gold funerary mask of the 18th-dynasty ancient Egyptian pharaoh Tutankhamun. After being buried for over 3,000 years, it was excavated by Howard Carter in 1925 from tomb KV62 in the Valley of the Kings and is now in the Egyptian Museum in Cairo. The death mask is one of the best-known works of art in the world and a prominent symbol of ancient Egypt.

<span class="mw-page-title-main">Death masks of Mycenae</span> Archaeological finds

The death masks of Mycenae are a series of golden funerary masks found on buried bodies within a burial site titled Grave Circle A, located within the ancient Greek city of Mycenae. There are seven discovered masks in total, found with the burials of six adult males and one male child. There were no women who had masks. They were discovered by Heinrich Schliemann during his 1876 excavation of Mycenae.

<span class="mw-page-title-main">317a and 317b mummies</span> Daughters of Egyptian pharaoh Tutankhamun

Mummies 317a and 317b were the infant daughters of the ancient Egyptian pharaoh Tutankhamun of the Eighteenth Dynasty. Their mother is presumed to be Ankhesenamun, his only known wife, who has been tentatively identified through DNA testing as the mummy KV21A. 317a was born prematurely at 5–6 months' gestation, and 317b was born at or near full term. They are assumed to have been stillborn or died shortly after birth.

References

  1. Wallechinsky, Irving; Wallace, Irving (1978). The People's Almanac #2 . New York: Bantam Books. pp.  1189–1192. ISBN   0553011375.
  2. H.W. Janson with Dora Jane Janson, History of Art: A Survey of the Major Visual Arts from the Dawn of History to the Present Day, Englewood Cliffs, New Jersey, Prentice-Hall, and New York, Harry N. Abrams, 1962, p. 141.
  3. N. Steensma, Some considerations on the function and meaning of the Etruscan bronze "masks" from Chiusi (seventh century BC), in: H. Duinker, E. Hopman & J. Steding (eds.), Proceedings of the 11th annual Symposium Onderzoek Jonge Archeologen, Groningen 2014, pp. 65–74 Archived 2017-04-10 at the Wayback Machine .
  4. "Rose, .Brian"Recreating Roman Wax Masks" Expedition Magazine 56.3 (2014): n. pag. Expedition Magazine. Penn Museum, 2014 Web. 31 Jan 2022". Archived from the original on 21 June 2021. Retrieved 31 January 2022.
  5. Virtual Museum of Death Mask Archived 2018-03-08 at the Wayback Machine URL accessed on December 4, 2006.
  6. "Portraits of the Presidents". National Portrait Gallery, Smithsonian Institution. Smithsonian Institution. 21 August 2015. Archived from the original on 19 April 2014. Retrieved 21 November 2013.
  7. Laerdal company website: The Girl from the River Seine Archived 2012-03-24 at the Wayback Machine URL accessed on January 8, 2013
  8. Gordon, AS. "A death mask to help save lives" (PDF). Wexford, Pennsylvania: Sudden Cardiac Arrest Foundation. Archived (PDF) from the original on 22 October 2022. Retrieved 17 October 2022.