Capuchin Crypt

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Capuchin Crypt in Rome, Italy Rom, Santa Maria Immacolata a Via Veneto, Krypta der Kapuziner 1.jpg
Capuchin Crypt in Rome, Italy
Capuchin Crypt Rom, Santa Maria Immacolata a Via Veneto, Krypta der Kapuziner 2.jpg
Capuchin Crypt

The Capuchin Crypt is a small space comprising several tiny chapels located beneath the church of Santa Maria della Concezione dei Cappuccini on the Via Veneto near Piazza Barberini in Rome, Italy. It contains the skeletal remains of 3,700 bodies believed to be Capuchin friars buried by their order. [1] The Catholic order insists that the display is not meant to be macabre, but a silent reminder of the swift passage of life on Earth and our own mortality. [2]

Contents

Crypt construction

The apartments for this purpose are very small, yet harbour hundreds of such tenants. They lie here till they are dried up; when they are brought to light again, in order to yield their former spaces to their successors.

[3]

When the friars arrived at the church in 1631, moving from the old monastery, they brought 300 cartloads of the remains of deceased friars. Fr. Michael of Bergamo oversaw the arrangement of the bones in the burial crypt. [4] The soil in the crypt was brought from Jerusalem, [5] by order of Pope Urban VIII. [6]

As friars died during the lifetime of the crypt, the longest-buried friar was exhumed to make room for the newly deceased who was buried without a coffin, [7] and the newly reclaimed bones were added to the decorative motifs. [5] [8] Bodies typically spent 30 years decomposing in the soil, before being exhumed. [9]

The bones were arranged along the walls, and the friars began to bury their own dead there, as well as the bodies of poor Romans, whose tomb was under the floor of the present Mass chapel. Here the Capuchins would come to pray and reflect each evening before retiring for the night. The crypt, or ossuary, now contains the remains of 4,000 friars buried between 1500 and 1870, during which time the Roman Catholic Church permitted burial in and under churches.

As of 1851, the crypt was only opened to the public, in exchange for an admittance fee, for the week following All Souls Day. [9] It is currently (2022) open to the public daily except for certain holidays. [10]

From 1851 to 1852, women were not allowed admittance to the crypt. [9] [11]

Crypt rooms

"This must be a revolting sight", said I to my friend; "and what appears to me yet more disgusting is that these remains of the dead are only exposed in this manner for the sake of levying a tax on the imbecility of the living".

J. B. de Chatelain, 1851 [9]

There are six total rooms in the crypt, five featuring a unique display of human bones believed to have been taken from the bodies of friars who had died between 1528 and 1870.

  1. Crypt of the Resurrection, featuring a picture of Jesus raising Lazarus from the dead, framed by various parts of the human skeleton.
  2. The Mass Chapel, as an area used to celebrate Mass, does not contain bones. In the altar-piece, Jesus and Mary exhort St. Felix of Cantalice, St. Francis of Assisi, and St. Anthony of Padua to free souls from Purgatory. The chapel contains a plaque with the acronym DOM, which stands for Deo optimo maximo ("To God, the best and greatest"), a term initially used to refer to the pagan god Jupiter, but claimed by later Christians. The plaque contains the actual heart of Maria Felice Peretti, the grand-niece of Pope Sixtus V and a supporter of the Capuchin order. [12] The chapel also contains the tomb of the Papal Zouaves who died defending the Papal States at the battle of Porta Pia.[ citation needed ]
  3. Crypt of the Skulls
  4. Crypt of the Pelvises
  5. Crypt of the Leg Bones and Thigh Bones
  6. Crypt of the Three Skeletons The center skeleton is enclosed in an oval, the symbol of life coming to birth. In its right hand it holds a scythe, symbol of death which cuts down everyone, like grass in a field, while its left hand holds the scales, symbolizing the good and evil deeds weighed by God when he judges the human soul. A placard in five languages declares

    "What you are now we used to be; what we are now you will be..."

Literary references

See also

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References

  1. Alba Amoia, "Stendhal's Rome: Then and Now"
  2. Frank J. Korn, "Hidden Rome"
  3. Arthur Aikin, "The Annual Review", 1806
  4. Christine Quigley, "Skulls and Skeletons: Human Bone Collections and Accumulations", page 172
  5. 1 2 Augustus John Cuthbert Hare, "Walks in Rome", 1882
  6. Tom Weil, "The Cemetery Book", 1993
  7. Newman Hall, "The Land of the Forum and the Vatican"
  8. Folke Henschen, 1965
  9. 1 2 3 4 Jean Baptiste de Chatelain, "Rambles Through Rome", 1851
  10. Museum and Crypt of the Cappuccini Friars
  11. Charlotte Anne Eaton, Rome in the Nineteenth Century, 1852
  12. Gary M. Devore, "Walking Tours of Ancient Rome", 2008
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