Jan Millsapps | |
---|---|
Born | Concord, North Carolina, U.S. | February 26, 1950
Occupation |
|
Education | University of North Carolina at Charlotte (BA) Winthrop University (MA) University of South Carolina (PhD) |
Genre | Fiction |
Spouse | Phill Sawyer |
Website | |
janmillsapps |
Jan Millsapps (born February 26, 1950 in Concord, North Carolina) is an American digital filmmaker, fiction writer, and Professor Emerita in the Cinema Department at San Francisco State University. [1] She has produced films, videos and interactive cinema on subjects ranging from domestic violence to global terrorism, and has published in traditional print and online venues.
Throughout her career, Millsapps has focused primarily on women's issues. Her Episodes project, [2] co-produced in 1995 with La Casa de la Madres and funded by the Creative Work Fund, [3] featured a virtual house in which women shared true stories of surviving domestic violence. The interactive kiosk was installed at San Francisco City Hall, the San Francisco Public Library, at several Bay Area Kaiser Permanente medical centers, and was also presented at the National Latino Health Conference in Washington, D.C. Her multimedia installation Coverage, a feminist response to 9/11 and its aftermath, was the featured installation at the 2002 Mill Valley Film Festival. [4]
In 2007 she published her first novel Screwed Pooch, about the Soviet space dog Laika. [5] Her second novel, Venus on Mars, was published in 2014; one character in this book is based on the astronomer Wrexie Leonard, who was Percival Lowell's assistant. [6]
In 2013, the private spaceflight organization Mars One selected her as one of 1058 astronaut candidates (out of more than 202,000 applicants) who are embarking upon two years of rigorous testing to determine which ones will be among the first humans to colonize Mars, beginning in 2025. [7] She continued to explore her interest in space travel in her subsequent film, Madame Mars: Women and the Quest for Worlds Beyond, [8] a documentary tracing women's progress toward equity in the outer space arena. Millsapps premiered the film at the United Nations UNISPACE + 50 event in Vienna, Austria. [9] She also presented the film at the University of Cambridge [10] and at the New York Academy of Sciences. [11] The film's broadcast premiere on KQED-TV was March 22, 2019, as part of the network's Women's History Month Programming. [12] The film was awarded first place for a professional documentary at the 2019 Raw Science Film Festival. [13] The film also received a Director's Choice award at the Black Maria Film Festival [14] and a Best of Fest at the Sebastopol Documentary Film Festival, [15] and was also screened at the American Documentary Film Festival in Palm Springs, [16] and at Doclands, [17] the California Film Institute's docs-only festival.
In 2020 the Madame Mars film was chosen for the American Film Showcase, co-sponsored by the US State Department and the University of Southern California, and has been shown at selected sites in Egypt, Colombia, Kyrgyzstan, Jakarta and Germany.
In 2021 she was invited as keynote speaker at the Universidade Federal das Ciências da Saúde de Porto Alegre (Brazil)'s Seminar on Space & Extreme Environment Research and in 2022 she gave a plenary presentation at the 2022 Mars Society Convention.
She received attention as an independent experimental animator, as head of the media arts film program at the University of South Carolina, and as an integral member of the Southern independent film movement. [18]
Her 1983 film True Romance received a first place award in the Ann Arbor Film Festival [19] and was included in the South Carolina State Art Collection. [20] Her work as an animator is cited in the book Experimental Animation.
She worked closely with the South Carolina Arts Commission; she curated and toured with the 1982 collection Travel Films from the Southern Avant-Garde that presented experimental films from Southern states in Northeastern states. In 1985 she scripted, co-produced and hosted "A Southern Film Experience," a public television program commissioned by the South Carolina Arts Commission and South Carolina Educational Television.
She is Professor Emerita of Cinema [21] at San Francisco State University, where she has taught since 1987. She created and taught a course to study and create films made specifically for the internet, "Cinema as an Online Medium". [22] She teaches courses in digital cinema, interactive cinema, web cinema and short format screenwriting. In 2004 she was named an Apple Distinguished Educator. [23]
From 1991 to 1995 she served as chair of the Cinema Department at San Francisco State University.
In 1991 she was invited by Dean August Coppola to work with a beta version of Apple's QuickTime technology. Her resulting first interactive work, Cineplay, co-produced with K.D. Davis and featured at the National Educational Film and Video Festival, began her transformation into a multimedia artist. [24]
Pleasure Island, a live web performance co-produced in 1999 with Randall Packer, was presented at USC's Interactive Frictions [25] conference on new media theory and practice. Her early web work was cited in a 1995 book, Film and Video on the Internet: The Top 500 Sites, and in the Journal of the Writers Guild of America.
She has worked with Apple, Inc. in a variety of capacities; from 2004 to 2009 she served on Apple Education's Higher Education Advisory Board and was featured in their 2007 webcast.
Millsapps has published writing in a variety of formats. Her scholarly, political and personal essays have appeared in the journal Film Literature Quarterly [26] in the book International Film, Television and Radio Journals, in the San Francisco Chronicle , in the San Francisco Examiner , on The New York Times wire service, and in the inaugural issue of Sinister Wisdom. [27]
Her short story "The Way It Was" was a 1986 award winner in the South Carolina Fiction Project. [28] She has been a contributing editor for the online rich media journal Academic Intersections. [29]
She was invited to present her ideas on writing and reading at the 2013 "Futures of the Book" event, sponsored by Transmedia SF and Swissnex.
She earned her B.A. with honors at the University of North Carolina at Charlotte, her M.A. at Winthrop University, and her Ph.D. at the University of South Carolina. [30]
She lives just north of San Francisco with her husband, music and media producer Phill Sawyer. [7]
San Francisco State University is a public research university in San Francisco. It was established in 1899 as the San Francisco State Normal School and is part of the California State University system.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
Lynn Hershman Leeson is an American multimedia artist and filmmaker. Her work with technology and in media-based practices is credited with helping to legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking.
Camille Utterback is an interactive installation artist. Initially trained as a painter, her work is at the intersection of painting and interactive art. One of her most well-known installations is the work Text Rain (1999).
The Documentary Film Institute, is an independent organization within San Francisco State University that is dedicated to support non-fiction cinema by promoting documentary films and filmmakers and producing films on socially and culturally important topics which deserve wider recognition. The director is Soumyaa Kapil Behrens, a professor in the cinema department at SFSU. It is situated within the College of Liberal & Creative Arts at San Francisco State University, with access to a broad cross-section of educational institutions in San Francisco and the Bay Area. It is a resource for undergraduate and graduate students studying film in the area as well as faculty interested in the artistic and politic dimensions of documentary cinema.
Lynne Sachs is an American experimental filmmaker and poet living in Brooklyn, New York. Her moving image work ranges from documentaries, to essay films, to experimental shorts, to hybrid live performances. Working from a feminist perspective, Sachs weaves together social criticism with personal subjectivity. Her films embrace a radical use of archives, performance and intricate sound work. Between 2013 and 2020, she collaborated with musician and sound artist Stephen Vitiello on five films.
The San Francisco State Gators are the athletic teams that compete at San Francisco State University in San Francisco, California. The nickname applies to the college's intercollegiate NCAA Division II teams. The nickname was published in the student newspaper, "The Leaf", but was long referred to in media alternatively as the "Staters" and the "Golden Gaters". The use of Gaters eventually evolved into the Gators as known today.
Dinorah de Jesús Rodríguez is an experimental film artist based between Miami, Florida, and La Habana, Cuba.
Geoff Marslett is an American film director, writer, producer, animator and actor. His early career started with the animated short Monkey vs. Robot which was distributed internationally by Spike and Mike's Classic Festival of Animation on video and Spike and Mike's Sick and Twisted Festival of Animation in theatres. More recently he directed several successful narrative feature films including MARS, as well as producing and acting in the experimental documentary Yakona. He appears onscreen in Josephine Decker's Thou Wast Mild and Lovely which was released theatrically in 2014. He currently resides in Austin, Texas and splits his time between filmmaking and teaching at the University of Colorado at Boulder.
Amy Sueyoshi is the provost of San Francisco State University. Sueyoshi is a trained historian specializing in sexuality, gender, and race. Her publications and lectures focus on issues regarding race and sexuality such as cross-dressing, pornography, and marriage equality.
Madeleine Lim is a filmmaker, producer, director, cinematographer and LGBTQ activist. She is the founding Executive Director of the Queer Women of Color Media Arts Project (QWOCMAP), and an adjunct professor of film studies at the University of San Francisco. Lim is also a co-founder of SAMBAL and the US Asian Lesbian Network in the San Francisco Bay Area.
Margaret Morse was an emerita professor at the University of California, Santa Cruz who taught film and video. She was also a well-versed author known for her critical analysis of both United States and European media artists. She had a propensity for closed-circuit video installations. Much of her work and career revolved around subjects in experimental film, video art, interactive Media and written works looking into our interaction with modern media and digital machines.
Marjorie Conrad is a French-American filmmaker and model. She is known for being the eleventh eliminated America's Next Top Model , and for her narrative feature films Chemical Cut (2016) and Desire Path (2020).
Jeanne C. Finley is an American artist who works with representational media including film, photography, and video. Her projects take a variety of forms including site-specific projections, sculptural installations, drawing, experimental non-fiction films, and engaged participatory events. She is a member of the San Francisco Threshold Choir and frequently incorporates the choir and original songs into her work. She has collaborated with artist and educator John Muse on numerous films and installations since 1989.
Joanne Barker became a faculty member within the American Indian Studies Department at San Francisco State University, in 2003. Much of her work focuses on indigenous feminism and the sovereignty and self determination of indigenous peoples. Her work takes a transnational approach, making connections between and across the borders of countries. Barker makes historical and scholarly connections between the oppression and resistance of marginalized communities. An example of this transnational approach can be seen by the work that Barker has done to show connections in the struggles of Palestinians in Israel and indigenous communities in the United States.
Lynn Mahoney is an American university president, author, and social historian. Mahoney is the president of San Francisco State University (SFSU) since July 2019, and is the first woman to hold this role. Her scholarly work has focused on United States history, women's history, feminism, race studies, and ethnicity. She is the author of Elizabeth Stoddard and the Boundaries of Bourgeois Culture ; a book about novelist and poet Elizabeth Stoddard.
Rabab Ibrahim Abdulhadi is a Palestinian-born American scholar, activist, educator, editor, and an academic director. She is an Associate Professor of Ethnic Studies, Race and Resistance Studies, and the founding Director of Arab and Muslim Ethnicities and Diasporas Studies (AMED) at San Francisco State University (SFSU). Colleen Flaherty of Inside Higher Education described her as "a controversial figure in an already controversial field".
Laureen Chew is an American academic and actress. She is Professor Emerita of Asian American studies at San Francisco State University. She acted in two Wayne Wang films in the 1980s, both of which were shot in San Francisco.
{{cite web}}
: Missing or empty |title=
(help)