Jan Roelfs (born 1957 in Amsterdam) is a production designer of Dutch descent. Roelfs was nominated for an Academy Award for Best Art Direction twice for the 1992 film Orlando and for the 1997 film Gattaca . He shared the Orlando nomination with fellow production designer Ben Van Os and the Gattaca nomination with set decorator Nancy Nye. [1] Roelfs also worked as an art director in the 1980s and the 1990s. [2]
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The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being renamed the Designers' branch. Since 1947, the award is shared with the set decorators. It is awarded to the best interior design in a film.
Andrew Niccol is a New Zealand screenwriter, producer, and director. He wrote and directed Gattaca (1997), Simone (2002), Lord of War (2005), In Time (2011), The Host (2013), and Good Kill (2014). He wrote and co-produced The Truman Show, which earned him a nomination for the Academy Award for Best Original Screenplay and won him the BAFTA Award in the same category. His high-concept science fiction films tend to explore social, cultural and political issues; artificial realities, simulations and the male gaze are frequent themes in his work.
Stephenie Lesley McMillan was an internationally recognised British set decorator.
Catherine Martin is an Australian costume designer, production designer, set designer, and producer. She is known for her frequent collaborations with her husband, Baz Luhrmann. She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award.
Eugenio Caballero is a Mexican production designer. He is best known for his work on Guillermo del Toro's film Pan's Labyrinth for which he earned an Academy Award, Ariel Award, Art Directors Guild Award, Los Angeles Film Critics Association Award as well as Goya, Satellite, and BAFTA award nominations for Best Production Design.
Patrice Vermette is a Canadian production designer/art director. He is most noted for his work on the films C.R.A.Z.Y., for which he won both the Genie Award for Best Art Direction/Production Design at the 26th Genie Awards and the Jutra Award for Best Art Direction at the 8th Jutra Awards, and Dune, for which he won the Academy Award for Best Production Design at the 94th Academy Awards.
Gene Callahan was an American art director as well as set and production designer who contributed to over fifty films and more than a thousand TV episodes. He received nominations for the British Academy Film Award and four Oscars, including two wins.
Sarah Greenwood is a British production designer.
Leslie Dilley is a Welsh art director and production designer. During his film career from the 1970s to 2000s, he won the Academy Award for Best Art Direction twice for Star Wars (1977) and Raiders of the Lost Ark (1981). Dilley received additional Best Art Direction nominations for Alien (1979), The Empire Strikes Back (1980), and The Abyss (1989). Apart from art direction, Dilley was a production designer for The Exorcist III (1990), Casper (1995), and Son of the Mask (2005).
Brian Savegar was a production designer in the film and TV industry. He won an Academy Award in 1986 in the category Best Art Direction for the film A Room with a View.
Donald Graham Burt is an American production designer. He has worked on multiple films including The Joy Luck Club, Dangerous Minds, and Donnie Brasco, as well as with David Fincher on Zodiac in 2007. In 2008, he designed the sets for The Curious Case of Benjamin Button which won an Academy Award for Best Art Direction in 2009, an Art Directors Guild Award for Best Achievement in Art Direction, and a BAFTA Film Award for Best Production Design, along with receiving a nomination for a Satellite Award for Best Art Direction & Production Design. In 2020, Burt won an Academy Award for David Fincher's black-and-white biographical drama film Mank.
Ben Van Os was a Dutch production designer and art director. He received two Academy Award for Best Art Direction nominations for his works in Orlando (1993) and Girl with a Pearl Earring (2003). The latter of which also earned him a BAFTA Award for Best Production Design nomination.
Jan Spencer Scott was an American production designer and art director. She won 11 Primetime Emmy Awards, more than any woman in the history of television and more than any other production designers. Scott was nominated for Emmy Awards a record total of 29 times. She was also a president of the Society of Motion Picture Art Directors and also served as a vice-president, second vice-president and governor of the Academy of Television Arts & Sciences.
Eve Stewart is a British production designer. She grew up in Camden Town and later trained in film, originally working in theatre. She later became a set designer, starting with Naked in 1993. In 1999, she received a nomination for an Academy Award for Best Production Design for Topsy-Turvy. She later began a collaboration with director Tom Hooper, working on Elizabeth I, The Damned United, The King's Speech, Les Misérables, and The Danish Girl.
Adam Stockhausen is an American production designer known for his collaborations with Wes Anderson, Steven Spielberg, and Steve McQueen. He's received four nominations for the Academy Award for Best Production Design, winning for The Grand Budapest Hotel (2014).
Grant Major is an art director from New Zealand who is most famous for his work on The Lord of the Rings films. He won an Oscar for The Lord of the Rings: The Return of the King.
Harley Jessup is an American production designer and visual effects art director who has been nominated for two visual effects Academy Awards, and won once. Currently working at Pixar Animation Studios, Jessup has served as production designer for Monsters, Inc., Ratatouille, Cars 2, Presto, The Good Dinosaur and Pixar's animated feature, Coco. Before coming to Pixar, Jessup was production designer on Walt Disney Pictures' James and the Giant Peach.
Michael Harold Riley is an American motion graphics designer, art director and the founder of design company Shine. Has directed the television title sequence for Turn: Washington's Spies, the film title sequence for Kung Fu Panda, film sequences for How To Train Your Dragon, and worked on the redesign of the animated MGM theatrical logo. He has been nominated for an Emmy Award six times including for the main title design on Temple Grandin.
David Wasco and Sandy Reynolds-Wasco are an American husband and wife duo who are production designers and art directors. They are best known for their frequent collaborations with director Quentin Tarantino films, as production designers for Reservoir Dogs (1992), Pulp Fiction (1994), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), and Inglourious Basterds (2009). They worked as production designer and set decorator, respectively, for La La Land (2016), for which they received numerous awards and nominations, including the Art Directors Guild Award for Excellence in Production Design for a Contemporary Film and Critics' Choice Movie Award for Best Art Direction, and won the Academy Award for Best Production Design at the 89th Academy Awards.
David Crank is an American production designer and art director. His production designer credits include Rian Johnson's Knives Out and Paul Greengrass's News of the World, plus art director credits on various films including Steven Spielberg's Lincoln, Paul Thomas Anderson's There Will Be Blood and The Master, and Water for Elephants.