Jane Cowl | |
---|---|
![]() Jane Cowl in 1920 | |
Born | Jane Bailey December 14, 1883 Boston, Massachusetts, U.S. |
Died | June 22, 1950 66) Santa Monica, California, U.S. | (aged
Resting place | Ashes buried in Valhalla Memorial Park Cemetery |
Other names | "Crying Jane" C. R. Avery [1] |
Occupation(s) | Actress, playwright |
Years active | 1903–1950 |
Spouse |
Jane Cowl (December 14, 1883 – June 22, 1950) was an American film and stage actress and playwright who was, in the words of author Anthony Slide, "notorious for playing lachrymose parts". [2] Actress Jane Russell was named in Cowl's honor. [3]
Cowl was born Jane Bailey in Boston, Massachusetts, to Charles Bailey and Grace Avery. [4] [5] She attended Erasmus Hall High School in Brooklyn, New York City, [6] followed by some courses at Columbia University. [7]
She made her Broadway debut in New York City in Sweet Kitty Bellairs in 1903. [7] Her first leading role was Fanny Perry in 1909 in Leo Ditrichstein's Is Matrimony a Failure?, produced by David Belasco, and then she played stock. This was followed by The Gamblers (1910), her first great success, and by Within the Law (1912), Common Clay (1915), and other successes (New International Encyclopedia). She was known for her interpretation of Shakespearean roles, playing Juliet, Cleopatra, and Viola on Broadway. She made Broadway history by playing Juliet over 1000 consecutive performances in 1923; critic George Jean Nathan declared her "not ... the best Juliet that I have seen, but she is by all odds the most charming". [8] Cowl's affecting performances led her to be described as having a "voice with a tear." [9] Biographer Charles Higham admired Cowl's "marvelous bovine eyes and exquisite genteel catch in the voice ..." [10]
In June 1911, Cowl traveled on the maiden voyage from Southampton of the RMS Olympic , sister ship of the Titanic which was lost in a famous disaster the following April . [11]
In 1930, Cowl appeared with a young Katharine Hepburn in the Broadway production of Benn W. Levy's play Art and Mrs. Bottle, and in 1934, she created the role of Lael Wyngate in S.N. Behrman's Rain from Heaven opposite actor John Halliday. Noting the challenges posed by Behrman's heightened dialogue, critic Gilbert Gabriel noted approvingly that their scenes together were "models of aristocratic parlando." [12] She also starred in Noël Coward's Easy Virtue .
Cowl was the lead in two silent films, The Garden of Lies (1915) and The Spreading Dawn (1917). Then, after nearly 30 years away from films, she returned for several supporting roles in the 1940s. Her final film was Payment on Demand (1951) with Bette Davis.
Jane Cowl died of cancer in Santa Monica, California, on June 22, 1950, aged 66. Following cremation, her ashes were buried at Valhalla Memorial Park Cemetery.
A biography about Cowl, titled Jane Cowl: Her Precious and Momentary Glory, was published in 2004. [13] It was written by Richard Abe King, who had formerly worked with Cowl.
On June 18, 1906, at her father's apartment on Riverside Drive and 95th Street in New York City, Cowl married Adolph Edward Klauber, the drama critic of The New York Times . [14] A former actor and son of a prominent Jewish photographer in Louisville, Kentucky, Klauber left the Times in 1918 to become a theatrical producer and manager. He and Cowl separated in 1930, shortly after his health began to fail. Klauber returned to live "in strict seclusion" in Louisville, where he died in 1933. [15] The couple had no children.
Cowl wrote several plays in collaboration with Jane Murfin. They often used the joint pseudonym Allan Langdon Martin. Their works include:
Katharine Houghton Hepburn was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer.
Smilin' Through is a 1919 play by Jane Cowl and Jane Murfin, written under a pseudonym, Allan Langdon Martin. Cowl also starred in the play in a double role and co-directed it with Priestly Morrison. Smilin' Through was produced by The Selwyns and opened at the Broadhurst Theatre on Broadway on December 30, 1919. It included in the cast Orme Caldara as Kenneth and Jeremiah Wayne, Henry Stephenson as John Carteret and Ethelbert D. Hales as Dr. Owen Harding. Scenic design was by Joseph Urban. The play was a popular hit and ran for 175 performances. It also played for a long run on the road, and was one of Jane Cowl's greatest commercial successes.
Judy Holliday was an American actress, comedian and singer.
James Maxwell Anderson was an American playwright, author, poet, journalist, and lyricist.
Sidney Coe Howard was an American playwright, dramatist and screenwriter. He received the Pulitzer Prize for Drama in 1925 and a posthumous Academy Award in 1940 for the screenplay for Gone with the Wind.
Katharine Cornell was an American stage actress, writer, theater owner and producer. She was born in Berlin to American parents and raised in Buffalo, New York.
Pamela Mary Brown was a British actress. For her portrayal of Queen Victoria's mother Princess Victoria, Duchess of Kent in Victoria Regina (1961) she was awarded the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series.
William H. Daniels ASC was a film cinematographer who was best-known as actress Greta Garbo's personal lensman. Daniels served as the cinematographer on all but three of Garbo's films during her tenure at Metro-Goldwyn-Mayer, including Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie (1930), Grand Hotel (1932), Queen Christina (1933), Anna Karenina (1935), Camille (1936) and Ninotchka (1939). Early in his career, Daniels worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Samuel Nathaniel Behrman was an American playwright, screenwriter, biographer, and longtime writer for The New Yorker. His son is the composer David Behrman.
Margaret Ayer Barnes was an American playwright, novelist, and short-story writer. She was awarded the Pulitzer Prize.
Ina Claire was an American stage and film actress.
Blanche Yurka was an American stage and film actress and director. She was an opera singer with minor roles at the Metropolitan Opera and later became a stage actress, making her Broadway debut in 1906 and established herself as a character actor of the classical stage, also appearing in several films of the 1930s and 1940s.
Gladys Hulette was an American silent film actress from Arcade, New York, United States. Her career began in the early years of silent movies and continued until the mid-1930s. She first performed on stage at the age of three and on screen when she was seven years old. Hulette was also a talented artist. Her mother was an opera star.
Smilin' Through is a 1922 American silent drama film based on the 1919 play of the same name, written by Jane Cowl and Jane Murfin. The film starred Norma Talmadge, Harrison Ford, and Wyndham Standing. It was co-written and directed by Sidney Franklin, who also directed the more famous 1932 remake at MGM. The film was produced by Talmadge and her husband Joseph M. Schenck for her company, the Norma Talmadge Film Corporation. It was released by First National Pictures. Popular character actor Gene Lockhart made his screen debut in this film.
Jane Murfin, née Macklem was an American playwright and screenwriter. The author of several successful plays, she wrote some of them with actress Jane Cowl—most notably Smilin' Through (1919), which was adapted three times for motion pictures. In Hollywood Murfin became a popular screenwriter whose credits include What Price Hollywood? (1932), for which she received an Academy Award nomination. In the 1920s she lived with Laurence Trimble, writing and producing films for their dog Strongheart, the first major canine star.
First Lady is a 1935 play written by Katharine Dayton and George S. Kaufman. It is a three-act comedy, with three settings and a large cast. There are four scenes, which occur at monthly intervals starting with the December prior to a presidential election year. The story concerns a Washington, D.C. socialite who almost lets her rivalry with another social maven impede her husband's political future. The title is a play on the usual term accorded to a President's wife, suggesting it really belongs to the leading society hostess in the capitol.
A Girl of Yesterday is a 1915 American silent comedy film directed by Allan Dwan, and distributed by Paramount Pictures and Famous Players–Lasky. The film starred Mary Pickford as an older woman. Before this film, Pickford was mainly cast in "little girl" roles which were popular with the public. A Girl of Yesterday costarred Pickford's younger brother Jack, Marshall Neilan, Donald Crisp and Frances Marion, who later became a prolific screenwriter. Real life aviation pioneer Glenn L. Martin also made a cameo in the film.
The Park Square Theatre was a theatre in Park Square in Boston, Massachusetts, designed by architect Clarence Blackall. It opened January 19, 1914, as the Cort Theatre, named for impresario John Cort. It was his first theatrical venue in Boston.
Within the Law is a play written by Bayard Veiller. It is the story of Mary Turner, a sales clerk who is wrongly accused of stealing and sent to prison. Upon her release, Turner sets up a gang that engages in shady activities that are just "within the law". After the police try to entrap her, she is mistakenly accused again, this time for murder, but she is vindicated when the real killer confesses.
Adolph Klauber was an American drama critic and theatrical producer. He was born in Louisville, Kentucky to Edward and Caroline Brahms Klauber. He left Louisville after high school to attend the University of Virginia, after which he moved to New York and took a position with the Empire Theatre Company. In 1900 he began working as a reporter for the New York Commercial Advertiser. From there he moved to the New York Tribune, and thence to the New York Times, where he became drama critic in 1906, a post he held for twelve years. It was during this time that he married the actress and playwright Jane Cowl He then began working with Archibald and Edgar Selwyn, two of the founders of Goldwyn Pictures, later to become part of MGM, and worked for a while there as a casting director.