Jane Emmet de Glehn | |
|---|---|
 Portrait of Jane Emmet De Glehn by Wilfrid de Glehn | |
| Born | Jane Erin Emmet 1873 |
| Died | 20 February 1961 (aged 87–88) |
| Nationality | American |
| Known for | Painting, Portraiture |
| Spouse | |
Jane Erin Emmet de Glehn (born Jane Erin Emmet; 1873 - 20 February 1961) [1] was an American figure and portrait painter.
Born in New Rochelle, New York, she was the youngest daughter of ten siblings. [2] Her great-great-uncle Robert Emmet was a notable Irish nationalist who was hanged in 1803 for high treason by the British court for his attempt to implement an Irish rebellion. Lydia Field Emmet's great-grandfather Thomas Addis Emmet, Robert's older brother, emigrated to the United States after Robert's execution. Thomas Addis Emmet would later become the New York State Attorney General. His daughter Elizabeth Emmet (b.1794), Jane's great-aunt, would study portraiture under the direction of a steamboat designer and portrait artist named Thomas Fulton. [3]
Both her older sisters Rosina Emmet Sherwood and Lydia Field Emmet would also become successful artists, as well as their first cousin Ellen Emmet "Bay" Rand. [4] Emmet de Glehn's brother, William Le Roy Emmet, was an accomplished engineer employed by General Electric; [5] a graduate of the United States Naval Academy at Annapolis, he was a pioneer in the areas of current electricity and power generation, best known for his work with steam turbines, mercury vapor, and electric ship propulsion. [5] [6] [7] Her brother Robert Temple Emmet was a West Point graduate, and Medal of Honor recipient. [8] Her brother Devereux Emmet was a pioneering American golf course architect who, according to one source, designed more than 150 courses worldwide. Her brother Christopher Temple Emmet was a noted attorney and sportsman. [9] She is the aunt of the prominent American playwright Robert Emmet Sherwood.
Jane Emmet's career began while studying at the New York's Art Students League and she later studied under Frederick William MacMonnies in Paris. [10] She then travelled in Europe to view the work of the Grand Masters and continue her studies.
After returning to America, she met and married the notable British impressionist painter Wilfrid de Glehn in 1904 in New Rochelle, New York. Following their marriage, the couple honeymooned in Cornwall, England, vacationed in Paris and Venice, and made a permanent home in Chelsea, London. [10]
In England, Jane continued to draw and paint, exhibiting her work at the New English Art Club, the Royal Academy and the Royal Hibernian Academy. She worked in the mediums of chalk and charcoal as well as oil on board and canvas. The young couple became frequent travelling companions of the American painter John Singer Sargent, whom Jane Emmet de Glehn had met at performance of the dancer Carmencita in 1890, [11] and between 1905 and 1914 the trio often depicted each other in their works whilst travelling throughout Europe. [12]
When World War 1 broke out, both Jane and Wilfrid joined the staff of a British hospital for French soldiers, Hôpital Temporaire d'Arc-en-Barrois, Haute-Marne, France in January 1915. On their return to England the following year, Wifrid was commissioned and seconded to the Front in Italy in 1917. After the war they returned to England, and Wilfrid held a solo exhibition at the Leicester Galleries and another solo show in New York in 1920. For the next decade, the two would spend summers in Cornwall and winters in France.[ citation needed ]
Unlike her sisters, or her cousin Ellen Emmet Rand, or her husband, Jane Emmet de Glehn was not a prolific artist; after 1913, she generally exhibited her work alongside of that of her husband. [13] During the 1930s and 1940s, Jane had a studio in New York. In 1940, she shared an exhibition with her sister Lydia Field Emmet, and like her sisters and cousin, preferred to mostly work in portraiture. After her husband's death in 1951, Jane Emmet de Glehn spent much of her time casually sketching her extended family and members of her social circle. She and Wilfrid had no children and she died in 1961.[ citation needed ]
In late April 2007, Arden Galleries in Manhattan held a family exhibit of five generations of the Emmet women's paintings. The 130 exhibits by 14 artists began with nine portraits by Jane Emmet de Glehn's great-aunt Elizabeth Emmet (a.k.a. Elizabeth Emmet LeRoy) and ended with nine sculptures by great-great-grandniece Julia Townsend, aged 22, and with two by Beulah Emmet, aged 18. [3]
Eliza Cecilia Beaux was an American artist and the first woman to teach art at the Pennsylvania Academy of the Fine Arts. Known for her elegant and sensitive portraits of friends, relatives, and Gilded Age patrons, Beaux painted many famous subjects including First Lady Edith Roosevelt, Admiral Sir David Beatty and Georges Clemenceau.
John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.
Thomas Addis Emmet was an Irish and American lawyer and politician. In Ireland, in the 1790s, he was a senior member of the Society of United Irishmen as it planned for an insurrection against the British Crown and Protestant Ascendancy. In American exile, he took up legal practice in New York, earned a reputation as a staunch abolitionist, and in 1812 to 1813 served as the state's Attorney General.
The Daughters of Edward Darley Boit is a painting by the American artist John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work, which were donated by the heirs of the Boit family.
Rosina Ferrara (1861–1934) was an Italian artist's model from the island of Capri, who became the favorite muse of American expatriate artist John Singer Sargent. Captivated by her exotic beauty, a variety of 19th-century artists, including Charles Sprague Pearce, Frank Hyde, and George Randolph Barse, made works of art of her. Ferrara was featured in the 2003 art exhibit "Sargent's Women" at New York City's Adelson Galleries, as well as in the book Sargent's Women published that year.
Wilfrid Gabriel de Glehn was an Impressionist British painter, elected to the Royal Academy in 1932.
Carmen Dauset Moreno, better known simply as Carmencita (1868–1910), was a Spanish-style dancer in American pre-vaudeville variety and music hall ballet.
Lydia Field Emmet was an American artist best known for her work as a portraitist. She studied with, among others, prominent artists such as William Merritt Chase, Harry Siddons Mowbray, Kenyon Cox and Tony Robert-Fleury. Emmet exhibited widely during her career, and her paintings can now be found hanging in the White House, and many prestigious art galleries, including the Metropolitan Museum of Art.
William Le Roy Emmet was an electrical engineer who made major contributions to alternating current power systems including the design of large rotary converters.
Hôpital Temporaire d'Arc-en-Barrois was an emergency evacuation hospital serving the French 3rd Army Corps during World War I. It was organised and staffed by British volunteers and served French soldiers.
Robert Temple Emmet was a United States Army colonel who was a recipient of the Medal of Honor for actions while surrounded by a much larger force. An 1877 graduate of West Point, he served in numerous campaigns on the Western Frontier.
Lucia Fairchild Fuller was an American painter and member of the New Hampshire Cornish Art Colony. She was inspired to pursue art by John Singer Sargent. Fuller created a mural entitled TheWomen of Plymouth for the Woman's Building at the World's Columbian Exposition in Chicago in 1893. Best known for her portrait miniatures, she was a founding member and treasurer of the American Society of Miniature Painters.
Grenville Temple Emmet was an American attorney and diplomat. He practiced law with Franklin D. Roosevelt and served as United States Ambassador to the Netherlands and Austria.
William Bruce Ellis Ranken was a British artist and Edwardian aesthete.
Julia Colt Pierson Emmet was an American illustrator and painter.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet. The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent. It measures 127 × 101 cm (50.0 × 39.8 in) and is owned by the Scottish National Gallery in Edinburgh, Scotland. The museum acquired it through the Cowan Smith Bequest Fund in 1925.
Richard Stockton Emmet Jr. was an American lawyer and politician from New York.
Ellen Emmet Rand was a painter and illustrator. She specialized in portraits, painting over 500 works during her career including portraits of President Franklin D. Roosevelt, artist Augustus Saint-Gaudens, and her cousins Henry James and William James. Rand studied at the Cowles Art School in Boston and the Art Students League in New York City and produced illustrations for Vogue Magazine and Harper's Weekly before traveling to England and then France to study with sculptor Frederick William MacMonnies. The William Benton Museum of Art at the University of Connecticut owns the largest collection of her painted works and the University of Connecticut, as well as the Archives of American Art within the Smithsonian Institution both have collections of her papers, photographs, and drawings.
Rosina Emmet Sherwood was an American painter.
Christopher Temple Emmet was an American attorney and sportsman.
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