Jane Van Etten

Last updated

Jane Van Etten, sometimes credited under her married name, Jane Van Etten Andrews (1869 - April 17, 1950), was an American composer and singer, one of the first female composers in the United States to have an opera produced by a regular opera company.

Contents

Biography

Van Etten was a native of St. Paul, Minnesota; the daughter of Isaac Van Etten, a prominent local lawyer and politician, and Jane Oakes Van Etten. She was descended from the Van Etten family of New York. [1] She studied music and opera singing in New York City, Paris, and London. Among her teachers was Mathilde Marchesi. [2] Her stage debut came as Siébel in Faust at the Theatre Royal, Drury Lane in 1895. [3]

She returned to the United States to concertize. By 1901 her reputation was good enough that Benton Harbor's orchestra was advertising itself using Van Etten's name, despite no formal connection or performances. [4] In 1901 she married architect Alfred Burritt Andrews and settled in Evanston, Illinois. [2] [5] After her wedding she gave up singing to concentrate on composition, [3] though she later worked as a teacher of voice in Chicago. [6] Her teachers of composition included Alexander von Fielitz and Bernhard Ziehn. [2]

She composed Guido Ferranti, a one-act opera to a libretto by Elsie M. Wilbor based on the play The Duchess of Padua by Oscar Wilde. [3] It was premiered on December 29, 1914, in Chicago by the Century Opera Company at the Auditorium Theater. Hazel Eden was Beatrice and Worthe Faulkner Guido Ferranti; the opera was conducted by Agide Jacchia. [7] The piece received the Bispham Memorial Medal Award. [3] It was said that Van Etten had not studied orchestration, harmony or counterpoint prior to the composition of the opera. [8] The opera won great critical acclaim, but appears not to have been performed again after its premiere. [2] Its music has been described as "tuneful in the Puccini mode". [3]

Van Etten died in Florida in 1950. She is interred in her family plot in St. Paul's Oakland Cemetery. [9]

Two of her songs have been recorded. [10]

Selected Compositions

Songs

Opera

Choral

Instrumental

Related Research Articles

Agide Jacchia was an Italian orchestral director.

<span class="mw-page-title-main">Emma Marcy Raymond</span> American singer

Emma Marcy Raymond was an American musician, composer, and author of operetta, songs and piano music. She was one of very few women in her day who had composed the entire music of an opera and lived to see it produced.

<span class="mw-page-title-main">Ada Jordan Pray</span> American composer, teacher, and concert singer.

Adagerta "Ada" G. Jordan Pray, B.L., was a composer, teacher and concert singer, the director of the Ada Jordan Pray Music School.

<span class="mw-page-title-main">Irene Cozad</span> American pianist, piano teacher, and composer

Irene Cozad, later known as Irene Cozad-Sherer, was an American pianist, piano teacher, and composer of ragtime music.

Esther Sommerstein Zweig was an American composer, writer, translator, and teacher. She was born in New York and studied at Hunter College, New York University, the University of Vienna, and the Jewish Theological Seminary. Her instructors included composers Walter Damrosch and Kurt Weill. She taught choral music in the Hebrew schools of New York from 1927 to 1937. Zweig set poems by Yiddish poet Aliza Greenblatt to music and translated works by other authors into English, Hebrew, and Yiddish. She married Jacob Zweig on June 29, 1930. From 1949 to 1950 she directed the Esther Zweig Ensemble in New York. Zweig received an award from the Jewish Theological Seminary in 1927 and a merit certificate from the University of Vienna. Today, the Jewish Theological Seminary awards the Esther Sommerstein Zweig Education Award annually to a student who has demonstrated unusual intellectual ability and potential for growth.

Lola Carrier Worrell was an American composer who wrote instrumental music, songs, and at least one piece for musical theatre. Born in St. Johns, Michigan, she studied music with Carlos Sobimo, Francis Hendricks and Horace E Tureman. Lola married Edward S Worrell Jr. on January 12, 1891, and they had three daughters. The family maintained homes in New York and Colorado, where Lola founded the Denver American Music Society and served as its first president. She also organized and served as the pianist for the Chamber Music Quintet of Denver. Along with other musicians such as Caroline Holme Walker, Lola maintained a studio at Brinton Terrace in Denver, where she coached pianists, singers, and young composers. She gave recitals with contralto Louis Merten, whom she accompanied on piano. In addition to her work as a musician, Lola filed patents for dolls she developed in 1922, 1924, and 1925. The 1925 patent application described the doll as a "flapper doll." Her compositions included:

Addie Anderson Wilson was an American composer, organist and carillonist who was born in Lawrenceville, Alabama, and lived in Alabama for most of her life. She studied music with Mary Carr Moore and M. Wilson. She married William Sidney Wilson on November 9, 1892, and they had one son.

Margaret Viola Wigham was a composer, music educator and pianist, born in Minnesota. She was nationally known as a mid-century composer of student piano pieces. Her pieces often had an educational focus such as chromaticism, counterpoint, learning to play in different keys, or using each hand independently. Her works were published by Oliver Ditson Co., Willis Music, Harold Flammer Inc, Belwin Inc, and R. D. Row. They were also published in Braille and made available through the Library of Congress National Library Service for the Blind and Print Disabled.

Bessie Marshall Whitely or Whiteley (December 25, 1871 - November 7, 1944 was an American composer, pianist, and teacher. She attended the Oakland Conservatory of Music in Oakland, California, and studied with H. G. Pasmore, J. P. Morgan, and Louis Lesser. Whitely was a piano teacher and music supervisor in Kansas City, Missouri, for 32 years.

Helen Searles Westbrook was an American composer and organist who appeared with Chicago Symphony.

Caroline Holme Walker was an American composer, pianist, and teacher who transcribed bird songs into standard musical notation. She was born in St. Louis, Missouri.

<span class="mw-page-title-main">Kate Vanderpoel</span>

Cornelia Townsend was an American song composer who published most of her music under the name Kate Vanderpoel.

Florence Turner-Maley was an American composer, singer, and teacher.

<span class="mw-page-title-main">Jane Douglass White</span> American musician and army officer

Jane Douglass White, born Ruby Jane Douglass, was an American Women's Army Corps officer, music educator and songwriter. A University of Oklahoma graduate, she wrote several songs during World War II to promote the corps; Captain Douglass was selected in 1944 to command the first all-woman Special Service company. Before the war, Douglass taught vocal music in the Bristow, Oklahoma public schools. One of her songs, originally entitled "The WAAC is in Back of You", was adapted after the war into the official "Song of the Women's Army Corps". She was awarded a master's degree at Columbia University, while she studied piano with Anton Bilotti. After marriage, she changed her name to Jane Douglass White, becoming a prolific songwriter and music director for stage and television. A song she co-wrote with Sidney Shaw, "Love is a Gamble" was recorded by such artists as Eartha Kitt and Johnny Mathis. She was an assistant producer with Harry Salter for the 50's edition of television's Name That Tune and afterwards became a well-known Christian music entertainer. Douglass served as a musical director for Charles Colson's Prison Fellowship program.

American composer and pianist Frances Tarbox wrote one opera and several songs. Her name is sometimes seen as Frances Tarbos.

Helen Steele was an American composer and pianist who is best remembered today for her composition America, Our Heritage, for band and chorus.

<span class="mw-page-title-main">Helen Gilmore (magazine editor)</span> American actress and journalist

Stella Helen Gilmore was an American stage actress, composer, lyricist and magazine editor from Chicago, Illinois.

May Louise Cooper Spindle was an American composer and teacher who wrote many pedagogical pieces for piano.

<span class="mw-page-title-main">Eva Allen Alberti</span>

Eva Allen Alberti was an American dramatics teacher who specialized in the American meaning of pantomime i.e. mime. Her students were actors, teachers, directors and producers including, Prof. Gertrude Colby, Jane Cowl, Cecil B. DeMille, William C. deMille, Ann Harding, Fredric March, Douglas MacLean, Guthrie McClintic, William Powell, Edward G. Robinson, Anita Stewart, Stuart Walker, and Chester M. Wallace.

Meta Fust Willoughby was an American composer, pianist, and singer who performed and published under the name Meta Schumann.

References

  1. "Alfred Burritt Andrews b. 26 Nov 1871 Chicago, Cook Co., Illinois d. Unknown: Stedman Family Genealogies" . Retrieved 25 July 2016.
  2. 1 2 3 4 Christine Ammer (2001). Unsung: A History of Women in American Music. Amadeus. pp. 193–. ISBN   978-1-57467-061-5.
  3. 1 2 3 4 5 Ken Wlaschin (2006). Encyclopedia of American Opera. McFarland & Company. ISBN   978-0-7864-2109-1.
  4. "MUSICAL ECHOES". Fine Arts Journal. 12 (1): 42–47. 1901. ISSN   2151-2760.
  5. Waterman, Arba Nelson (1908). Historical Review of Chicago and Cook County and Selected Biography. Lewis publishing Company. p. 881.
  6. Dexter Smith; Lorin Fuller Deland; Thomas Tapper; Philip Hale (1901). Musical Record and Review. O.Ditson & Company. pp. 1–.
  7. Margaret Ross Griffel; Adrienne Fried Block (1999). Operas in English: A Dictionary. Greenwood Press. ISBN   978-0-313-25310-2.
  8. Viola Vaille (Barnes). Campbell (1914). The Musical Monitor. Mrs. David Allen Campbell, Publisher. pp. 169–.
  9. "Oakland Interment Search". oaklandcemeterymn.com. Retrieved 2023-05-01.
  10. "Albany Records: Songs From The Heart" . Retrieved 24 July 2016.
  11. 1 2 3 4 5 6 7 8 9 10 11 The Canadian Patent Office Record and Register of Copyrights and Trade Marks. Patent Office. 1906. p. 1443.
  12. Office, Library of Congress Copyright (1935). Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series. p. 6691.
  13. Office, Library of Congress Copyright (1951). Catalog of Copyright Entries: Third series. p. 232.
  14. 1 2 3 Catalog of Copyright Entries: Musical compositions. Library of Congress, Copyright Office. 1945.