Janice Tanaka

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Janice Tanaka is a Japanese-American media artist born in Hollywood, California [1] [date?] known for making experimental videos. Tanaka is best known for Memories from the Department of Amnesia, an experimental documentary about the death of her mother, and Who's Going to Pay for These Donuts Any, which chronicles the life of her father, who was interned in camps during World War II. [2]

Contents

Early life

Tanaka received her Bachelor of Fin degree in 1978 and Master of Fine Arts degree in 1981 from the Art Institute of Chicago. [3] She began her artistic career as a dancer before shifting her focus to film and documentaries.

Tanaka's parents—Jack Koto Tanaka and Lily Tanaka—married prior to World War II. [4] The family was interned at the Manzanar Japanese Internment Camp during World War II following the signing of Executive Order 9066. [5] Her father protested the internment, and was arrested by the Federal Bureau of Investigation. After being diagnosed with schizophrenia, he was institutionalized. Lily divorced Jack during the war, and moved the family to a predominantly white neighborhood in Chicago. [5]

Career

Tanaka started her career as a ballet dancer with the Allegro American Ballet in 1955. In 1957 she performed with the Ballet Russe de Monte Carlo. From 1960 to 1961 she danced with the Jim Hetzer's Japanese Spectacular. She studied music composition at the Conservatorio International de Musica from 1961 to 1964. [3]

Tanaka has taught[taught what?] at universities around the country. After receiving her graduate degree from the School of the Art Institute of Chicago, she headed to the University of California, Los Angeles (UCLA) in 1980. From 1982 to 1985 she was at the Columbia College Chicago. Between 1985-1989 she attended the University of Colorado Boulder. After spending 1990 to 1994 at UCLA, she briefly left academia to become CEO of Sonic Boom Inc. until 1996. [3] Beginning in 1996 and continuing through today (2022) holds a position at the California Institute of the Arts. [6]

K.K. Hallmark[who is this?] describes her work as, "Tanaka's videos are documentary in style, using a variety of techniques; some images are abstract, distorted, and blurred to an unrecognizable degree, while others are clear and informal, as if they could be a family snapshot." [3]

Select videography

Hghlights from Tanaka's work: [1]

Permanent collections

Tanaka has pieces in the collections of many museums and libraries. [6] [ better source needed ]

Awards

Tanaka has received many awards: [6] [ better source needed ]

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References

  1. 1 2 "Artist: Janice Tanaka". V Page.
  2. "A Rebel Remembered". www.rafu.com. 8 December 2018. Retrieved 2019-03-04.
  3. 1 2 3 4 Hallmark, Kelly (2007). Encyclopedia of Asian American Artists. Westport, Connecticut: Greenwood Press. pp. 219–223. ISBN   978-0-313-33451-1.
  4. Pang, Amy (18 June 1993). "Janice Tanaka Finds the Present by Tracing Her Father's Past: 'Who's Going to Pay for these Donuts, Anyway?' Debuts June 22". Asianweek. 32.
  5. 1 2 King, Susan (20 June 1993). "Focus Closing Her Circle Daughter Finds a Father Lost During the '40s Internment". Los Angeles Times. Retrieved 8 March 2015.
  6. 1 2 3 Tanaka, Janice. "CalArts Faculty/Staff Directory".
  7. "Memories from the Department of Amnesia". Kröller-Müller Museum. Retrieved 16 November 2023.
  8. "An American serenade Janice Tanaka". Getty Library catalog. Retrieved 16 November 2023.