Jared Hauser (born 1971), is an American oboist, recording artist, and educator. He is associate professor of oboe at Vanderbilt University Blair School of Music [1] in Nashville, Tennessee, and also teaches at the National Music Festival [2] in Chestertown, Maryland. Hauser plays with the Blair Woodwind Quintet, [3] the contemporary music group Intersection, [4] and as principal oboe with the Nashville Opera Orchestra. [5] He also performs on period oboes with Early Music City, and Music City Baroque.
Recent features include performing for the RioWinds Festival, the Naxos of America Classical Music Day, the Festival della Piana del Cavaliere Configni, and concerts at the Berlin Phiharmonie, the National Theater of Costa Rica, the Palacio de Congresos de Grandad Spain, the Chateau de la Rouche-Guyon France, as well as venues across North America.
Born in Detroit, Michigan, and raised in nearby Southfield, Hauser is from a musical family, and began playing music at a young age, learning to read music before he read words. After experimenting with several instruments, he began playing oboe in the 7th grade, and studied privately with Robert Sorton, and later, Mark Dubois. After attending the Interlochen Arts Camp and the National High-School Music Institute at Northwestern University, Hauser became set on a career in music, and soon enrolled at the Interlochen Arts Academy where he studied with Daniel Stolper.
Hauser earned a Bachelor of Music degree from the University of Michigan School of Music, Theatre & Dance, an Artist's Diploma from the Oberlin Conservatory of Music, his Master of Music degree from the Rice University Shepherd School of Music, and finally a Doctor of Musical Arts from the Michigan State University College of Music, where his instructors were Harry Sargous, James Caldwell, Robert Atherholt, and Daniel Stolper respectively. He also studied with Neil Black, and Alex Klein.
From 2002 to 2009 Hauser was principal oboist of the Orlando Philharmonic Orchestra and faculty at the Lynn Conservatory of Music. Other previous positions include teaching at the Interlochen Center for the Arts (Arts Camp 2005-2017, Arts Academy 2016/17), the Hot Springs Music Festival (2004-2010), and the Crane School of Music SUNY Potsdam (2001/02).
Hauser released his first solo recording, Temporal Fantasies ofBritten and Hindemith, with Blue Griffin Recording in 2007. He remains a BGR Artist to this day, [6] and has also recorded for Naxos, [7] AMR, Warner Brothers Music, Koch International, Eroica, and AUR. His performances has been featured on CBC/Radio Canada, BBC Radio 3, and NPR’s Performance Today.
Hauser frequently appears as clinician, both nationally and internationally, on a variety of music-related subjects. In recent seasons he has presented dozens of masterclasses and clinics (both in-person and virtual) to students of all ages on topics such as oboe performance, reed making, chamber music, non-traditional repertoire and performance techniques, period performance practice, pedagogy, career development, and entrepreneurship.
Hauser has actively engaged with composers in the creation of new works. Notable commissions and premiers include Stardust (2021), Song Without Words for Oboe and Piano (2020), [8] and Avian Escapades (2016 [9] ) all by Augusta Read Thomas; Pastorale [10] by Lowell Liebermann; Monk's Oboe [11] for oboe and string quartet (2014) by Libby Larsen, the consortium premier of Crossroads (2014) by John Harbison; Agrestic Landscapes, Birds at Dawn (2021) by Nailah Nombeko; and A Year In The Catskills (2009) by Peter Schickele. Hauser has also premiered works by James Stevenson, Leo Brouwer, Alexis Bacon, Gary Powell Nash, Wu Fei, Daniel Baldwin, John Steinmetz, Robert Patterson, Stan Link, Michael Rose, Michael Slayton, Dabney Morris, Stephen Lamb, David Sartor, David Lipten, Robert Brownlow, Joshua Burel, Elizabeth Hoffman, and Bill Douglas, among others.
Hauser has spent the past several seasons developing skills as a multi-genre improvisor in an attempt to push the boundaries of the oboe’s traditional catalog, and expand his own repertoire beyond the classical realm. Recent performances have included works involving interactive electronic media with improvised oboe, art-music involving improvisation, and performance in genres outside of the classical realm such as jazz, and music of the world. He has studied improvisation with multi-genre saxophonist, Jeff Coffin, and with jazz bassoonist Paul Hanson.
In 2019 Hauser premiered Bogha Baisti, for Improvised Oboe and Soundtrack, by Elizabeth Hoffman, and in 2023 performed electro-acoustic oboe on the premier of Postcards From a Vanishing Point with music by Stan Link.
The piccolo is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino, by which the instrument is called in Italian and thus also in scores of Italian composers.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
John Harris Harbison is an American composer and academic.
Arnold Atkinson Cooke was a British composer, a pupil of Paul Hindemith. He wrote a considerable amount of chamber music, including five string quartets and many instrumental sonatas, much of which is only now becoming accessible through modern recordings. Cooke also composed two operas, six symphonies and several concertos.
Sean Osborn is a former clarinetist of the Metropolitan Opera Orchestra and a regular substitute in the clarinet section of the Seattle Symphony Orchestra. He has been a student of Stanley Hasty, Frank Kowalsky, and Eric Mandat.
Elizabeth Koch Tiscione is an oboist and principal oboe of the Atlanta Symphony Orchestra. She joined the ASO in the fall of 2007, and was granted tenure January 2009. She is a native of Buffalo, New York. Her teachers were Richard Woodhams and Daniel Stolper. She was a student at the Curtis Institute of Music and the Interlochen Arts Academy.
Daniel John Stolper was an American oboist.
Imani Winds is a Grammy® Award-winning American wind quintet based in New York City, United States. The group was founded by flutist Valerie Coleman in 1997 and is known for its adventurous and diverse programming, which includes both established and newly composed works. The word Imani means "faith" in Swahili. They are also active commissioners of new music with the intent of introducing more diverse composers to the wind quintet repertoire.
The Blair School of Music, located in Nashville, Tennessee, provides a conservatory-caliber undergraduate education in music performance, composition, or integrated music studies within the context of a major research university, Vanderbilt University. Blair also provides music lessons, classes and ensembles to over 800 precollege and adult students each semester. Blair is the youngest and smallest of Vanderbilt's ten constituent schools and colleges.
Michael Alec Rose composes chamber and symphonic music. He is Professor of Composition at Vanderbilt University’s Blair School of Music. His awards and commissions include the Walter W. Naumburg Foundation’s chamber music commission, for which he composed his String Quartet No. 2, premiered by the Meliora Quartet at Lincoln Center and the Library of Congress; a commission from the International Spoleto Festival for a violin-cello duo; twenty-five consecutive annual awards in composition from the American Society of Composers, Authors, and Publishers, 1986–2010; string quartet commissions from the Blair and Mendelssohn Quartets; and three commissioned performances by the Nashville Symphony, including Symphony No. 1—Paths of Peace (2000).
Gary Alan Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002.
Linda Strommen is an American oboist. She is Professor of Oboe at Indiana University and has been a regular visiting Oboe Instructor at the Juilliard School of Music for more than ten years. A former member of the Metropolitan Opera Orchestra and the Santa Fe Opera, she has held principal and assistant principal position with Milwaukee, Honolulu, New Heaven, Wichita, and Baton Rouge Symphonies and acting principal oboe positions with the Rochester Philharmonic and the St. Paul Chamber Orchestra. In addition to being a former member of the Timm and Lieurance Woodwind Quintets, she has been a regular participant in summer festivals such as the Marlboro, Bellingham, Bard and Masterworks Festivals. Ms. Strommen commissioned and premiered the oboe concerto for oboe and string orchestra “Down a River of Time” by Eric Ewazen. Her recording of this work with the International Sejong Soloists, “Sejong Plays Ewazen,” has been released by Albany records.
Miguel del Águila is a prolific Uruguay-born American composer of contemporary classical music. He has been nominated three times for Grammys and has received numerous other awards.
Dana Reason is a Canadian composer, recording artist, keyboardist, producer, arranger, and sound artist working at the intersections of contemporary musical genres and intermedia practices.
Graeme Peter Crump, known professionally as Peter Graeme and as 'Timmy' Crump to friends and family, was an English oboist and academic teacher. He was best known as the principal oboist of the Melos Ensemble.
Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
James K. Randall was an American composer, music theorist, and early adopter of electronic music. At the time of his death he was Professor of Music Emeritus at Princeton University.
Rory Boyle is a Scottish composer and currently Professor of Composition at the Royal Conservatoire of Scotland
Francis Poulenc's Sextuor (Sextet), FP 100, is a chamber music piece written for a standard wind quintet and piano. Estimates about the time of its composition range from between 1931 and 1932 and 1932 alone. It received its debut in 1933 but was later revised in 1939. Performed in its entirety, the three-movement piece lasts approximately 18 minutes.
Michael Kibbe is an American contemporary classical music composer born in San Diego, California. He has composed over 240 concert works and created numerous arrangements. His writing covers many musical styles, encompassing tonal, modal and non-diatonic languages. His style often incorporates modern structures but is still accessible to the popular classical listener. Some of his works come right of the Romantic Era yet his style in some writings has been compared to Prokofiev. There are influences of American composer Gershwin in the Serenade Number 2 for two clarinets that seem at once blues, jazz and classical. His music can often reflect themes that bring to mind different cultures.