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Jay Schwartz | |
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Born | San Diego, California, U.S. | June 26, 1965
Education | Arizona State University |
Notable work | "Passacaglia - Music for Orchestra IX" •Theta - Music for Orchestra VIII' •Music for Voices & Orchestra |
Awards | Bernd-Alois-Zimmermann-Preis (2000) • Rome Prize (2017, 2018) |
Website | www |
Jay Schwartz (born June 26, 1965) is an American composer based in Germany. [1] [2]
Schwartz was born in San Diego, California, in 1965. His father was a professional boxer who later worked in swimming pool maintenance, while his mother was a kindergarten teacher. [3] Schwartz began playing the piano at a young age and was largely self-taught in composition. He studied music at Arizona State University, graduating in 1989 followed by graduate studies in musicology in Tübingen, Germany. [1]
From 1992 to 1995, he worked in the archives at the Staatstheater Stuttgart, Germany. Schwartz was employed as a manual laborer, then as an archivist and later as an assistant composer for incidental music. [1]
From 1995, Schwartz worked as a freelance composer for the Utopia orchestra, the New York Philharmonic, BBC Scottish Symphony Orchestra, the Berlin Philharmonic, Schauroun Ensemble, the Berlin Symphony Orchestra, the Helsinki Philharmonic Orchestra, the Lucerne Festival Strings, the Orchestra Sinfonica Nazionale, Tonkünstler Orchester Vienna, the Stuttgart Radio Symphony Orchestra and Choir (SWR), the West German Radio Symphony Orchestra (WDR), the Radio Symphony Orchestra Frankfurt (HR), the Mozarteum Orchestra Salzburg, the Bavarian State Opera Munich, the Salzburg Opera, the Staatskapelle Weimar, Ensemble Modern, Ensemble Intercontemporain, the Turin Philharmonic Orchestra, and the Remix Ensemble in Portugal. He was commissioned to create music to be performed by Teodor Currentzis.
His works are published and represented by Universal Edition in Vienna, London, and New York. [4]
In 2000, Schwartz received the Bernd Alois Zimmermann Prize for composition in Cologne, Germany. He is also a three-time recipient of the Strobel Fellowship for electronic music from the Südwestrundfunk. [5]
In 2014, Schwartz was awarded a residency at the Cité internationale des arts in Paris, and he also received the Rome Prize for a residency at the Villa Massimo in Rome in both 2017 and 2018. [6] In 2019, he was a fellow at the Civitella Ranieri Foundation in Italy. [7] In 2020 he was awarded wit the Mario Merz Prize.
Jay Schwartz’s compositional approach is grounded in the physical properties of sound, incorporating elements such as the overtone series, microtonality, and glissandi. He explores tonality within the framework of what can be termed “organic harmony,” informed by acoustical physics. These sonic materials are deployed within a context that emphasizes perceptual and emotional engagement, characterized by a sustained sensuous intensity and a direct emotional expressiveness.
Schwartz organizes these acoustic phenomena into structurally coherent, deliberately extended formal frameworks that support continuous transformation and a clearly articulated dramatic trajectory. His music often evolves through unbroken developmental processes, aiming toward cathartic moments that typically crystallize into harmonically grounded thematic material. A consistent feature of his work is an emphasis on clarity, structural simplicity, and a unified timbral aesthetic.
In his sound installations, Schwartz applies similar principles. He seeks to evoke the primal or archaic qualities of sound through the use of physical and acoustical phenomena such as resonance transfer, magnetism, and infrasonic frequencies. In his piece Music for Autosonic Gongs, the instruments are not directly played but resonate autonomously via electroacoustic excitation. Despite the involvement of electronic processes in the activation, the resulting sounds are entirely acoustic in origin.