Jayasri Burman

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Jayasri Burman
Born
Jayasri Burman

(1960-10-21) October 21, 1960 (age 65)
Kolkata, West Bengal, India
Education
  • Kala Bhavan, Shantiniketan (1977–1979)
  • Government College of Art & Craft, Kolkata (M.A. Painting)
  • Graphic Art Workshop (Paul Lingren)
  • Printmaking course, Paris (Monsieur Ceizerzi)
Alma mater
  • Kala Bhavan, Shantiniketan
  • Government College of Art & Craft, Kolkata
Known for
  • Painting
  • Sculpture
  • Printmaking
Style
  • Contemporary
  • Figurative
  • Mythological symbolism
  • Folk-inspired visual language
MovementContemporary Indian art
Spouse Paresh Maity

Jayasri Burman (born October 21, 1960, in Kolkata) is a contemporary painter and sculptor from India. She is based in New Delhi, India.

Contents

Education

She studied at the Kala Bhavan in Shantiniketan from 1977 to 1979, and at the Government College of Art and Craft, Kolkata, where she completed a Master of Arts in Painting. [1] [2] She took a Graphic Art Workshop conducted by Paul Lingren and a formal course on Print making in Paris from Monsieur Ceizerzi.

Personal life

She married to painter and sculptor Paresh Maity. [3]

Exhibitions

Mediums and Themes

Her primary painting mediums are watercolours, ink, charcoal and acrylic on canvas. Most often centring on nature, gods and goddesses, her original depictions combine folk, myth and mythology to tell stories of deities who braved adversities. [4]

Select Solo Exhibitions

2021River of Faith, Art Exposure, Bikaner House, New Delhi

Strongly influenced by spiritual beliefs and sacred texts, Burman expresses her creativity with poetic lyricism that is part fairytale and part organic. The Ganga river has had an indelible impact on her and she has painted the river in myriad forms with allegorical elements like swans, flowers, vines, fish and more. The recent devastation and destruction of the waters of the river as an aftermath of the pandemic greatly stirred her and ultimately culminated in River of Faith. [5]

The genesis of being in this exhibition must begin with the 4 sculptures that traverse generations of legends stories and mythical renderings. [6]

River of Faith, Art Exposure, Kolkata

"River of Faith, a tribute to the Ganges which is the life force of India, connecting its inhabitants across space and time. In her imagination, the Ganga assumes many forms, embodying both fantasy and reality, fertility and ferocity, origin and annihilation, hope and despair. Her unique stylisation creates a visual language that allows for exciting new modes of perception." [7] [8]

The spatial arrangement of this Jahnavi that runs into 36' in two diptychs coincides with constructivist ideas and theoretical discussions on the expressive power of monochromatic moods and moorings created with dense charcoal in thicker passionate contours of controlled compositional spaces. From the beginning of her days of pedagogy Jayasri has believed that colours and lines have independent symbolic meanings, and they presented a spiritual flow of imagery: Contours create space, development, and mood, whereas flowing filled lines represent time, extension, and deep thought. [9] [8]

2020Shakti - Nine Forms of Divinity, on-line show, Gallery Art Exposure, Kolkata [10]

2018Born of Fire: A Tale for our Times, AICON Gallery, New York In Draupadi, artist Jayasri Burman sees a feminist icon who should be remembered for her keen political skills, self-determination, and relatability. Simultaneously monumental and detailed, the Draupadi works reimagine the visual history of the Mahabharata without forgetting the traditions that birthed them. Pulling from a vast coffer of Hindu mythos, Burman reimagines traditional depictions of female goddesses by imbuing them with bright color and energy. [11]

2015Antaryatra - A Journey Within, Birla Academy of Art & Culture, Gallery Sanskriti, Kolkata [12]

2014Lila, Jehangir Art Gallery, Art Musings, Mumbai

Gazing Into The Myth, Gallery Sumukha, Bangalore Jayasri has admitted that she always found folk art inspiring. She is able to see and discover vital and organic links between mythical icons and their folk expressions. This discovery, in turn, goes into making some of her works to be what they are – visual sites where the classical and the folk merge to create a lively sense of the contemporary. It is not a contemporaneity all by itself; lonely and isolated, though moments of loneliness and isolation could also be discerned. It is an inclusive contemporaneity which is continuous with the past. To revert to the reigning metaphor, it is a flowing contemporaneity, which cuts across barriers of time. [13]

Fables and Folklore, Art Musings, Mumbai

2009A Mythical Universe, Art Alive Gallery, Lalit Kala Akademi, New Delhi [14]

2006Sacred Feminine, Art Musings Gallery, Mumbai [15]

2005 Arts India Gallery, Palo Alto, San Francisco [16]

Selected Group Exhibitions

2023

2021

Awards and honours

YearAward or recognitionRef.
1979Awarded by the College of Visual Arts in Tempera for outstanding merit in its annual exhibition [20]
2007Participated in the "Ananya Festival", organised by the Ministry of Women and Child Development for International Women's Day. Burman designed commemorative stamps released by the Vice President of India. [21]
2016Awarded by the Government of West Bengal for creating the Durga Puja idol for Behala Notun Dal in Kolkata [22]

References

  1. "Jayasri Burman - Artists - Aicon Gallery".
  2. "The Telegraph She Awards 2021 saw women achievers being feted". www.telegraphindia.com. Retrieved 23 March 2021.
  3. "The Burman-Maity family is proof that creativity runs in the genes". Elle India. Retrieved 23 March 2021.
  4. "Artist Jayasri Burman paints the 'resilient' Ganga". The Indian Express. 18 December 2021. Retrieved 14 September 2023.
  5. "River of Faith: Jayasri Burman". India Art Fair. Retrieved 14 September 2023.
  6. Nair, Uma. "Jayasri Burman's sculptures revere River Ganga". The Times of India. ISSN   0971-8257 . Retrieved 14 September 2023.
  7. "Ganga remains our closest connection to the primordial power: Jayasri Burman". www.telegraphindia.com. Retrieved 14 September 2023.
  8. 1 2 Rau, Rewati (19 December 2021). "River of Faith: Artist Jayasri Burman's 'giant' ode to the Ganges". The New Indian Express. Retrieved 27 May 2026.
  9. Nair, Uma. "Jayasri Burman's Gangetic lifescapes at Bikaner House". The Times of India. ISSN   0971-8257 . Retrieved 14 September 2023.
  10. Yadav, Medha Dutta (8 November 2020). "Jayasri Burman presents the nine manifestations of the Devi". The New Indian Express. Retrieved 27 May 2026.
  11. "Jayasri Burman | Born of Fire: A Tale for Our Times - Exhibitions - Aicon Gallery". www.aicongallery.com. Retrieved 14 September 2023.
  12. Dasgupta, Priyanka (19 November 2015). "City to host exhibition on two decades of Jayasri Burman's works". The Times of India. Retrieved 27 May 2026.
  13. Nag, Ashoke (14 March 2014). "Bengaluru's Gallery Sumukha is presenting 'Gazing into the Myth'". The Economic Times. Retrieved 27 May 2026.
  14. Author, About (31 October 2019). "'A Mythical Universe': A Mid-career Retrospective of Jayasri Burman". Take Art Magazine. Retrieved 27 May 2026.{{cite web}}: |last= has generic name (help)
  15. Pai, Aditi (11 November 2011). "See the colours of human characteristics by Jayasri Burman". India Today. Retrieved 27 May 2026.
  16. "Jayasri Burman". Art Reflect. Retrieved 27 May 2026.
  17. "Rare To Find Such A Large Exhibition, Congratulate Toi: Birla". The Times of India. 20 March 2023. Retrieved 27 May 2026.
  18. "Traditions in Transition". Gallerie Ganesha. Retrieved 27 May 2026.
  19. Tabassum, Ayesha (11 February 2021). "Part II opens at Gallery Sumukha in Bengaluru". Indulgexpress. Retrieved 27 May 2026.
  20. "Stunning art works by Jayasri". Art Alive. 16 January 2025. Retrieved 27 May 2026.
  21. "Jayasri Burman - Recognition". jayasriburman.com. Archived from the original on 17 January 2016. Retrieved 12 March 2019.
  22. https://www.aicon.art/attachment/en/65b96d8b105ea3d323069fd9/TextTwoColumnsWithFile/5b52364e8ad750fa66ef12a1 . Retrieved 27 May 2026.{{cite web}}: Missing or empty |title= (help)