Je Suis Auto

Last updated
Je Suis Auto
Directed by Juliana Neuhuber
Screenplay byJohannes Grenzfurthner
Produced by
Starring
CinematographyThomas Weilguny
Edited byEstelle Hödl
Music by
  • Mark Cobrin
  • Michael Donaldson
  • Daniel Hasibar
  • Jimmy Lee
Production
company
Distributed bymonochrom
Release date
  • 2024 (2024)
CountryAustria
LanguageEnglish

Je Suis Auto is a 2024 Austrian social science fiction indie comedy film directed by Juliana Neuhuber [1] and written by Johannes Grenzfurthner. Chase Masterson is voicing the title character "Auto", a self-driving taxi,. [2] Johannes Grenzfurthner plays Herbie Fuchsel, an unemployed nerd critical of artificial intelligence. The film is a farcical comedy that deals with issues such as artificial intelligence, politics of labor, and tech culture. [3] [4] [5]

Contents

The film is distributed by monochrom. [6] [7]

Synopsis

The story starts with an ill-tempered mafioso who needs to deliver a suitcase full of money. He enters a self-driving taxi [8] to get to his destination but doesn't know that his ride is ontologically challenged.

Cast

The film features several cameo appearances by Austrian media personalities such as Chris Lohner, Eva Billisich, Conny Lee, and Joesi Prokopetz. [9]

Production

In June 2018, monochrom announced at their event monocon [10] that they are working on a new science fiction comedy film.

The script was written by Grenzfurthner, who has been working in the field of artificial intelligence and art before, for example lecturing at the Royal United Services Institute, [11] [12] or by publishing books about the subject. [13]

Principal photography on the film began in August 2018, in cooperation with the production team of Traum und Wahnsinn. Directory of Photography was Thomas Weilguny, with whom Neuhuber has frequently worked. [14] [15]

Chase Masterson recorded her voice part in Vienna in November 2018.

The premiere is on July 1, 2024 at Stadtkino, Vienna.

Related Research Articles

<span class="mw-page-title-main">Chase Masterson</span> American actress, singer

Chase Masterson is an American actress and singer.

<span class="mw-page-title-main">Monochrom</span>

Monochrom is an international art-technology-philosophy group, publishing house and film production company. It was founded in 1993, and defines itself as "an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science and political activism". Its main office is located at Museumsquartier/Vienna.

<span class="mw-page-title-main">Johannes Grenzfurthner</span> Austrian artist, writer, curator, and theatre and film director

Johannes Grenzfurthner is an Austrian artist, filmmaker, writer, actor, curator, theatre director, performer and lecturer. Grenzfurthner is the founder, conceiver and artistic director of monochrom, an international art and theory group and film production company. Most of his artworks are labeled monochrom.

<span class="mw-page-title-main">Jason Scott</span> American technology historian and archivist

Jason Scott Sadofsky, more commonly known as Jason Scott, is an American archivist, historian of technology, filmmaker, performer, and actor. Scott has been known by the online pseudonyms Sketch, SketchCow, The Slipped Disk, and textfiles. He has been called "the figurehead of the digital archiving world".

<span class="mw-page-title-main">Georg Paul Thomann</span>

Georg Paul Thomann was purported to be a renowned Austrian conceptual artist of the late 20th century. In reality, he was the fictitious creation of the Austrian art group monochrom who started working on his biography in the summer of 2000.

<span class="mw-page-title-main">Buried Alive (performance)</span>

Buried Alive is an art and lecture performance series by art-tech group monochrom. The basic concept is to offer willing participants the opportunity of being buried alive in a real coffin underground for fifteen to twenty minutes. As a framework program, monochrom offers lectures about the history of the science of determining death and the medical cultural history of premature burial. To date, they have buried around 600 people. The series has created controversy in some places it has been staged.

Roboexotica is an annual festival and conference where scientists, researchers, computer experts and artists from all over the world build cocktail robots and discuss technological innovation, futurology and science fiction. Roboexotica is also an ironic attempt to criticize techno-triumphalism and to dissect technological hypes.

<i>Soviet Unterzoegersdorf</i> Video game

Soviet Unterzoegersdorf is a fictitious country created by the art/technology/theory group monochrom. It is the "last existing appanage republic of the USSR", located inside the Republic of Austria. Unterzögersdorf is partially based on an existing village well known to Johannes Grenzfurthner, the creator of the concept. As a kid and teenager, Grenzfurthner spent a lot of time at his grandparents' farm in the small village of Unterzögersdorf. His grandparents' stories about the Nazism, WWII and the Soviet occupation in allied-occupied Austria (1945–1955) form the inspirational basis of the long-term project Soviet Unterzoegersdorf.

Arse Elektronika is an annual conference organized by the Austrian arts and philosophy collective monochrom, focused on sex and technology. The festival presents talks, workshops, machines, presentations and films. The festival's curator is Johannes Grenzfurthner. Between 2007 and 2015, the event was held in San Francisco, but is now a traveling event in different countries.

Die Gstettensaga: The Rise of Echsenfriedl is a 2014 Austrian science fiction and fantasy film directed by Johannes Grenzfurthner and starring Sophia Grabner, Lukas Tagwerker and Jeff Ricketts.
The absurdist comedy deals with the politics and hype behind media technology and nerd culture. Grenzfurthner calls his film a contemporary way to talk about the critique of the spectacle and commodity fetishism. The film was co-produced by art group monochrom and the media collective Traum & Wahnsinn, and created for the Austrian television channel ORF III. It features music by Kasson Crooker, Starpause, and many others.

Traceroute is a 2016 Austrian-American documentary film directed by Johannes Grenzfurthner. The autobiographical documentary and road movie deals with the history, politics and impact of nerd culture. Grenzfurthner calls his film a "personal journey into the uncharted depths of nerd culture, a realm full of dangers, creatures and more or less precarious working conditions", an attempt to "chase the ghosts of nerddom's past, present and future." The film was co-produced by art group monochrom and Reisenbauer Film. It features music by Kasson Crooker, Hans Nieswandt, and many others.

<i>Glossary of Broken Dreams</i> 2018 Austrian film

Glossary of Broken Dreams is a 2018 Austrian/American documentary film directed by Johannes Grenzfurthner. The essayistic feature film tries to present an overview of political concepts such as freedom, privacy, identity, resistance, etc.

<span class="mw-page-title-main">Jasmin Hagendorfer</span>

Jasmin Hagendorfer is a Vienna-based contemporary artist, writer, filmmaker, curator, producer and festival organizer. She is one of the founders and creative director of the Porn Film Festival Vienna. From 2019 to 2022 she was the creative director of Transition International Queer & Minorities Film Festival. Her main artistic interest is in installation, sculpture and performance, and her work has been exhibited in Austria, Germany, Turkey, Serbia and Greece. As an artist she is concerned with social and political discourses and questions about gender identity with an emphasis on post-porn political works. Her studio is based in Stockerau near Vienna.

<span class="mw-page-title-main">Juliana Neuhuber</span> Austrian director

Juliana Neuhuber is a director, screenwriter, and artist from Austria. She is based in Vienna.

<i>Eignblunzn</i> 2003 performance art by monochrom

Eignblunzn is a 2003 performance by Austrian art theory group monochrom and is considered an important work in the group's history and Austrian art history in the 2000s. The group's members Johannes Grenzfurthner, Evelyn Fürlinger and Harald Homolka-List staged a classic Austrian Heuriger in a room at Museumsquartier Vienna, and consumed Austrian-style blood sausage made out of their own blood. Volunteers were invited to take part. German author Johannes Ullmaier and Austrian journalist Gerlinde Lang of radio station FM4 joined the procedure and reported about it. The performance was accompanied by political essays about the 'auto-cannibalistic' tendencies of the global economy. The event also can be interpreted as a critical statement about art, art history, the art market, and martialism in performance art.

<i>Wir kaufen Seelen</i> 1998 performance artwork by monochrom

Wir kaufen Seelen is a 1998 performance by Austrian art theory group monochrom and is considered a significant work in the group's history and Austrian art history in the 1990s.

Masking Threshold is a 2021 English-language Austrian horror film directed by Johannes Grenzfurthner, and produced by art group monochrom.

Razzennest is a 2022 Austrian supernatural, satirical horror film written and directed by Johannes Grenzfurthner. The film was produced by art group monochrom.

Hacking at Leaves is a 2024 Austrian documentary film directed and written by Johannes Grenzfurthner. It explores various themes including the United States' colonial past, Navajo tribal history, and the hacker movement, through the lens of the story of a hackerspace in Durango, Colorado, during the early phase of the COVID-19 pandemic. The film was produced by monochrom.

References

  1. Glashüttner, Robert (15 November 2018). "Gute, alte Spiele". ORF. Retrieved 19 December 2018.
  2. @ChaseMasterson (22 November 2018). "Je Suis Auto, announcement" (Tweet) via Twitter.
  3. Dax, Patrick (20 November 2018). "Star Trek Schauspielerin in Wien". Futurezone. Retrieved 19 December 2018.
  4. "FM4 Morning Show of November 24, 2018". FM4. ORF. Retrieved 19 December 2018.
  5. "Je Suis Auto" . Retrieved 19 December 2018.
  6. "Je Suis Auto - Premiere in April 2019" (PDF). monochrom. Retrieved 19 December 2018.
  7. Glashüttner, Robert (15 November 2018). "Gute, alte Spiele". ORF. ORF FM4. Retrieved 19 December 2018.
  8. Interview with Johannes Grenzfurthner on quepeliverehoy.es; 22 November 2021
  9. "Je Suis Auto - Premiere in April 2019" (PDF). monochrom. Retrieved 19 December 2018.
  10. Schaur-Wünsch, Teresa (19 March 2018). "Die Nerds im Feiermodus". Die Presse. Retrieved 19 December 2018.
  11. "Staging the Future: Artificial Intelligence and Conflict (8 November 2017)". RUSI. 8 November 2017. Retrieved 21 December 2018.
  12. Cole, August. "AI on Stage". The Art of Future Warfare Atlantic Council. Atlantic Council. Archived from the original on 16 December 2018. Retrieved 21 December 2018.
  13. Johannes Grenzfurthner; Günther Friesinger; Thomas Ballhausen. "Mind and Matter: Comparative Approaches towards Complexity". transcript-Verlag. Retrieved 21 December 2018.
  14. Lutschinger, Stefan (17 June 2014). "Die GstettenSaga: The Rise of Echsenfriedl. A post-apocalyptic aftermath of the "Google Wars"". Furtherfield. Retrieved 21 December 2018.
  15. "Glossary of Broken Dreams". AFC. Retrieved 21 December 2018.