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Jean-Georges Kastner, born 9 March 1810 in Strasbourg, died 19 December 1867 in Paris, was a composer and musicologist.
Kastner's parents were Johann Georg Kastner, from Dettwiller, and Marie Salome Pfeiffer, from Woerth. Despite his interest in music, Kastner studied theology at the University of Strasbourg at the request of his father from 1827 to 1832. After the premiere of his opera The Queen of the Sarmatian in 1835 in Strasbourg, the city council granted him a scholarship to the Paris Conservatoire where he studied with Anton Reicha and Henri Montan Berton.
Kastner's strongest interest was in wind music, and he was especially interested in the instrumental inventions of Adolphe Sax. His compositions for saxhorn and alto saxophone were among the earliest works written for these instruments. Included in his Manuel général de musique militaire (1848) are some of the earliest illustrations of Sax's instruments. [1]
On 16 May 1837 he married his student in Paris, Léonie Kastner-Boursault. Since Léonie was wealthy, her husband could practice his profession without any financial worries. Kastner was the father of physician and musician Frédéric Kastner, inventor of the pyrophone.
Ignace Joseph Pleyel was an Austrian composer, music publisher and piano builder of the Classical period.
Pierre-Jean Garat was a French Basque singer and nephew of Dominique Joseph Garat. He was born in Ustaritz.
Jean-Claude Éloy is a French composer of instrumental, vocal and electroacoustic music.
André Gabriel Edmée Pirro was a French musicologist and an organist.
The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844. It was designed for the mounted bands of the French military, probably as a substitute for the French horn. The saxotrombas comprised a family of half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The instrument is often confused with the closely related saxhorn.
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Édith Lejet is a French composer and music educator.
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Geneviève, comtesse Hubert de Chambure Thibault was a French musicologist associated with the revival of interest in early music. She graduated from the Sorbonne in 1920 with a thesis on John Dowland, and then continued the work with André Pirro on her doctoral thesis on the fifteenth-century chanson, which she never completed. In 1925 co-founded the Société de musique d'autrefois, designed to promote the publication de musical texts and a magazine les Annales musicologiques. After her marriage in 1931 she stopped musical and scholarly activities, gave birth to six children, and alternated her life between Vietnam and France. After the death of her husband Hubert Pelletier de Chambure (1903-1953), she returned permanently to Paris, where in June 1953 she resumed her scholarly activities and organization of concerts. From 1961 to 1973, she was curator of the historical instrumentals of the Conservatoire de Paris - in addition to having amassed her own private collection. She was an important muse and teacher to the first generation of baroque specialists, including young Americans in Paris - William Christie (harpsichordist) and soprano Judith Nelson.
Schott frères was a Belgian sheet music publishing house that operated between 1823 and 2006.
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Jean-François-Madeleine de Gentil was a French officer who participated to the French conquest of Algeria.
Abel Joseph Hugo was a French military officer, essayist, and historian. His younger brother was the novelist Victor Hugo.