Jean-Jacques Casimir Karpff (Colmar, 12 February 1770 - Versailles, 24 March 1829) was a French painter, designer and miniaturist. [1]
Pupil of François Joseph Hohr in Colmar, Karpff went to Paris in 1790. Legend has it that when he appeared in Jacques-Louis David's studio, one of his future classmates, judging Karpff unpronounceable David gave him the nickname of "Casimir". In 1795, he returned to Colmar where he taught drawing in the new school of fine arts and specialized in monochrome portraits. In 1806, he was summoned to Saint-Cloud to paint the portrait of the Empress Josephine, which earned him some success. He became the hosted guest of the poet Victoire Babois, where in Versailles lived the rest of his life. Karpff was buried in Père Lachaise Cemetery (27th Division).
Jacques Laffitte was a leading French banker, governor of the Bank of France (1814–1820) and liberal member of the Chamber of Deputies during the Bourbon Restoration and July Monarchy. He was an important figure in the development of new banking techniques during the early stages of industrialization in France. In politics, he played a decisive role during the Revolution of 1830 that brought Louis-Philippe, the duc d'Orléans, to the throne, replacing the unpopular Bourbon king Charles X. Laffitte was named president of the new Citizen King's Council of Ministers and Minister of Finances. After a brief ministry of 131 days, his "Party of Movement" gave way before the "Party of Order" led by the banker Casimir-Pierre Perier. Laffitte left office discredited politically and financially ruined. He rebounded financially in 1836 with his creation of the Caisse Générale du Commerce et de l'Industrie, a forerunner of French investment banks of the second half of the 19th century such as the Crédit Mobilier (1852). The Caisse Générale did not survive the financial crisis caused by the Revolution of 1848.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet(29 January 1767 – 9 December 1824), was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Jean-Baptiste Regnault was a French painter.
Théodore Chassériau was a Dominican-born French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate Shakespeare's Othello. The portrait he painted at the age of 15 of Prosper Marilhat, makes Théodore Chassériau the youngest painter exhibited at the Louvre museum.
Jean-Baptiste Descamps was a French writer on art and artists, and painter of village scenes. He later founded an academy of art and his son later became a museum curator.
Anne-François-Louis Janmot was a French painter and poet.
Jean-Baptiste Santerre, was a French painter often associated with Jean-Honoré Fragonard but notable in his own right.
François Pascal Simon Gérard, titled as Baron Gérard in 1809, was a prominent French painter. He was born in Rome, where his father occupied a post in the house of the French ambassador, and his mother was Italian. After he was made a baron of the Empire in 1809 by Emperor Napoleon, he was known formally as Baron Gérard.
Jean-Baptiste Jacques Augustin was a French miniature painter.
Joseph-Siffred Duplessis was a French painter known for the clarity and immediacy of his portraits.
Claude Lefèbvre was a French painter and engraver.
Robert Jacques François Faust Lefèvre was a French painter of portraits, history paintings and religious paintings. He was heavily influenced by Jacques-Louis David and his style is reminiscent of the antique.
Louis Auvray was a French sculptor and art critic. He was the pupil of David d'Angers and was the brother of Félix Auvray, a painter. He continued the Dictionnaire Général des Artistes de l'école française depuis l'origine des arts du dessin jusqu'à nos jours, started by Émile Bellier de La Chavignerie.
Jean-Jacques-François Le Barbier was a writer, illustrator and painter of French history. By 1780 he was an official painter of the King of France.
Jean-Charles Tardieu, also called "Tardieu-Cochin" was a successful French painter during the ages of Napoleon and of the Bourbon Restoration. His work was primarily historical, but also included landscapes, portraits and religious subjects.
Jacques-Nicolas Tardieu, called "Tardieu fils" or "Tardieu the younger", was a French engraver.
Auguste-François Michaut was a French coin engraver of France and Holland, a medallist and sculptor.
Portrait of Louis XIV in Coronation Robes was painted in 1701 by the French painter Hyacinthe Rigaud after being commissioned by the king who wanted to satisfy the desire of his grandson, Philip V, for a portrait of him. Louis XIV kept it hanging at Versailles. This portrait has become the "official portrait" of Louis XIV.
Neoclassicism is a movement in architecture, design and the arts which was dominant in France between about 1760 to 1830. It emerged as a reaction to the frivolity and excessive ornament of the baroque and rococo styles. In architecture it featured sobriety, straight lines, and forms, such as the pediment and colonnade, based on Ancient Greek and Roman models. In painting it featured heroism and sacrifice in the time of the ancient Romans and Greeks. It began late in the reign of Louis XV, became dominant under Louis XVI, and continued through the French Revolution, the French Directory, and the reign of Napoleon Bonaparte, and the Bourbon Restoration until 1830, when it was gradually replaced as the dominant style by romanticism and eclecticism.
Portrait of Alphonse Leroy is a 1783 portrait of doctor and man-midwife Alphonse Leroy by Jacques-Louis David, now in the Musée Fabre in Montpellier, which bought it in 1829.
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