| Personal information | |||
|---|---|---|---|
| Date of birth | 1 September 1982 | ||
| Place of birth | Paris, France | ||
| Height | 1.72 m (5 ft 8 in) | ||
| Position(s) | Midfielder | ||
| Team information | |||
Current team | FC Mulhouse | ||
| Senior career* | |||
| Years | Team | Apps | (Gls) |
| 2002–2003 | Amiens SC | 3 | (0) |
| 2003–2005 | US Boulogne | 44 | (0) |
| 2005–2007 | Pau FC | 31 | (0) |
| 2007–2008 | US Raon-l'Etape | 22 | (3) |
| 2008– | FC Mulhouse | 22 | (2) |
| International career | |||
| 2005– | Republic of the Congo | 2 | (0) |
| *Club domestic league appearances and goals, correct as of 05:52, 1 December 2007 (UTC) | |||
Jean-Vivien Bantsimba (born 1 September 1982) is a French-Congolese football player. Currently, he plays in the Championnat de France amateur for FC Mulhouse.
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Renée Vivien was one of the first twentieth-century lesbian British poets. [p.12] She wrote in French, in the style of the Symbolistes and the Parnassiens. A high-profile lesbian in the Paris of the Belle Époque, she is notable for her work, which has received more attention following a recent revival of interest in Sapphic verse. Many of her poems are autobiographical, pertaining mostly to Baudelarian themes of extreme romanticism and frequent despair. Apart from poetry, she wrote several works of prose, including L'Etre Double, and an unfinished biography of Anne Boleyn, which was published posthumously. She has been the object of multiple biographies, most notably by Jean-Paul Goujon, André Germain, and Yves-Gerard Le Dantec.
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Saint-Vivien is a commune in the Charente-Maritime department in the Nouvelle-Aquitaine region in southwestern France.
The Man in the Iron Mask is a 1977 television film loosely adapted from the 1847–1850 novel The Vicomte de Bragelonne by Alexandre Dumas and presenting several plot similarities with the 1939 film version. It was produced by Norman Rosemont for ITC Entertainment, and starred Richard Chamberlain as King Louis XIV and his twin Philippe, Patrick McGoohan as Nicolas Fouquet, Ralph Richardson as Jean-Baptiste Colbert, Louis Jourdan as D'Artagnan, and Ian Holm as the Chevalier Duval. Jenny Agutter plays Louis XIV's mistress, Louise de la Vallière. Vivien Merchant appears as Queen Marie-Therese. It was directed by Mike Newell.
Vivian is a given name, and less often a surname, derived from a Latin name of the Roman Empire period, masculine Vivianus and feminine Viviana, which survived into modern use because it is the name of two early Christian female martyrs as well as of a male saint and bishop.
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Saint-Vivien-de-Monségur is a commune in the Gironde department in Nouvelle-Aquitaine in southwestern France.
Écorches is a commune in the Orne department in northwestern France.
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Duel of Angels (1963) is an English-language adaptation by Christopher Fry of the play Pour Lucrèce (1944) by French dramatist Jean Giraudoux. The play is based on the story of Lucretia, the virtuous Roman housewife who was raped and, finding no support from her husband and his friends, is driven to suicide. This is the same legend that was used by Shakespeare in The Rape of Lucrece. Giraudoux gives the Roman legend a new locale, setting his drama in nineteenth-century Aix-en-Provence in southern France.
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Baroness Hélène van Zuylen van Nijevelt van de Haar or Hélène de Zuylen de Nyevelt de Haar, née de Rothschild was a French author and a member of the prominent Rothschild banking family. She collaborated on stories and poems with her lesbian partner Renée Vivien, sometimes under the pen name Paule Riversdale. An only child, the daughter of Salomon James de Rothschild, she was disinherited by her mother for marrying a Catholic, Baron Etienne van Zuylen of the old Dutch noble family Van Zuylen van Nievelt.
Alexandre François Auguste Vivien was a French lawyer and politician. He was Minister of Justice during the July Monarchy, and Minister of Public Works in the French Second Republic.
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The Prix Renée Vivien is an annual French literary prize which is awarded to poets who write in French. Dedicated to the British poet Renée Vivien, the eponymous prize was first initiated in 1935, and continued intermittently by three different patrons, each with their own vision. First patron was Hélène de Zuylen de Nyevelt de Haar, followed by Natalie Clifford Barney in 1949 then more latterly and currently ongoing from 1994 with Claude Evrard. From each patron, the naming of the award after Renée Vivien was an act of remembrance. Nonetheless, women's poetry, feminist literature and the memories of romantic entanglement with the honoured poet have been inspiring on the first two patrons, who were more alike in their approach to awarding poets, while the heritage of Renée Vivien's style in contemporary poetry interested more Claude Evrard.