Jean Galli de Bibiena (French rendering of Galli da Bibbiena) was an 18th-century French-speaking writer (but of Italian descent), born in 1709 in Nancy and who may have died in 1779 in Italy. He was the son of Francesco Galli Bibiena, of the famous Galli da Bibiena family.
Little is known about him, [1] except that he chose France and literature whereas his family was primarily composed of decorative painters and theater architects. If his first two novels "felt a little too foreign," "the following novels were more in the French taste [...] They took place in the traditional world of the sentimental and gallant novel. [2] "
Published in 1747, his novel La Poupée ("The Doll") tells the story of a sylph who teaches love to "a young priest still virgin and very conceited [2] ". If we can consider that this novel fits into the current of libertinage, it is nevertheless appropriate to distinguish it from the works of Crébillon, Sade or Choderlos de Laclos insofar Bibiena, through his characters, presented more an aesthetic pleasure and an art of seduction [3] in which the relations of power and conquest idea played a much smaller role than in other libertine novels of the eighteenth century.
In 1762, his play La nouvelle Italie met some success.
In 1763, he was convicted of raping a girl and "sentenced to death in absentia since he fled immediately." He may have died in Italy in 1779.
Pierre Carlet de Chamblain de Marivaux, commonly referred to as Marivaux, was a French playwright and novelist.
Antoine Houdar de la Motte was a French author.
Claude-Henri de Fusée, abbé de Voisenon was a French playwright and writer.
Pierre-Claude Nivelle de La Chaussée was a French dramatist who blurred the lines between comedy and tragedy with his comédie larmoyante.
Opéra comique is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular opéras comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent, which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, opéra comique is not necessarily comical or shallow in nature; Carmen, perhaps the most famous opéra comique, is a tragedy.
18th-century French literature is French literature written between 1715, the year of the death of King Louis XIV of France, and 1798, the year of the coup d'État of Bonaparte which brought the Consulate to power, concluded the French Revolution, and began the modern era of French history. This century of enormous economic, social, intellectual and political transformation produced two important literary and philosophical movements: during what became known as the Age of Enlightenment, the Philosophes questioned all existing institutions, including the church and state, and applied rationalism and scientific analysis to society; and a very different movement, which emerged in reaction to the first movement; the beginnings of Romanticism, which exalted the role of emotion in art and life.
Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France.
Françoise de Graffigny, better known as Madame de Graffigny, was a French novelist, playwright and salon hostess.
Jean Malter, known as Hamoir, was a French ballet dancer and theatre director. He was one of the last of the Malter family, an 18th-century dynasty of dancers.
Donatien Alphonse François de Sade, best known as the Marquis de Sade, was a French aristocrat, revolutionary and author of philosophical and sadomasochistic novels exploring such controversial subjects as rape, bestiality and necrophilia. His works evidence a philosophical mind advocating a materialist philosophy in which Nature dictates absolute freedom, unrestrained by morality, religion or law, with the pursuit of personal pleasure as its foremost principle. Besides novels, he wrote philosophical tracts, novellas, short stories, and a number of plays. Publication, dissemination, and translation of his works have long been hindered by censorship: not until 1983 were his works allowed unfettered distribution in the UK, for instance.
Clairval, real name Jean-Baptiste Guignard, was an 18th-century French operatic singer (tenor), comedian and librettist. He played with the same authority drama, comedy and opera, in a considerable number of roles. Among the most notable were:
Nicolas Boindin was an 18th-century French writer and playwright.
Barnabé Farmian Durosoy, was an 18th-century French journalist and man of letters, both a playwright, poet, novelist, historian and essayist. Founder and editor of a royalist newspaper in 1789, he was the first journalist to die guillotined under the reign of Terror.
Jean-Pierre des Ours de Mandajors was an 18th-century French historian and playwright.
François Le Prévost d'Exmes was an 18th-century French writer, playwright and literary critic.
Charles-Georges Fenouillot de Falbaire de Quingey was an 18th-century French playwright.
Pierre Paul Gobet, called Dorfeuille, was a French actor and playwright.
Marie-Françoise Desbrosses, was a French operatic mezzo-soprano. She made her stage debut at the Comédie-Italienne in 1776, at age 13, and remained with the company for almost five decades, creating several roles.
Rose Françoise Carpentier called Madame Gonthier 7 December 1829, was a French actress and lyrical artist.
Pierre Rapenouille, known professionally as Pierre Lafon, was a French dramatic actor born in Lalinde, France on September 1, 1773.