Francesco Galli, called Francesco da Bibiena, or da Bibbiena (1659-1739) was a member of the theatrical Galli da Bibiena family and younger brother of Ferdinando Galli.
He was born at Bologna. He first studied under Lorenzo Pasinelli; but he was afterwards instructed in the school of Carlo Cignani. His knowledge of architecture and perspective was considerable; but he excelled in figures. Francesco worked at Piacenza, Parma, and Rome, and then became ducal architect at Mantua. After a stay in Genoa and Naples he was called to Vienna, where he built a large theatre. [1] He worked successively for the Emperors Leopold I and Joseph I, and was invited to Madrid by Philip V, who appointed him his principal architect.
Francesco was known for his theatrical achievements in scenic design. He was the first member of the Bibiena family to build theatres as well as to design sets. In 1700 he completely renovated the theatre in Hofburg, Vienna, for Emperor Leopold I. [2] The large theatre was known as the Große Komödiensaal ("Grand Hall of Comedies"), which later became the Court Theater (Burgtheater). [3] The opera house, however, burned down in 1747. The Hoftheater's architecture greatly influenced theatre design in Germany and Austria throughout the first half of the eighteenth century. [2]
After a short stay in Italy and in Lorraine, he was invited by Emperor Joseph I, back to the Hofburg, to work as the "First Theatrical Engineer" and as a scene-painter/decorator from 1709 to 1712. [3] He was also the architect of the great theatre at Nancy, France; of the Teatro Filarmonico at Verona, which some called the finest theatre in Italy; and of the Teatro Alibert in Rome. In 1726, Francesco returned to Bologna, where he directed the Clementine Academy. [1]
Although his father, Giovanni Galli da Bibiena, had a distinguished career, it was Francesco and his older brother Ferdinando that established the family's artistic reputation and its fortune. [4]
Events from the year 1757 in art.
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Ferdinando Galli-Bibiena, surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter.
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Giovanni Maria Galli (1625–1665), called Giovanni Maria da Bibiena, was an Italian painter, born at Bibiena in 1625. He studied under Albani, and his productions have often been mistaken for those of his master. He died in 1665. Of his larger works in the churches at Bologna the following are the most esteemed: The Ascension, in the Certosa; St. Anne, in Santa Maria della Carità; St. Andrew, in San Biagio; and St. Francis of Sales, at the Padri Servi. This artist was the founder of a family of whom no fewer than nine are known to fame, all of whom bore the surname of Bibiena.
Giuseppe Galli Bibiena , Italian designer, became the most distinguished artist of the Galli da Bibiena family.
Giovanni Carlo Galli-Bibiena, was an Italian architect and designer.
Carlo Antonio Buffagnotti was an Italian painter of the late-Baroque, active as a painter of perspective and theatrical decorations at Bologna and Genoa about 1690. He engraved a series of architectural subjects, and decorations for the theatre, after Francesco Galli Bibiena, and others after Marcantonio Chiarini.
Frans Geffels, known in Italy as Francesco Geffels, was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions. After training in his native Antwerp, he was mainly active in Mantua, where he was prefetto delle fabbriche to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court. He worked also on projects for the local aristocratic class of Mantua. In addition, he completed projects for the Liechtenstein princes and for the imperial court in Vienna.
The year 1731 in architecture involved some significant events.
Domenico Francia (1702–1758) was an Italian painter and architect.
Pietro Giovanni Abbati (1683–1745) was an Italian set designer, painter and engraver.
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Roberto Clerici the Younger was an Italian painter and scenic designer of the Baroque, active in Parma, Vienna, Venice, Naples, Paris, and London. His father of the same name was also a painter, and sources often confuse the two. He was a collaborator and follower of Francesco and Ferdinando Galli Bibiena.
Stefano Orlandi was an Italian painter, active mainly in Bologna in the architectural perspective painting. He is known for painting fanciful architectural canvases, known as Capricci.
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Media related to Francesco Galli Bibiena at Wikimedia Commons