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Jean Neuberth (born November 1915 in Paris, died March 16, 1996, in Chantilly) was a French abstract painter.
Neuberth's mother was a French teacher at Lycée Lakanal and a first-rate harpsichordist, his father was a first violin of Concerts Colonne, a vila alta soloist, which explains his early orientation for music and jazz in particular. An encounter with abstract painter, Henri-Jean Closon (Liège 1888 - Paris 1975) made him discover painting. On seeing him again in 1941 he decided in 1942 to devote all his time to painting. During the 70's, he abandons gouache and centers his works on sketching and pasting. In spite of several health problems such as a hemiplegia, he never abandoned his artistic expression until his death in 1996.
He was qualified to be "one of the most active representative of abstract lyrics" by Pierre Carmes in 1993.
In 2002, from April 20 through May 20, a posthumous exhibit, which took place at Place Neuve Gallery at Vers-Pont-du-Gard, draws a retrospective of some of his works entitled Jean Neuberth - gouaches and drawings 1959-1992.
featuring a retrospective of his works, "Parcours du Secret" (Secret Route)
In the 1970s, he illustrated works for the Bibliophile Circle [1] in Geneva, the Book Guild in Lausanne, or for the Sacred Music Encyclopedia (La Bergère, Paris), as well as for the international magazine of poetry, Caractères. [2] [3]
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The Salon d'Automne, or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.
Albert Gleizes was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's Galerie de l’Effort Moderne in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., La Peinture et ses lois, Vers une conscience plastique: La Forme et l’histoire and Homocentrisme.
Richard Guino was a French sculptor of Catalan origin.
Árpád Szenes was a Hungarian-Jewish abstract painter who worked in France.
Bramvan Velde was a Dutch painter known for an intensely colored and geometric semi-representational painting style related to Tachisme, and Lyrical Abstraction. He is often seen as member of the School of Paris but his work resides somewhere between expressionism and surrealism, and evolved in the 1960s into an expressive abstract art. His paintings from the 1950s are similar to the contemporary work of Matisse, Picasso and the abstract expressionist Adolph Gottlieb. He was championed by a number of French-speaking writers, including Samuel Beckett and the poet André du Bouchet.
Sayed Haider Raza was an Indian painter who lived and worked in France from 1950 until his death, while maintaining strong ties with India. He was born in Kakkaiya, Central Provinces, British India, which is now present-day Madhya Pradesh.
Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting:
Pierre Cayol is a French contemporary painter.
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements.
The French artist Edgar Stoëbel, , was born in Frenda, Algeria, on 21 December 1909, and died in Paris in December 2001. Stoëbel was the pseudonym he used as a painter.
Fernand Berckelaers, pseudonym Michel Seuphor, was a Belgian painter.
James Brown was an American-born painter active in Paris and Oaxaca, Mexico. He was most well known in the 1980s for his rough painterly semi-figurative paintings, bearing affinities to Jean-Michel Basquiat and East Village painting of the time, but with influences from primitive art and classical Western modernism.
Joseph Csaky was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor. Csaky was one of the first sculptors in Paris to apply the principles of pictorial Cubism to his art. A pioneer of modern sculpture, Csaky is among the most important sculptors of the early 20th century. He was an active member of the Section d'Or group between 1911 and 1914, and closely associated with Crystal Cubism, Purism, De Stijl, Abstract art, and Art Deco throughout the 1920s and 1930s.
Othello Radou (1910–2006) was a French artist of the 20th century.
François Willi Wendt was a French non-figurative painter of German origin belonging to the New Ecole de Paris. After self-exile from Germany in 1937, he adopted France as his native country. In France he became “one of the best and most personal painters of his generation, an artist of great purity and strong culture. His self-exactness, lack of pretension and moral sense delayed the fame he deserved". In collective exhibitions he was associated with the most famous painters of the New Ecole de Paris, particularly Roger Bissière, André Lanskoy, Serge Poliakoff, Pierre Soulages, and Nicolas de Staël. He is also associated with many better-known painters today.
Pierre Emile Gabriel Lelong was a neo-Impressionist painter based in France, winner of the Grand Prix des Peintres Témoins de Leur Temps in 1972. He is considered one of the postwar group of artists referred to as “La Nouvelle Ecole de Paris.”
Albert Jean Gorin was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs.
Remy Ladoré was a French draftsman, engraver and painter.
Augusto Barros Ferreira, better known as Augusto Barros, and simply Barros, is a Portuguese painter born on August 7, 1929, in Lisbon (Portugal), and dead on February 10, 1998, in Lisbon. Abstractionist painter, and emblematic figure of the Parisian district of Saint-Germain-des-Prés of the 1970s.
Jean Degottex was a French abstract painter, known in particular for his initial proximity with the lyrical abstraction movement of the 1950s and 1960s. He is considered an important artist of the abstraction movement in the second half of the twentieth century and a significant inspiration for contemporary art. Degottex was particularly inspired by East Asian calligraphy and Zen philosophy in achieving the erasure of the creative subject.
