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César-Auguste-Jean-Guillaume-Hubert Franck was a French Romantic composer, pianist, organist, and music teacher born in present-day Belgium.
Charles Munch was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra.
Édouard-Victoire-Antoine Lalo was a French composer. His most celebrated piece is the Symphonie Espagnole, a five-movement concerto for violin and orchestra that remains a popular work in the standard repertoire.
Paul Marie Théodore Vincent d'Indy was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, Yvonne Rokseth, and Erik Satie, as well as Cole Porter.
The Conservatoire de Paris, also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'.
The Orchestre de la Société des concerts du Conservatoire was a symphony orchestra established in Paris in 1828. It gave its first concert on 9 March 1828 with music by Beethoven, Rossini, Meifreid, Rode and Cherubini.
Merri Jean Baptiste Franquin was a French trumpeter, cornetist, and flugelhornist who was professor of trumpet at the Conservatoire de Paris from 1894 until 1925. Franquin was a teacher of Eugène Foveau (1886–1957) who became professor of cornet at the Paris Conservatory in 1925. Georges Mager (1885–1950), who was principal trumpet of the Boston Symphony Orchestra from 1919 until 1950, studied in the cornet class under Joseph Mellet, but seems to have been influenced as well by the teachings of Franquin; Mager may have studied with him informally and certainly worked with several of his successful students. Franquin's collaboration with Romanian composer Georges Enescu (1881–1955) led to the composition in 1906 of Légende, one of the great twentieth-century works for solo trumpet and piano. Franquin's book, Methode Complète de la Trompette Moderne de Cornet a Pistons et de Bugle, has been an influential teaching aid for many trumpet players, notably Maurice André. Franquin's most notable accomplishment while at the Paris Conservatory was his push for the C Trumpet to replace the low F trumpet as a more versatile orchestral instrument. A more modern form of this instrument was introduced to American symphony orchestras by Georges Mager, and it remains very much in popular use in the United States.
René Louis Gabriel Voisin, was a French trumpeter and a member of the Boston Symphony Orchestra trumpet section for 24 years. He was also father and teacher to Roger Voisin, the trumpet player and pedagogue who would later become principal trumpet of the Boston Symphony.
Jules Étienne Pasdeloup was a French conductor.
André Cluytens was a Belgian-born French conductor who was active in the concert hall, opera house and recording studio. His repertoire extended from Viennese classics through French composers to 20th century works. Although much of his career was spent in France, he was the first French conductor at Bayreuth in 1955; he also conducted The Ring and Parsifal at La Scala.
Sergueï Markarov, pianist and UNESCO Artist for Peace, was born in Baku in 1953.
Jean-Claude Gérard, a flutist born in Angers, he studied with Gaston Crunelle and later with Marcel Moyse studied flute at the Conservatoire National Supérieur de Musique in Paris with Marcel Moyse.
Jacques Lancelot was a French classical clarinetist.
Pierre Dervaux was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s Dialogues des Carmélites. He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82).
Jules Auguste Garcin [Salomon] was a French violinist, conductor and composer of the 19th century.
Joaquín Soriano is a Spanish pianist.
Jules Danbé was a French violinist, composer and conductor, mainly of opera.
François George-Hainl was a French cellist and conductor.
The Salle Wagram is a historic auditorium in the 17th arrondissement of Paris, France. It was built in 1865. It has been listed as an official historical monument by the French Ministry of Culture since March 2, 1981.
Tasso Adamopoulos was a French violist of Greek origin.
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