Jenefer Mary Robinson is an American philosopher, author and emerita professor of philosophy at the University of Cincinnati. She writes on aesthetics, philosophy of psychology, philosophy of mind and theory of emotions. She has published two monographs, one edited collection, and numerous peer reviewed articles. She is on the editorial Board for the Journal of Aesthetics and Art Criticism and was on the editorial board for Notre Dame Philosophical Reviews. She was president of the American Society of Aesthetics from 2009 until 2013. In 2007 she was a Leverhulme visiting professor of philosophy at the University of Nottingham and in 2006 she received a Rieveschl Award for Scholarly and/or Creative Works. [1] She received the National Endowment for the Humanities Fellowship in September 2002. She was interviewed by Hans Maes for his book Conversations on Art and Aesthetics, which also contains her portrait by American photographer Steve Pyke. [2] Debates in Aesthetics, an open access journal published by the British Society of Aesthetics, dedicated Vol. 14 No. 1 to her work.
Jenefer Robinson has published widely on topics related to philosophy of art, literature and music. In Deeper than Reason: Emotion and its Role in Literature, Music and Art (Oxford University Press, 2005) she developed a new theory of emotion and its connection with the arts. [3] [4] In the book she claims that we not only "self-evidently make emotional responses in the presence of art works, but that some art works (...) need to be experienced emotionally if they are to be properly understood". [5] In her edited collection Music and Meaning (Cornell University Press, 1997) she brings together ten essays on the nature of musical meaning. [6]
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art. It examines aesthetic values, often expressed through judgments of taste.
Crispin Gallagher Sartwell is an American academic, philosopher, and journalist who is a faculty member of the philosophy department at Dickinson College in Carlisle, Pennsylvania. He has taught philosophy, communication, and political science at a number of schools, including Vanderbilt University, University of Alabama, Millersville University of Pennsylvania, the Maryland Institute College of Art, and Dickinson College.
Donald Kuspit is an American art critic and poet, known for his practice of psychoanalytic art criticism. He has published on the subjects of avant-garde aesthetics, postmodernism, modern art, and conceptual art.
Morris Weitz "was an American philosopher of aesthetics who focused primarily on ontology, interpretation, and literary criticism". From 1972 until his death he was Richard Koret Professor of Philosophy at Brandeis University.
In film theory, the term oneiric refers to the depiction of dream-like states or to the use of the metaphor of a dream or the dream-state in the analysis of a film. The term comes from the Greek Óneiros, the personification of dreams.
Jerrold Levinson is distinguished university professor of philosophy at the University of Maryland, College Park. He is particularly noted for his work on the aesthetics of music, as well as for his search for meaning and ontology in film, art and humour.
Encyclopedia of Aesthetics, published in 1998 by Oxford University Press, is an encyclopedia that covers philosophical, historical, sociological, and biographical aspects of Art and Aesthetics worldwide. The second edition (2014) is now available online as part of Oxford Art Online.
Caroline Joan S. Picart is a Filipino-born American academic who has written and edited numerous books and anthologies on philosophy and cultural studies, especially horror film. She is also a lawyer and had a radio show, The Dr. Caroline (Kay) Picart Show. In 2011, she received the Lord Ruthven Award, non-fiction category, for the book Dracula in Visual Media Film, Television, Comic Book and Electronic Game Appearances, 1921-2010, co-authored with John Edgar Browning.
Patricia Greenspan is a professor of philosophy at the University of Maryland, College Park. Greenspan works in analytic philosophy of action, and is known for work on rationality, morality, and emotion that helped to create a place for emotion in philosophy of action and ethics.
Expression in architecture implies a clear and authentic displaying of the character or personality of an individual (architect). The expression is often identified with the architectural movement of Expressionism, whose main starting point and aim is to present and express what has been "seen" or experienced in the inner eye of the mind, heart and soul, i.e. to express the subjective moods and feelings without referring to conventional and "objective" values, judgements and truths.
Suzi Gablik was an American visual artist, author, art critic, and professor of art history and art criticism. She lived in Blacksburg, Virginia.
Daniel Osher Nathan is an American philosopher and Professor of Philosophy at Texas Tech University. He is known for his expertise on aesthetics, ethical theory, and philosophy of law.
Peter Wallace Brannen Alward is a Canadian philosopher. He is a Professor in Philosophy and the Department Head in Philosophy at the University of Saskatchewan. He is known for his works on philosophy of fiction, philosophy of art and environmental philosophy. In 2016 Alward was awarded Tenured Professor Essay Prize by The Canadian Philosophical Association.
The Aesthetic Mind: Philosophy and Psychology is a 2011 book edited by Elisabeth Schellekens and Peter Goldie. The contributors try to provide a new understanding of aesthetics and the experience of art based on philosophical reflections and evidence from empirical sciences.
Murray Smith is a film theorist and philosopher of art based at the University of Kent, where he is Professor of Film and co-director of the Aesthetics Research Centre. He is the author of three books and numerous articles on film and aesthetics, and the co-editor of three collections of essays. He was President of the Society for Cognitive Studies of the Moving Image from 2014-17, and has served on the editorial boards of Screen, Cinema Journal, the British Journal of Aesthetics, Projections and Series. He has held a Leverhulme Research Fellowship (2005-6), and a Laurance S Rockefeller Fellowship at Princeton University’s Centre for Human Values (2017-18). He delivered a Kracauer Lecture in 2014 at the Goethe University Frankfurt, the inaugural Beacon Institute lecture in 2015, and the Beardsley Lecture in 2018, sponsored by Temple University at the Barnes Foundation.
Metaphysical concepts relate to the ideas of transcendent and universal elements that surpass the human interactions. They aim to explore notions that humans have yet to comprehend, or have merely touched on in order to provide an understanding of what lies beyond the physical world. Aesthetics aims to explore questions relating to the natural world, beauty and art, and the intertwining of each. Therefore, in conjunction with metaphysical concepts, these two branches of philosophy explore the transformative and distinctiveness of art and what distinguishes something as art. These ideas highly conflicted with modern scientific knowledge as they were based on theories and concepts in comparison to reliable experiments that resulted in tangible or viewable proof. In relation to naturalism many philosophers such as John Dewey, Ernest Nagel and Sidney Hook are compelled to believe that only what is seen and touched or scientifically proven can be true, and in saying so, can be meaningful to humans.
Artistic integrity is generally defined as the ability to omit an acceptable level of opposing, disrupting, and corrupting values that would otherwise alter an artist's or entities’ original vision in a manner that violates their own preconceived aesthetic standards and personal values. This does not necessitate that an artist needs to ignore external influences in the creation process. It is often academically studied under the greater umbrella of personal integrity, but recent papers have shown the need for its own standards and studies given the wide usage of the concept in critique of contemporary art alongside the continued governmental investment. The definition itself can take on many forms and has been argued about academically due to the nuanced nature of Artistic Integrity's overlap with non-artistic forms of integrity and the differing values in philosophical frameworks both by artists and the larger community. Despite the widespread use of the concept in mass media and the creative industry; artistic integrity has often been philosophically ignored in comparison to personal and mechanical integrity. An important factor to consider in discussion of artistic integrity is context in terms of not only the historical zeitgeist but more prominently the community and artists’ respective cultural and personal understanding of the term. If an individual is said to possess artistic integrity it does not equate to that person also possessing personal integrity; correspondingly, the absence of personal integrity does not equate to the absence of artistic integrity.
Contemporary Debates in Aesthetics and the Philosophy of Art is a 2005 book edited by Matthew Kieran in which pairs of authors dispute central topics in philosophy of art.
Kingsley Widmer (1925–2009) was an American literary critic.
Mitchell Green is a professor of philosophy at the University of Connecticut, where he sits on the steering committee of the Cognitive Science program and the executive committee of the Graduate School. He is editor-in-chief of the journal Philosophia.