Jerome L. Silbergeld is an American scholar of Chinese art history. He has taught at Princeton University and the University of Washington.
Silbergeld received his B.A. from Stanford University in 1966 and completed an M.A. in American history there in 1967. In 1966 and 1967, he served as a United States Senate intern for Stuart Symington. [1] He received a second M.A. in art history from the University of Oregon in 1972 and completed his Ph.D. in Chinese art history from Stanford University in 1974.
Silbergeld is the P.Y. and Kinmay W. Tang Professor (Emeritus) of Chinese Art History at Princeton University and was the founding director of Princeton’s Tang Center for East Asian Art. [2] He was formerly the Chair of Art History and Director of the School of Art and the University of Washington, where he taught for twenty-five years. Silbergeld has also served as a visiting professor at Harvard University [3] and as a Nirit and Michael Shaoul Fellow at the Institute for Advanced Study at Tel Aviv University. [4] In 1999, he participated as a "referee" in The Metropolitan Museum of Art symposium "Issues of Authenticity in Chinese Art," donning an referee's jersey and whistle. [5] He is currently a visiting faculty member at the University of Oregon, and received the school's Ellis F. Lawrence Medal for distinguished alumni of its College of Design in 2016. [6]
Silbergeld's research includes traditional and modern Chinese painting, cinema, and architecture and gardens. His publications include Chinese Painting Style (1982); Mind Landscapes: The Paintings of C. C. Wang (1987); Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng (1993); Hitchock with a Chinese Face (2004); Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen (2008); and Outside In: Chinese x American x Contemporary x Art (2009). He has also published more than sixty articles, encyclopaedia entries, and book reviews. [7]
He is married to a clinical psychologist who specializes in early childhood development. [8]
Ink wash painting ; is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
Li Huasheng (1944–2018) was a Chinese artist from Yibin in Sichuan province. He received his first art training in one of Chongqing's culture halls. He met Chen Zizhuang in 1972, and studied traditional Chinese painting under him, mastering his style in just four years.
Jiang Wen is a Chinese actor, screenwriter, and director. As a director, he is sometimes grouped with the "Sixth Generation" that emerged in the 1990s. Jiang is also well known internationally as an actor, having starred with Gong Li in Zhang Yimou's debut film Red Sorghum (1986), and more recently as Baze Malbus in the Star Wars film Rogue One (2016). He is the older brother of fellow actor Jiang Wu.
Devils on the Doorstep is a 2000 Chinese black comedy war film directed, co-written and produced by Jiang Wen, starring Jiang himself, Kagawa Teruyuki, Yuan Ding and Jiang Hongbo. Shot in black and white to mimic old-time war movies, the film premiered at the 2000 Cannes Film Festival on 12 May where it won the Grand Prix. The film was initially not allowed to be shown in theaters in its native China for a certain period but has eventually been made commercially available there since.
Ermo is a Chinese comedy/drama film, released in 1994 and directed by Zhou Xiaowen. It is essentially a satire on Western consumerism and its influence on Chinese culture.
Oscar Liu-Chien Tang is a Chinese-born American businessman, financier, investor, and philanthropist. He is best known for being the co-founder of Reich & Tang, an asset management firm. Tang was elected a fellow of the American Academy of Arts and Sciences in 2005. Prior to this, he was appointed to the New York State Council on the Arts from 2000 to 2004 and the President's Committee on the Arts and Humanities from 1990 to 1993.
Tang Yin, courtesy name Bohu (伯虎) and Ziwei (子畏), was a Chinese painter, calligrapher, and poet of the Ming dynasty period.
The Princeton University Art Museum (PUAM) is the Princeton University gallery of art, located in Princeton, New Jersey. With a collecting history that began in 1755, the museum was formally established in 1882, and now houses over 113,000 works of art ranging from antiquity to the contemporary period. The Princeton University Art Museum dedicates itself to supporting and enhancing the university's goals of teaching, research, and service in fields of art and culture, as well as to serving regional communities and visitors from around the world. Its collections concentrate on the Mediterranean region, Western Europe, Asia, the United States, and Latin America.
Wang Yuanqi was a Chinese painter of the Qing dynasty.
Zhi Lin is a Chinese American mixed-media artist, a native of Nanjing, China. While he was a graduate fellow at the University College London's Slade School in 1989, the political events and social movements around the world convinced him to use his artwork for social, history and cultural awareness, and "to engage political and social reforms in our society." Since that time his work has been a visual examination of the patterns of violence, intolerance, injustice, and complicity in public behavior."
The Four Masters of the Ming dynasty are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552). They were contemporaries, with Shen being the teacher of Wen, while Tang and Qiu was taught by Zhou Chen (1460–1535). All five of the aforementioned painters were part of the Wu School. Their styles and subject matter were varied. Qiu was solely a painter, while the other three developed distinct styles of painting, calligraphy, and poetry.
Chen Zizhuang (1913–1976) was a Chinese artist from Wanxian in Sichuan province. He trained in the gongbi tradition but changed to a more expressive xieyi (寫意) style in his sixties following the styles of Qi Baishi and Huang Binhong. He taught at Sichuan Normal University in Chengdu. He died poor and destitute but his work was rediscovered after his death, prompting Yan Xiaohuai to characterise him as 'the Chinese van Gogh'. He influenced many Chinese artists including Li Huasheng and Wu Fan.
Peng Xiancheng is a contemporary Chinese artist based in Chengdu, China, known for his guohua depictions of Tang dynasty ladies on horseback using a 'boneless' style involving carefully controlled drops of ink. He was a close friend of Chen Zizhuang and organised the artist's first posthumous exhibition in 1983. Peng Xiancheng is a mainly self-taught artist who only began painting in the 1970s after years of being a teacher. His daughter Peng Wei is also an artist.
James Francis Cahill was an American art collector and historian who taught at the University of California, Berkeley. He was considered one of the world's top authorities on Chinese art.
The China men's national volleyball team represents China in international volleyball competitions and friendly matches, governed by Chinese Volleyball Association. The team now ranks 26th in the FIVB World Rankings and the current head coach is Vital Heynen.
The Venerable Vyvyan Henry Donnithorne, MC, MA was Archdeacon of Western Szechwan from 1935 to 1949.
Wen C. Fong was a Chinese-American historian of East Asian art. He was the Edwards S. Sanford Professor of Art History at Princeton University, where he taught Chinese art history for 45 years. In 1959 he co-founded the first doctoral program in Chinese art and archaeology in the United States, which was later expanded to include Japan. He served as chairman of Princeton's Department of Art and Archaeology, and as consultative chairman for Asian art at the Metropolitan Museum of Art in New York City.
Gospel Church is a Protestant church situated on Dabei Upper Street, in the county-level city of Guanghan, Deyang, Sichuan Province. Founded in 1902, it was formerly an Anglican church in the West Szechwan Diocese of the Church in China. It has been subjected to the control of the state-sanctioned Three-Self Patriotic Church since 1954. In 2003, a new church was built on Shuyuan Street, and renamed Grace Church.