Jerry Valentine

Last updated

Gerald Graham Valentine (September 13, 1914 - October 1983) [1] was an American jazz trombonist and arranger.

Valentine received formal training in music when he was young, learning piano, composition, and music theory; he learned to play trombone on his own. In the early 1940s he composed and arranged for Earl Hines and worked in Chicago with Dallas Bartley and King Kolax; he also booked shows for the Club DeLisa. He then joined Billy Eckstine's band from 1944 to 1947 and worked later in the decade with Wynonie Harris and Buddy DeFranco.

From 1950 to 1952 Valentine was an artist and repertory man for National Records. He played with Gene Ammons in 1954, and in 1958-1959 wrote arrangements for Pepper Adams, Art Farmer, and Coleman Hawkins in the group Prestige Blues Swingers.

Discography

Related Research Articles

Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones arranged song "Kingfish".

<span class="mw-page-title-main">Frank Wess</span> American saxophonist, flutist, composer and arranger (1922–2013)

Frank Wellington Wess was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music.

<span class="mw-page-title-main">Eddie "Lockjaw" Davis</span> American jazz saxophonist (1922–1986)

Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.

<span class="mw-page-title-main">Benny Golson</span> American jazz saxophonist and composer (1929–2024)

Benny Golson was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.

<span class="mw-page-title-main">Roy Haynes</span> American jazz drummer and group leader

Roy Owen Haynes is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s.

<span class="mw-page-title-main">Jimmy Giuffre</span> American jazz clarinetist, saxophonist, composer, and arranger (1921–2008)

James Peter Giuffre was an American jazz clarinetist, saxophonist, composer, and arranger. He is known for developing forms of jazz which allowed for free interplay between the musicians, anticipating forms of free improvisation.

Paul Quinichette was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q".

<span class="mw-page-title-main">Walter Davis Jr.</span> American jazz pianist

Walter Davis Jr. was an American bebop and hard bop pianist.

<span class="mw-page-title-main">Kenny Burrell</span> American jazz guitarist (born 1931)

Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.

<span class="mw-page-title-main">Sonny Stitt</span> American jazz saxophonist (1924–1982)

Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

<span class="mw-page-title-main">Slide Hampton</span> American trombonist (1932–2021)

Locksley Wellington Hampton was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton's main instrument was slide trombone, but he also occasionally played tuba and flugelhorn.

<span class="mw-page-title-main">Gigi Gryce</span> American jazz musician, composer, arranger, and educator

Gigi Gryce, later in life changing his name to Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator.

<span class="mw-page-title-main">George Coleman</span> American jazz saxophonist

George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.

<span class="mw-page-title-main">Oliver Nelson</span> American composer and bandleader (1932–1975)

Oliver Edward Nelson was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the 1960s are the albums More Blues and the Abstract Truth (1964) and Sound Pieces (1966), both also on Impulse!.

<span class="mw-page-title-main">Al Cohn</span> American jazz musician

Al Cohn was an American jazz saxophonist, arranger and composer. He came to prominence in the band of clarinetist Woody Herman and was known for his longtime musical partnership with fellow saxophonist Zoot Sims.

<span class="mw-page-title-main">Frank Foster (jazz musician)</span> American musical artist

Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.

<span class="mw-page-title-main">Osie Johnson</span> American jazz musician

James "Osie" Johnson was a jazz drummer, arranger and singer.

<span class="mw-page-title-main">George Duvivier</span> American jazz double-bassist

George Duvivier was an American jazz double-bassist.

James Elbert Raney was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio and, during the same time period, with Stan Getz. In 1954 and 1955, he won the DownBeat Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz.

<span class="mw-page-title-main">Teddy Charles</span> American jazz musician and composer

Teddy Charles, born Theodore Charles Cohen was an American jazz musician and composer, whose instruments were the vibraphone, piano, and drums.

References

  1. "His date of birth has been published as 14 September, but he gave 13 September, as well as his full name, in his application for social security." "Jerry Valentine", The New Grove Dictionary of Jazz . 2nd edition, ed. Barry Kernfeld.