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National Records was a record label that was started in New York City by Albert Green in 1945 and lasted until early 1951.
Big Joe Turner was signed at the beginning and remained until 1947. Billy Eckstine was also a big seller for the label as were The Ravens. Eileen Barton had a hit with "If I Knew You Were Comin' I'd've Baked a Cake", which was No. 1 for 10 weeks. [1] Working as A&R men were Lee Magid, Bob Shad, Jesse Stone and Herb Abramson. Abramson went to Jubilee and then co-founded Atlantic with Ahmet Ertegun. From the beginning Dick Thomas was their foremost country and western artist, best remembered for his "Sioux City Sue" (1945). In 1953, National began distribution arrangements with Jubilee Records. [2] National's masters were owned by Savoy, which later reissued many of them.
Atlantic Recording Corporation is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over the course of its first two decades, starting from the release of its first recordings in January 1948, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes.
Joseph Vernon "Big Joe" Turner Jr. was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fame was due to his rock and roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s.
Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
The Orioles were an American R&B group of the late 1940s and early 1950s, one of the earliest such vocal groups who established the basic pattern for the doo-wop sound.
William Clarence Eckstine was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording". His recording of "I Apologize" was given the Grammy Hall of Fame Award in 1999. The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers such as Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls."
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
The Four Tunes were a leading black pop vocal quartet during the 1950s. The members at the peak of their fame were Pat Best, Jimmy Gordon, Jimmie Nabbie, and Danny Owens.
Peacock Records was an American record label, founded in 1949 by Don Robey in Houston, Texas, United States.
Herbert Charles Abramson was an American record executive, record producer, and co-founder of Atlantic Records.
Jubilee Records was an American independent record label, specializing in rhythm and blues and novelty records. It was founded in New York City in 1946 by Herb Abramson. His partner was Jerry Blaine. Blaine bought Abramson's half of the company in 1947, when Abramson went on to co-found Atlantic Records with Ahmet Ertegun. The company name was Jay-Gee Recording Company, a subsidiary of the Cosnat Corporation. Cosnat was a wholesale record distributor.
Wilbur Dorsey "Buck" Clayton was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' that I Love You" as he passed by a shop window.
Jesse Albert Stone was an American rhythm and blues musician and songwriter whose influence spanned a wide range of genres. He also used the pseudonyms Charles Calhoun and Chuck Calhoun. His best-known composition as Calhoun was "Shake, Rattle and Roll".
Jerry Blaine was a bandleader, co-founder of Jubilee Records, record distributor, and singer who recorded 18 sides for the Master and Bluebird labels from 1937 to 1938.
Harold Franklin "Hawkshaw" Hawkins was an American country music singer popular from the 1950s into the early 1960s. He was known for his rich, smooth vocals and music drawn from blues, boogie and honky tonk. At 6 feet 5 inches (1.96 m) tall, Hawkins had an imposing stage presence, and he dressed more conservatively than some other male country singers. Hawkins died in the 1963 plane crash that also killed country stars Patsy Cline and Cowboy Copas. He was a member of the Grand Ole Opry and was married to country star Jean Shepard.
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
The Larks were an American vocal group, active in the early 1950s. They were not the same group as the Los Angeles–based Larks featuring Don Julian, nor the Philadelphia-based group The Four Larks.
James Clarence Wakely was an American actor, songwriter, country music vocalist, and one of the last singing cowboys. During the 1930s, 1940s and 1950s, he released records, appeared in several B-Western movies with most of the major studios, appeared on radio and television and even had his own series of comic books. His duet singles with Margaret Whiting from 1949 until 1951, produced a string of top seven hits, including 1949's number one hit on the US country chart and pop music chart, "Slippin' Around". Wakely owned two music publishing companies in later years, and performed at the Grand Ole Opry until shortly before his death.
James Wright Munro was a New Zealand politician of the Labour Party.
"Hi-Heel Sneakers" is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. The song's rhythmic approach has also been compared to that of Jimmy Reed. Tucker's lyrics recall the time he spent as a Golden Gloves boxer in the 1950s:
Herbert J. Lance was an American jazz, blues and gospel singer, songwriter, record producer, recording studio owner and radio DJ. As well as recording several hits himself in the late 1940s, he co-wrote Ruth Brown's signature song, "Mama, He Treats Your Daughter Mean".