Jerusalem-Yerushalayim is an oratorio composed by Antony Pitts [1] between 2006-2008, [2] and is scored for SATB soloists, semi-chorus, full chorus, and ensemble including harp, piano, and organ. The oratorio tells the Biblical story of Jerusalem [3] and the text is based directly on the Old Testament. Unusually, it includes Hebrew transliterations of many names and places. [4] It was first performed in a chamber version by TONUS PEREGRINUS as part of the Opera Fringe festival in Down Cathedral, Downpatrick in Northern Ireland on 8 June 2008. [5] [6] The North American premiere was given by Choral Arts Cleveland, conducted by Martin Kessler in May 2012. [7]
The oratorio is in four parts of three movements each, plus a coda The Peace of Jerusalem which was premiered one year earlier in Israel by Jeremy Summerly and The Choir of London. [8] The a cappella coda has also been recorded by TONUS PEREGRINUS on the Hyperion album Alpha and Omega . The world premiere recording of the complete revised version of the oratorio was made by TONUS PEREGRINUS, Londinium, Aldeburgh Young Musicians, and Tiffin Boys' Choir, under the direction of Joanna Forbes L'Estrange, Ben Parry, and the composer; it was released on 29 July 2013 by 1equalmusic and distributed by Hyperion. [9] [10] [11]
The Creation is an oratorio written in 1797 and 1798 by Joseph Haydn, and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis.
Erkki-Sven Tüür is an Estonian composer.
Paul McCartney's Liverpool Oratorio is a live album by Paul McCartney and Carl Davis, released in 1991. It is McCartney's first major foray into classical music. Composed in collaboration with Carl Davis to commemorate the Royal Liverpool Philharmonic Orchestra's 150th anniversary, the project received media attention upon its unveiling in June 1991.
Robert Chilcott is a British choral composer, conductor, and singer, based in Oxfordshire, England. He was a member of the King's Singers from 1985 to 1997, singing tenor. He has been a composer since 1997.
El Niño is an opera-oratorio by the contemporary American composer John Adams. It was premiered on December 15, 2000, at the Théâtre du Châtelet in Paris by soloists Dawn Upshaw, Lorraine Hunt Lieberson, and Willard White, the vocal ensemble Theatre of Voices, the London Voices, La Maîtrise de Paris, and the Deutsches Symphonie-Orchester Berlin, with Kent Nagano conducting. It has been performed on a number of occasions since, and has been broadcast on BBC Television.
Ecce Cor Meum is the fourth classical album by Paul McCartney. The album was released on 25 September 2006 by EMI Classics. An oratorio in four movements, it is produced by John Fraser, written in Latin and English, and scored for orchestra and boys and adult choir. The oratorio was partly inspired by McCartney's wife Linda. It is also the only classical album by McCartney that was not released on vinyl.
Solomon, HWV 67, is an oratorio by George Frideric Handel. The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) – is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles, with additional material from Antiquities of the Jews by ancient historian Flavius Josephus. The music was composed between 5 May and 13 June 1748, and the first performance took place on 17 March 1749, with Caterina Galli in the title role at the Covent Garden Theatre in London, where it had two further performances. Handel revived the work in 1759.
An Occasional Oratorio is an oratorio by George Frideric Handel, based upon a libretto by Newburgh Hamilton after the poetry of John Milton and Edmund Spenser. The work was written in the midst of the Jacobite rising of 1745–1746, the attempt to overthrow Handel's patrons – the Hanoverian monarchy under George II – and replace them with a Stuart restoration under Charles Edward Stuart, "Bonnie Prince Charlie". The Occasional Oratorio is unique among Handel's works which he labelled "oratorio" in that it does not tell a story or contain elements of a drama, but was intended as a defiant and patriotic rallying piece.
The Prodigal Son is an oratorio by Arthur Sullivan with text taken from the parable of the same name in the Gospel of Luke. It features chorus with soprano, contralto, tenor and bass solos. It premiered in Worcester Cathedral on 10 September 1869 as part of the Three Choirs Festival.
John Pitts is a British composer, born in Surrey in 1976.
Antony Pitts is an international composer, conductor, and producer.
Tonus Peregrinus is a British vocal ensemble specialising in early music and contemporary sacred music, especially that of founder and director, Antony Pitts. Established in 1990, the ensemble have recorded numerous CDs for Naxos, their first winning the Cannes Classical Award, and two albums of Antony Pitts' music for Hyperion Records – Seven Letters and Alpha and Omega. Their latest album, Music from the Eton Choirbook, was recorded using a new microphone technique developed by NRK engineer Geoff Miles.
Alpha and Omega is Tonus Peregrinus's second album of unaccompanied choral works by Antony Pitts released on Hyperion Records. The album contains the coda from the oratorio Jerusalem-Yerushalayim and the complete cycle of The I AM Sayings of Jesus. Tracks from the album have been broadcast on BBC Radio 3 and Classic FM in the UK.
Seven Letters is Tonus Peregrinus's first album of unaccompanied choral works by Antony Pitts released on Hyperion Records. The album contains the only-known complete setting of the seven letters from the Book of Revelation. Tracks from the album have been broadcast on BBC Radio 3, and the opening work Adoro Te was sung at the memorial for Alexander Litvinenko in 2006.
Der Tod Jesu is an oratorio libretto by Karl Wilhelm Ramler. In its setting by Carl Heinrich Graun in 1755, it was the most often performed Passion of the 18th century in Germany.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the Hallelujah chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Peter Gregory Rose is a conductor, composer, arranger, and music director. He has conducted orchestral, choral and ensemble premieres throughout Europe and the Far East.
Alexander Richard William L'Estrange is an English composer of choral music and music for television and an arranger for vocal ensembles. He is also a jazz musician, choral workshop leader, presenter of children's concerts and was a jazz examiner and trainer for ABRSM.
Die Auferstehung und Himmelfahrt Jesu is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further revised between 1778 and 1780. Along with the other oratorios that CPE Bach composed, Die Auferstehung und Himmelfahrt Jesu has been described as being "among the most important Protestant vocal works of the second half of the 18th century".
On Guard for Peace, also translated as On Guard of Peace, Op. 124 is an oratorio by Sergei Prokofiev scored for narrators, mezzo-soprano, boy soprano, boys choir, mixed choir, and symphony orchestra. Each of its ten movements sets texts by Samuil Marshak, who had collaborated previously with the composer in the work Winter Bonfire, Op. 122.