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Post-rock is a music genre characterized by the exploration of textures and timbres as well as non-rock styles, sometimes placing less emphasis on conventional song structures or riffs than on atmosphere, for musically evocative purposes. Post-rock artists can often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. The genre emerged within the indie and underground music scenes of the 1980s and 1990s, but as it abandoned rock conventions, it began to show less musical resemblance to conventional indie rock at the time, becoming regarded as a form of experimental rock. The first wave of post-rock derives inspiration from diverse sources including ambient, electronica, jazz, krautrock, psychedelia, dub, and minimalist classical, with these influences also being pivotal for the substyle of ambient pop.
Babes in Toyland was an American alternative rock band from Minneapolis, Minnesota, formed in 1987. The band was founded by vocalist and guitarist Kat Bjelland, along with drummer Lori Barbero and bassist Michelle Leon, who was later replaced by Maureen Herman in 1992.
Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge, shoegaze, and Britpop subgenres in the United States and United Kingdom, respectively. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.
Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers, and lyrical themes of outer space and science fiction.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Chapterhouse were a British shoegaze band from Reading, Berkshire, England. Formed in 1987 by Andrew Sherriff, Stephen Patman and Simon Rowe, the band began performing alongside Spacemen 3. They released two albums: Whirlpool (1991) and Blood Music (1993). The group temporarily reformed in 2008 after being asked to join Ulrich Schnauss onstage to perform his cover version of their song "Love Forever" at the Truck Festival in Oxfordshire. The band finished the brief reunion with two gigs in London (2009–2010) and tours in North America and Japan in 2010.
Brad was an American rock band that formed in Seattle, Washington in 1992. Their sound was influenced by the wide variety of influences brought by its members, including Stone Gossard of Pearl Jam, Regan Hagar, Shawn Smith, and Jeremy Toback.
Sawyer Brown is an American country music band. It was founded in 1981 in Apopka, Florida, by Mark Miller, Gregg "Hobie" Hubbard, Bobby Randall, Joe "Curly" Smyth (drums), and Jim Scholten. The five musicians were originally members of country singer Don King's road band, but chose to stay together after King retired in 1981. After competing on the television competition series Star Search and winning that show's grand prize, they signed to Capitol Records in 1984. The band recorded for Capitol between then and 1991, and for Curb Records between 1991 and 2005, except for a short time in 2003 when they were signed to Lyric Street Records. Duncan Cameron, formerly of the Amazing Rhythm Aces, replaced Randall in 1991, and Shayne Hill replaced him in 2004.
Kranky is an American independent record label in Chicago, Illinois. It was started in 1993 by Bruce Adams and Joel Leoschke. It houses predominantly experimental music artists, often branching into or inspired by ambient, rock, electronic or psychedelic music. Their first release was Labradford's 1993 debut album Prazision. Adams left the label in 2006, after which Leoschke continued running it, with the help of Brian Foote of Kranky band Nudge.
Flying Saucer Attack is an English space rock band formed in Bristol in 1992, led by songwriter David Pearce. Rachel Brook of Movietone was a member during the band's early incarnation; Other musicians contributing to the group's recordings and live performances included Rocker, Matt Elliott and Sam Jones.
Free Mars is the only album by the experimental psychedelic rock project Lusk, released in 1997 in a Digipak-style case. The album features an appearance by Tool drummer Danny Carey, as well as an assortment of artists and musicians from the Los Angeles scene.
Windy & Carl is an American ambient duo based in Dearborn, Michigan, United States.
"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex.
Bowery Electric was an American band formed in New York in 1993 by Lawrence Chandler and Martha Schwendener.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions while being related to and similar to post-rock. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
Magnog was an American space rock/post-rock band, initially active in the mid-to-late 1990s, then returning to live performances in 2011.
Disappears is an American rock band from Chicago, Illinois, United States, which formed in 2008. The band played a mixture of shoegaze, krautrock and garage rock.
Pat Thomas is a San Francisco-based musician, music journalist and compiler of music reissues.
Beat is the second studio album by American band Bowery Electric. It was released on November 12, 1996 by Kranky.
References
- ↑ Masters, Marc (January 12, 2009). "Kranky". Pitchfork . Retrieved July 26, 2019.
- ↑ Segal, Dave (December 8, 2014). "The Song of the Day Is Jessamine's "Don't You Know That Yet?"". The Stranger . Retrieved July 26, 2019.
- ↑ Weingarten, Christopher R. (September 20, 2012). "Hear the First Music From Fontanelle in a Decade". Spin . Retrieved July 26, 2019.
