Jesse Stiles (born June 15, 1978) is an American electronic musician, record producer, sound designer and electronic artist known for his experimental and highly technical work. [1] [2] [3] [4]
Stiles attended Rensselaer Polytechnic Institute for graduate school, studying electronic art and music under Pauline Oliveros, Curtis Bahn, and Igor Vamos. [5] Before attending graduate school Stiles was a Watson fellow, recording his first album, Watson Songs, [6] while traveling in India and England.
Following RPI, Stiles moved to a textile factory in DeRuyter, New York, and entered a period of great creativity, creating many of the works that would go to fill his first solo art show "Automatic Speleology". [7]
In 2010, Stiles was hired as the Music Coordinator for the Merce Cunningham Dance Company. Working with the company during their Legacy Tour, he produced and performed in concerts featuring the works of many experimental composers including John Cage, David Tudor, Brian Eno, Radiohead, Sigur Ros, and John Paul Jones. Stiles' compositions were featured in many of the company's site-specific "Event" performances. [8] [9] [10]
In 2011, Jesse Ball, Thordis Bjornsdottir, Olivia Robinson, and Jesse Stiles founded The Poyais Group. [11] Exhibitions by The Poyais Group have garnered both praise and controversy. [12] [13]
Stiles has provided music and sound design for a variety of feature films, short films, documentaries, and exhibitions. He has scored five video game titles for the radical design group Molleindustria. Stiles has recorded and produced records released by Conrex Records, Specific Recordings, and Gagarin Records.
Since 2014, Stiles has held an assistant professorship at Carnegie Mellon University where he teaches subjects such as sound design, electronic music composition and performance, as well as programming and signal processing for creative practice. [14] Additionally, Stiles has founded and currently co-runs Carnegie Mellon's premiere electroacoustic music ensemble, the Exploded Ensemble. This group operates as the University's "hybrid music research wing" and is renowned for creating unique multi-media experiences in unconventional spaces. [15]
David Eugene Tudor was an American pianist and composer of experimental music.
Jim O'Rourke is a Tokyo-based American musician, composer and record producer. He has released albums across varied genres, including singer-songwriter music, post-rock, ambient, noise music, and tape experiments. He was associated with the Chicago experimental and improv scene when he relocated to New York City in 2000. He now resides in Japan. O’Rourke is best known for his numerous solo and collaborative music projects, many of which are entirely instrumental, and for his tenure as a member of Sonic Youth from 1999 to 2005.
Christian G. Wolff is an American composer of experimental classical music and classicist.
Alvin Augustus Lucier Jr. was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.
Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.
Ben Neill is an American composer, trumpeter, producer, and educator. He is the inventor of the "Mutantrumpet", a hybrid electro-acoustic instrument.
David Behrman is an American composer and a pioneer of computer music. In the early 1960s he was the producer of Columbia Records' Music of Our Time series, which included the first recording of Terry Riley's In C. In 1966 Behrman co-founded Sonic Arts Union with fellow composers Robert Ashley, Alvin Lucier and Gordon Mumma. He wrote the music for Merce Cunningham's dances Walkaround Time (1968), Rebus (1975), Pictures (1984) and Eyespace 40 (2007). In 1978, he released his debut album On the Other Ocean, a pioneering work combining computer music with live performance.
Gordon Mumma is an American composer. He is known most for his work with electronics, many devices of which he builds himself, and for his performances on horn.
Audrey Riley is an English cellist and string arranger, based in the UK.
Yasunao Tone is a multi-disciplinary artist born in Tokyo, Japan and working in New York City. He graduated from Chiba University in 1957 with a major in Japanese Literature. An important figure in postwar Japanese art during the sixties, he was active in many facets of the Tokyo art scene. He was a central member of Group Ongaku and was associated with a number of other Japanese art groups such as Neo-Dada Organizers, Hi-Red Center, and Team Random. Tone was also a member of Fluxus and one of the founding members of its Japanese branch. Many of his works were performed at Fluxus festivals or distributed by George Maciunas’s Flux Press. Relocating to the United States in 1972, he has since gained a reputation as a musician, performer and writer working with the Merce Cunningham Dance Company, Senda Nengudi, Florian Hecker, and many others. Tone is also known as a pioneer of “Glitch” music due to his groundbreaking modifications of compact discs and CD players.
SYR4: Goodbye 20th Century is an album by American alternative rock band Sonic Youth. It is a double album of versions of pieces by avant-garde composers, performed by Sonic Youth and collaborators.
Lovely Music is an American record label devoted to new American music. Based in New York City, the label was founded in 1978 by Mimi Johnson, an outgrowth of her nonprofit production company Performing Artservices Inc. It is one of the most important and longest running labels focusing exclusively on new music and has released over 100 recordings on LP, CD, and videocassette.
WRCT is a non-commercial freeform radio station based in Pittsburgh, Pennsylvania. The volunteer-run station has a studio in the basement of Carnegie Mellon's University Center. WRCT broadcasts throughout the city on 88.3 MHz with an ERP of 1.75 kW, from atop Warner Hall. WRCT Radio, Inc. holds the station's license.
The Nurse with Wound list is a list of musicians and bands that was included with Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella (1979), the first album by Nurse with Wound. There are 291 entries on the list. The list was expanded with Nurse with Wound's second album, To the Quiet Men from a Tiny Girl (1980).
Japanoise, a portmanteau of "Japanese" and "noise", is the noise music scene of Japan.
Takehisa Kosugi was a Japanese composer, violinist and artist associated with the Fluxus movement.
The Dignity of Labour is a 12" vinyl record released in 1979. The tracks were written and performed by The Human League featuring a line-up of Martyn Ware, Ian Craig Marsh and Phil Oakey. It was released as the follow-up to their earlier single "Being Boiled" on Fast Product Records, the label that the band released their early singles.
July 15, 1972 is the second album by Taj Mahal Travellers. It was recorded live at the Sogetsu Hall in Tokyo, Japan on July 15, 1972.
"Speedoo" is a song written by Esther Navarro and performed by The Cadillacs featuring the Jesse Powell Orchestra. It reached number 3 on the U.S. R&B chart and number 17 on the U.S. pop chart in 1955. The song was featured on their 1957 album, The Fabulous Cadillacs.
Kathy Yaeji Lee, known professionally as Yaeji, is a Korean-American singer, DJ, and producer based in Brooklyn, New York. Her style blends elements of house music and hip hop with mellow, quiet vocals sung in both English and Korean.