Jessica Paz | |
---|---|
Born | Brooklyn, New York, U.S. |
Occupation | Sound designer |
Years active | 2007–present |
Jessica Paz is an American sound designer, most notable for her work on Broadway and off-Broadway. [1] [2] She is the first women to win the Tony Award for Best Sound Design. [3]
Paz is currently represented on Broadway in Anaïs Mitchell's Hadestown at the Walter Kerr Theatre, Neil Diamond musical A Beautiful Noise and in Susan Stroman on the play POTUS. [4] [5] She worked as front of house engineer for the Preservation Hall Jazz Band, Antibalas, Femi Kuti, Lady A, Candy Shop Boys and more. [6] She also worked as an associate sound designer in Disaster! , Dear Evan Hansen, Bandstand and more. [7]
Paz has been a lecturer in Sound Design at Princeton University and was a faculty advisor for Princeton University's production of Next To Normal. [8] [9] She is a member of the United States Institute for Theatre Technology (USITT), SoundGirls, Women's Audio Mission, TSDCA and IATSE Local 829. [10] [11]
Year | Nominated work | Category | Result | Notes |
---|---|---|---|---|
2019 | Hadestown | Tony Award for Best Sound Design | Won | [12] |
Drama Desk Award for Outstanding Sound Design in a Musical | Won | [13] | ||
Outer Critics Circle Award for Outstanding Sound Design | Nominated | [14] |
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Midtown Manhattan.
The Tony Award for Best Musical is given annually to the best new Broadway musical, as determined by Tony Award voters. The award is one of the ceremony's longest-standing awards, having been presented each year since 1949. The award goes to the producers of the winning musical. A musical is eligible for consideration in a given year if it has not previously been produced on Broadway and is not "determined... to be a 'classic' or in the historical or popular repertoire", otherwise it may be considered for Best Revival of a Musical.
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