 |
Jesus Barraza (born 1976), [1] is an American printmaker and graphic artist. He started working as a layout editor in 1994 of the Xicana oppositional newspaper La Voz de Berkeley. He worked as a graphic designer for student groups at UC Berkeley, community organizations and with Elizabeth "Betita" Martinez designing Shades of Power, the newsletter for the Institute for Racial Justice. [2]
Jesus Barraza was born in 1976 in El Paso, Texas, U.S.. [1]
In the late 1990s Barraza's became known for his designs for issues regarding the defense of Ethnic Studies, affirmative action, immigrants rights, woman's rights and youth activism.[ citation needed ] During this time Barraza worked for MEXA, third world Liberation Front (twLF) at UC Berkeley, Olin, National Network for Immigrant and Refugee Rights (NNIRR), Schools Not Jails, National Association of Chicana and Chicano Studies (NACCS) and Mujeres Activas en Letras y Ciencias (MALCS).
In 2001, Barraza worked at the Mission Cultural Center for Latino Arts (MCCLA), in the San Francisco's Mission District as a graphic designer. [3] While working there Barraza worked with Juan R. Fuentes, to create screen printed posters for the Centers events at Mission Grafica, the printmaking studio at MCCLA. During the two years Barraza worked at MCCLA, he created dozens of screen printed posters and prints and had the opportunity to be mentored by Fuentes, Calixto Robles and Michael Roman in various screen printing techniques.
In 2003 Barraza left MCCLA to work at Tumis Design as a Graphic Designer, where he co-founded the Taller Tupac Amaru with Favianna Rodriguez and Estria Miyashiro. As a graphic designer at Tumis, Barraza worked with community organizations, non-profits and foundations to design collateral materials and websites. In 2006 Tumis co-founders Rodriguez and Miyashiro offered Tumi's workers a share in the company making them all co-owners and partners. Barraza worked at Tumis as a web developer, heading on over 50 web projects, before leaving at the beginning of 2010. [4]
As a member of the Taller Tupac Amaru, Barraza has partnered with community organization to produce posters to help with the work they do. In 2005 Barraza and Rodriguez received the Art is a Hammer award from the Center for the Study of Political Graphics for the outstanding work with the Taller Tupac Amaru. [5] Barraza has produced over 250 screen prints and posters. Barraza has printed editions for artists including Melanie Cervantes, Favianna Rodriguez, Tony Carraza, Malaquias Montoya, Emory Douglas, Barbara Carraco, Juan R. Fuentes, Ester Hernandez, Rupert Garcia and Enrique Chagoya. [6]
{{cite web}}: CS1 maint: archived copy as title (link)
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface. The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; it is sometimes understood to refer specifically to printmaking processes, such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing. Graphic art mostly includes calligraphy, photography, painting, typography, computer graphics, and bindery. It also encompasses drawn plans and layouts for interior and architectural designs.
Ester Hernández is a California Bay Area Chicana visual artist recognized for her prints and pastels focusing on farm worker rights, cultural, political, and Chicana feminist issues. Hernández' was an activist in the Chicano Arts Movement in the 1960's and also made art pieces that focus on issues of social justice, civil rights, women's rights, and the Farm Worker Movement.
Malaquías Montoya is an American-born Chicano poster artist who is known as a major figure in the Chicano Art Movement of the 1960s and 1970s.
The Taller de Gráfica Popular is an artist's print collective founded in Mexico in 1937 by artists Leopoldo Méndez, Pablo O'Higgins, and Luis Arenal. The collective was primarily concerned with using art to advance revolutionary social causes. The print shop became a base of political activity and abundant artistic output, and attracted many foreign artists as collaborators.
Favianna Rodriguez is an American artist and activist known for her work in political posters and public art.
Justseeds Artists' Cooperative is a worker-owned cooperative of 30 North American artists, founded in 1998. Justseeds members primarily produce handmade prints and publications, which are distributed through their website and at events related to social and environmental movements. Members also work individually as graphic designers for and within a broad swath of social and environmental activist causes in the U.S., Canada, and Mexico. As a collective body, Justseeds has produced several gallery exhibitions of both print work and collaborative sculptural installation.
Melanie Cervantes is a Xicana artist and activist based in the Bay Area.
On the Issues is an online-only progressive feminist news and opinion magazine founded in 1983 as a print magazine: On the Issues: The Progressive Woman's Quarterly.
The Outlaws of Printmaking, also known as "The Outlaws" and "Outlaw Printmakers" are a collective of printmaking artists that exists internationally. The idea of "Outlaw Printmakers" formed from a show in New York at Big Cat Gallery in 2000. Tony Fitzpatrick, the owner of the Big Cat Press which is associated with the gallery, decided to call a show there "Outlaw Printmaking" to reflect attitudes of the printmakers involved in a non-academic approach to prints. As pointed out by Sean Starwars, the Southern Graphic Council print conference was happening at the same time as that show in NYC across the water in New Jersey. A handful of artists from the conference attended the show.). At that conference the core group now known as the Outlaw Printmakers formed, adopting the name from the show and continuing their own events, happenings and shows outside of the academic norm. The core members are Bill Fick, Tom Huck, The Hancock Brothers, Sean Star Wars, Dennis McNett and Cannonball Press. Many of the core artists associated with the movement cite the printmaker/artist Richard Mock as a primary influence. Mock's political and social narrative prints appeared in the New York Times op-ed pages for more than a decade in the 1980s and early 1990s. Later the group grew to include Carlos Hernandez, Drive By Press, Ryan O'Malley, Artemio Rodriguez, Kathryn Polk, Erica Walker, Derrick Riley, and Julia Curran.
Ángel Bracho was a Mexican engraver and painter who is best known for his politically themed work associated with the Taller de Gráfica Popular; however he painted a number of notable murals as well. Bracho was from a lower-class family and worked a number of menial jobs before taking night classes for workers at the Escuela Nacional de Artes Plásticas. Even though he had only four years of primary school, he then studied as a full-time student at the university. His art career began working with Diego Rivera on the painting of the Abelardo L. Rodríguez market in Mexico City. He was a founding member of the Taller de Gráfica Popular, making posters that would become characteristic of the group. His graphic design work is simple, clean and fine dealing with themes related to social struggles with farm workers, laborers and Mexican landscapes.
Yreina Cervantez is an American artist and Chicana activist who is known for her multimedia painting, murals, and printmaking. She has exhibited nationally and internationally, and her work is in the permanent collections of the Smithsonian American Art Museum, The Mexican Museum, the Los Angeles County Museum, and the Los Angeles Museum of Contemporary Art.
Anthony Velonis was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. He married Elizabeth Amidon, with whom he had four children.
Jean LaMarr is a Northern Paiute/Achomawi artist and activist from California. She creates murals, prints, dioramas, sculptures, and interactive installations. She is an enrolled citizen of the Susanville Indian Rancheria.
Celia Herrera Rodriguez is an American educator, painter, and performance and installation artist.
Australian poster collectives were artist collectives established in the late 1960s, 70s and 80s in the capital cities of Australia, largely led by women and focused on various forms of political activism.
Mission Cultural Center for Latino Arts (MCCLA) is an arts nonprofit that was founded in 1977, and is located at 2868 Mission Street in the Mission District in San Francisco, California. They provide art studio space, art classes, an art gallery, and a theater. Their graphics department is called Mission Grafica, and features at studio for printmaking and is known for the hand printed posters. It was formerly named, Centro Cultural de La Mission.
John Joseph "Jos" Sances is an American artist, activist, writer, and community organizer, known for his printmaking, and tile murals/public art. He is the founder and director of Alliance Graphics. Sances is based in Berkeley, California.
Rupert García, is an American Chicano visual artist, and educator. He is known as a painter, pastellist, and screen printer. In the 1960s, he led a Chicano movement against 'Yankee' culture through the production and use of posters, and screen prints. In 1970, he co-founded the Galería de la Raza in San Francisco. He is a professor emeritus of art at San Jose State University since 2011.
Oree Originol is an artist and activist working in the San Francisco Bay Area of California. Originol's work has been included in exhibits at the Smithsonian American Art Museum, the Yerba Buena Center for the Arts, the San Francisco Museum of Modern Art (SFMOMA), and the Oakland Museum of California. In addition, his portraits of victims of police violence have been used in social justice demonstrations in the Bay Area and other locations.
Hyman J. Warsager (1909–1974) was an American artist known for his printmaking.
