The Madrid Codex is one of three surviving pre-Columbian Maya books dating to the Postclassic period of Mesoamerican chronology. The Madrid Codex is held by the Museo de América in Madrid and is considered to be the most important piece in its collection. However, the original is not on display due to its fragility; an accurate reproduction is displayed in its stead. At one point in time the codex was split into two pieces, given the names "Codex Troano" and "Codex Cortesianus". In the 1880s, Leon de Rosny, an ethnologist, realised that the two pieces belonged together, and helped combine them into a single text. This text was subsequently brought to Madrid, and given the name "Madrid Codex", which remains its most common name today.
The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building, while craft-focused exhibitions are shown in the Renwick Gallery.
Mayan codices are folding books written by the pre-Columbian Maya civilization in Maya hieroglyphic script on Mesoamerican bark paper. The folding books are the products of professional scribes working under the patronage of deities such as the Tonsured Maize God and the Howler Monkey Gods. The codices have been named for the cities where they eventually settled. The Dresden codex is generally considered the most important of the few that survive.
The Dresden Codex is a Maya book, which was believed to be the oldest surviving book written in the Americas, dating to the 11th or 12th century. However, in September 2018 it was proven that the Maya Codex of Mexico, previously known as the Grolier Codex, is, in fact, older by about a century. The codex was rediscovered in the city of Dresden, Germany, hence the book's present name. It is located in the museum of the Saxon State Library. The codex contains information relating to astronomical and astrological tables, religious references, seasons of the earth, and illness and medicine. It also includes information about conjunctions of planets and moons.
Lonnie Bradley Holley, sometimes known as the Sand Man, is an American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. In 1981, after he brought a few of his sandstone carvings to then-Birmingham Museum of Art director Richard Murray, the latter helped to promote his work. In addition to solo exhibitions at the Birmingham Museum of Art and the Halsey Institute of Contemporary Art at the College of Charleston, Holley has exhibited in group exhibitions with other Black artists from the American South at the Michael C. Carlos Museum and the High Museum of Art in Atlanta, the Studio Museum in Harlem, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Toledo Museum of Art, Pérez Art Museum Miami, NSU Museum of Art Fort Lauderdale, the Institute of Contemporary Art, Boston, de Young Museum in San Francisco, National Gallery of Art, Washington, D.C., the Ikon Gallery in Birmingham, England, and the Royal Academy of Arts in London, among other places.
Millard Owen Sheets was an American artist, teacher, and architectural designer. He was one of the earliest of the California Scene Painting artists and helped define the art movement. Many of his large-scale building-mounted mosaics from the mid-20th century are still extant in Southern California. His paintings are in the Metropolitan Museum of Art and the Whitney Museum in New York, the Chicago Art Institute, the National Gallery in Washington D.C.; and the Los Angeles County Museum.
Tino Rodriguez is a Mexican-American artist and painter. Rodriguez spent his early-life in Mexico until the age of 12 when he moved to California.
Larry Bell is an American contemporary artist and sculptor. He is best known for his glass boxes and large-scaled illusionistic sculptures. He is a grant recipient from, among others, the National Endowment for the Arts and the Guggenheim Foundation, and his artworks are found in the collections of many major cultural institutions. He lives and works in Taos, New Mexico, and maintains a studio in Venice, California.
Julián Martínez, also known as Pocano (1879–1943), was a San Ildefonso Pueblo potter, painter, and the patriarch of a family of Native American ceramic artists in the United States.
Bryan Hunt is an American sculptor who was born in Terre Haute, Indiana on June 7, 1947. His family moved to Tampa, Florida in 1955. He worked at the Kennedy Space Center as an engineer's aide and draftsman, 1967–1968, during the NASA Apollo Program. In 1968, he moved to Los Angeles to enroll in the Otis Art Institute, where he received a BFA in 1971.
Rafael Esparza is an American performance artist who lives and works in Los Angeles. His work includes performances affecting his physical well-being and installations constructed from adobe bricks. Esparza often works with collaborators, including members of his family.
Kota Ezawa is a Japanese-German American artist and arts educator. His artwork usually responds to current events from sources in the news, pop culture, and art history. Ever since his debut 2002 video animation of The Simpson Verdict, Ezawa has been known for his flattened style in works on paper, light-boxes, and videos. By flattening his pieces into more two-dimensional figures, he creates more focus on the re-contextualized historical events in his pieces.
Felicia Rice is an American book artist, typographer, letterpress printer, fine art publisher, and educator. She lectures and exhibits internationally, and her books can be found in collections from Special Collections, Cecil H. Green Library to the Whitney Museum of American Art to the Bodleian Library. Work from the Press is included in exhibitions and collections both nationally and internationally, and has been the recipient of numerous awards and grants.
June Felter, was an American painter and illustrator from the Bay Area. Her paintings are in museum collections including San Francisco Museum of Modern Art (SFMOMA), the Oakland Museum of California, Fine Arts Museum of San Francisco, National Gallery of Art, and the Berkeley Art Museum.
Dominic L. Di Mare is an American artist and craftsperson, known for his weaving, abstract mixed-media sculpture, watercolor paintings, cast paper art, and fiber art. His work touches on themes of personal spirituality. He is based in Tiburon, California.
The Sanchez Art Center is a nonprofit arts organization located in Pacifica, California. It was formed in 1996 by local artists and community members.
Paula Zolloto Kirkeby was an American art collector, art donor, and the director and founder of a commercial art gallery. She was a co-founder of Smith Andersen Editions, 3EP Ltd. Press, and Smith Andersen Gallery. Many of the artists she worked with were part of the Bay Area Figurative Movement.
Joseph R. Goldyne, is an American artist, curator, and author. He is known for his monotype prints and drawing and he was one of the co-founders of 3EP Ltd. Press.
Peter Rutledge Koch, also known simply as Peter Koch is an American letterpress master printer, artists' book maker and publisher, typographer, educator, author and book designer. Koch is internationally known for his fine press artists' books. Over the years he has published under a variety of imprints, including Black Stone Press; Peter and the Wolf Editions; Editions Koch; Hormone Derange Editions; and Peter Koch Printer and The REAL LEAD Saloon.
Wanxin Zhang is a Chinese-American sculptor based in San Francisco, known for his large-scale ceramic figures, formless ceramic structures, and bronze pieces. He is recognized as one of the leading artists in the new generation of the Bay Area clay movement. Zhang's work is characterized by a fusion of California Funk influence and references to Chinese history. His monumental clay figures convey themes of globalization, politics, and power by reshaping traditional symbols with contemporary pop culture elements. Zhang's work is in the Smithsonian American Art Museum Collections.
