Pedro Quartucci was an Argentine boxer and actor.
Adiós Buenos Aires is a 1938 Argentine musical film directed and written by Leopoldo Torres Ríos. The film starred Tito Lusiardo and a 19-year-old Amelia Bence.
Al compás de tu mentira is a 1950 black-and-white Argentine musical film directed by Héctor Canziani. The film was adapted from Oscar Wilde's 1895 play The Importance of Being Earnest by Abel Santacruz. The film starred Francisco Álvarez and Pedro Quartucci.
Pedro López Lagar was a Spanish born Argentine film actor of the 1940s and 1950s.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Tito Lusiardo was an iconic Argentine film actor and tango singer of the classic era.
Buenos Aires Nights is a 1935 Argentine romantic musical film directed and written by Manuel Romero with Luis Bayón Herrera. It is a tango film and was edited by Francisco Múgica The film's sets were designed by the art director Ricardo J. Conord.
Women Who Work is a 1938 Argentine comedy film drama directed by Manuel Romero. The film premiered in Buenos Aires and starred Tito Lusiardo.
Gold in Clay is a 1939 Argentine musical film directed by Luis Bayon Herrera. The tango film premiered in Buenos Aires and stars Tito Lusiardo.
Gente bien is a 1939 Argentine musical film directed by Manuel Romero. The tango film premiered in Buenos Aires on June 28, 1939 and the United States on October 8, 1939 and starred Hugo del Carril, Tito Lusiardo and Delia Garcés.
Margarita, Armando y su padre is a 1939 Argentine romantic comedy film directed by Francisco Múgica. The film is based a play by Enrique Jardiel Poncela who himself adapted the film for the silver screen. The film premiered in Buenos Aires and starred Mecha Ortiz and Pedro Quartucci. Production design of the film was performed by Ricardo J. Conord.
Buenas noches, Buenos Aires is a 1964 Argentine musical film comedy directed by and starring Hugo del Carril. The film was premièred in Buenos Aires on October 10, 1964.
Elvira Fernández, vendedora de tiendas is a 1942 Argentine comedy film directed by Manuel Romero. It stars Paulina Singerman, Juan Carlos Thorry, Tito Lusiardo and Sofía Bozán. The film is about the daughter of a millionaire store owner, who organizes a worker strike.
Marina Esther Traveso, known by her stage name Niní Marshall, was an Argentine humorist, comic actress and screenwriter; nicknamed The Chaplin with a skirt and The Lady of Humour.
El día que me quieras is a 1935 musical film which starred the legendary tango singer Carlos Gardel, Spanish actress Rosita Moreno and the tango singer Tito Lusiardo. The film was directed by John Reinhardt, produced by Robert R. Snody and written by the tango lyricist Alfredo Le Pera.
Los secretos del buzón is a 1948 Argentine comedy film, directed by Catrano Catrani and written by Ariel Cortazzo. It was premiered on April 22, 1948.
Olinda Bozán was an Argentine film actress and comedian of the Golden Age of Argentine Cinema (1940–1960). Born into a circus family, she acted on the vaudeville circuit, and performed in silent and sound movies. She was trained by the Podestá brothers, one of whom she married, who have one of the most prestigious Argentine acting awards named for them. Bozán' appeared in 75 films and was considered one of the best comic actors of Argentine cinema in the 20th century.
Dancing is a 1933 Argentine musical film directed by Luis Moglia Barth for Argentina Sono Film. The film's sets were designed by the art director Juan Manuel Concado. It is based on a play by Alejandro Berrutti. It was the second ever sound film to be released by the studio after Barth's ¡Tango!, released earlier in 1933, it marked the debut of Amelia Bence, who had a minor role.
Amanda Varela was an Argentine actress who primarily worked during the Golden Age of Argentine Cinema, performing on stage and in films of Argentina and the US. She made 9 films in Argentina and 2 in the US and appeared on stage in numerous productions in both countries. Varela is usually credited with helping her sister, Mecha Ortiz, secure her first acting roles. In the 1950s, Varela retired from acting, moved to the United States, and became a matrimonial judge.
Three Argentines in Paris is a 1938 Argentine musical comedy film directed by Manuel Romero and starring Florencio Parravicini, Tito Lusiardo and Irma Córdoba. The film's sets were designed by the art director Ricardo J. Conord.
