Jimmy Donegan

Last updated

Jimmy Donegan
Bornc.1940
Occupation Painter
Years active2000 – present
Notable workPapa Tjukurpa munu Pukara (2008)
Style Western Desert art
SpouseNuuniwa Imundura Donegan (died 2005)
Children4
RelativesMolly Nampitjin Miller (sister)
Pantjiti Mary McLean (sister)
Elaine Lane (sister)
Awards National Aboriginal & Torres Strait Islander Art Award (2010)

Jimmy Donegan (born around 1940) is an Aboriginal Australian artist. His painting Papa Tjukurpa munu Pukara won the National Aboriginal & Torres Strait Islander Art Award in 2010. He speaks Pitjantjatjara and Ngaanyatjarra. [1] His work is held in several major private galleries in Australia and Europe; the only major public gallery to hold one of his works is the National Gallery of Victoria. [2] [3]

Contents

Early life

Donegan was born about 1940, at Yanpan, a rock hole near Ngatuntjarra bore in outback Western Australia. He grew up living a traditional, nomadic way of life in the Pitjantjatjara and Ngaanyatjarra country around what is now the communities of Papulankutja and Mantamaru. [4] [5] His family settled at Papulankutja (then known as Blackstone) in the 1950s. [1]

Before he began painting, Donegan worked as a stockman. [3] He was also a hunter and a craftsman well known for making traditional hunting tools (spears, spear-throwers and boomerangs). [4] [5] During the early 1970s, Donegan helped to set up outstations in the south-western Pitjantjatjara lands. His wife was born near Puta Puta, a place close to Kalka in what is now the Aṉangu Pitjantjatjara Yankunytjatjara Lands. [4] The couple and their children originally lived there, but they later moved to Papulankutja, closer to Jimmy's own homeland.

Jimmy's wife, Nuuniwa Imundura Donegan, was also a craftswoman. During the mid- to late-1990s, she was a member of the Tjanpi Desert Weavers, a project of women producing artistic objects made mainly from grass (tjanpi). [6] Their life-sized Tjanpi Grass Toyota, a truck made mostly of desert grasses, won the National Aboriginal & Torres Strait Islander Art Award in 2005. [7] Other examples of her work are now held in the National Gallery of Victoria, [8] the National Gallery of Australia, [9] and the National Museum of Australia. [6]

Jimmy's daughter, Melissa Isabelle Donegan, is also an artist. [10] She was born in 1969 at the Warburton Ranges of Western Australia. As a young girl she lived in Amata. During the late 1970s and the “Homeland Movement”, her family moved to Pipalyatjara to be closer to traditional home lands. Like many other Anangu (people of Pitjantjatjara land) families, Melissa's moved frequently between the communities of Irrunytju, Pipalyatjara and Amata.

As an adult she moved to Blackstone, a remote community in Western Australia. It was in Blackstone where she began her career as a painter and was involved in crafting the ‘Tjanpi Toyota’; a life size replica of a Toyota Landcruiser made from woven grass. The Tjanpi Toyota was a project she worked on alongside her mother and sister. Today Melissa lives with her family in Kalka where she continues to paint. Her paintings are often inspired by ‘tjukurpa’ (traditional stories), including those associated with ‘Wati Kutjarra’ and ‘Kungkarrakalpa’. She is also a dedicated arts worker at Ninuku Arts Centre. [11]

As an artist

Donegan began painting professionally about 2000. [3] He was one of the first painters at the local artists' co-operative Papulankutja Artists, [12] established in 2001. Some of his work with Papulankutja was displayed in a group exhibition in Perth in 2005. During this year, [3] Nuuniwa died, and Donegan moved back to live at Kalka. The couple's four children were living there, and he returned to live with them. He started painting for Kalka's community art centre, Ninuku Arts, when it was established in 2006. [3]

Since joining Ninuku Arts, Donegan's work has been featured every year in the annual Desert Mob exhibition in Alice Springs. It has also been shown in other group exhibitions in Sydney, Canberra, Broome, Melbourne and Adelaide. He has not had a solo exhibition. [3]

Donegan's paintings depict ancestral stories from the Dreamtime, which have spiritual significance for his family. He mostly focuses on stories relating to his paternal heritage. [3] His father was from Dulu, a rock hole in the Gibson Desert well known for dingo packs and spiritually associated with the Dingo Dreaming (Papa Tjukurpa). His grandfather's country is Pukara, a sacred men's site south of Irrunytju that is closely associated with the story of the two snake men (Wati Wanampi Kutjara). [4] [13] These are creation stories. [14] [15]

Donegan's most famous painting, Papa Tjukurpa munu Pukara, combined both of these stories onto a single canvas. [1] [14] It is a composition of several different styles and techniques, [16] and won the National Aboriginal & Torres Strait Islander Art Award in August 2010. It was given the award for best painting, [1] and was then chosen for the overall prize from the winners of each of the five categories. [5] It was the first time Donegan had entered his artwork into a competition. [14]

Critics have said that Donegan's work looks influenced by the early styles of the Western Desert art movement at Warburton as the artist was living there during the mid-1990s , but that he also shows a new style and experimentalism. [17]

Related Research Articles

<span class="mw-page-title-main">Aṉangu</span> Endonym used by members of several Aboriginal Australian groups close to the Western Desert bloc

Aṉangu is the name used by members of several Aboriginal Australian groups, roughly approximate to the Western Desert cultural bloc, to describe themselves. The term, which embraces several distinct "tribes" or peoples, in particular the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara groups, is pronounced with the stress on the first syllable:.

<span class="mw-page-title-main">Aṉangu Pitjantjatjara Yankunytjatjara</span> Local government area in South Australia

Aṉangu Pitjantjatjara Yankunytjatjara, also known as APY, APY Lands or the Lands, is a large, sparsely-populated local government area (LGA) for Aboriginal people, located in the remote north west of South Australia. Some of the Aṉangu (people) of the Western Desert cultural bloc, in particular Pitjantjatjara, Yankunytjatjara and Ngaanyatjarra peoples, inhabit the Lands.

Minyma Kutjara Arts Project formerly Irrunytju Arts, is an Aboriginal Australian art centre based in the community of Irrunytju (Wingellina), Western Australia.

Doreen Reid Nakamarra was an Australian Aboriginal artist and painter. Reid was considered an important artist within the Western Desert cultural bloc. She was a leading painter at the Papunya Tula artist cooperative in Central Australia.

The Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women's Council is a community-based community organisation formed in 1980 delivering services to the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara women in the central desert region of Australia across the borders of the Northern Territory, South Australia, Western Australia with its headquarters in Alice Springs. It provides a range of community, family, research and advocacy services.

<span class="mw-page-title-main">Rene Kulitja</span>

Rene Kulitja, also known as Wanuny Kulitja, is an Aboriginal Australian artist. She works with a range of media, including paint, glass and ceramics. Her most famous design is probably Yananyi Dreaming, which covers a Qantas Boeing 737.

Dickie Minyintiri was an Australian Aboriginal artist from Pukatja, South Australia. He began painting in 2005, when he was about 90 years old. He is now one of central Australia's most successful artists, after winning the National Aboriginal & Torres Strait Islander Art Award in 2011. He was said to be the oldest artist at Pukatja, and also the community's most senior lawman.

Tjayanka Woods is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. She is best known for her paintings, but also a craftswoman who makes baskets and other woven artworks. Her paintings are held in the Art Gallery of Western Australia, National Gallery of Victoria, and the National Gallery of Australia.

Hector Tjupuru Burton was an Australian Aboriginal artist. He is a leading artist from Amaṯa, in north-western South Australia. His work has been shown in exhibitions since 2003, in several cities in Australia and other countries. His first solo exhibition was held in 2004 in Melbourne. Examples of his paintings are held in the National Gallery of Victoria, the Art Gallery of South Australia, the Art Gallery of New South Wales, and Flinders University.

Eileen Yaritja Stevens was an Aboriginal artist from central Australia. Although she had brief career of less than four years, she quickly became one of the most successful artists of her generation to paint in the style of the Western Desert. Her work is now held in several major public art collections across Australia.

Wingu Tingima was an Aboriginal artist from central Australia. She was born in Great Victoria Desert, and grew up living a traditional way of life in the bush, without any contact with Western civilization. A member of the Pitjantjatjara people, she painted spiritual stories from her Dreaming. Along with her friend and colleague Eileen Yaritja Stevens, Wingu became one of the most well-known artists to paint in the style of the Western Desert.

Tjungkara Ken is a Pitjantjatjara artist from Amata, South Australia, in the APY lands. She began painting in 1997, when Minymaku Arts was opened by the women of Amaṯa. She started painting professionally in 2008. By that time, the artists' co-operative had been renamed Tjala Arts.

Maringka Baker is an Aboriginal artist from central Australia. She lives in the Pitjantjatjara community of Kaṉpi, South Australia, and paints for Tjungu Palya, based in nearby Nyapaṟi.Maringka is known for her paintings. Maringka paints sacred stories from her family's Dreaming (spirituality). As well as the important cultural meanings they carry, her paintings are known for being rich in colour and contrast. She often paints the desert landscape in bright green colours, and contrasts it against reds and ochres to depict landforms. She also uses layers of contrasting colours to show the detail of the desert in full bloom.

Tiger Palpatja was an Australian Aboriginal artist from the Aṉangu Pitjantjatjara Yankunytjatjara Lands.

Tali Tali Pompey was an Aboriginal artist from central Australia. She had a short career as an artist, beginning only in 2002. During this time, however, her work was taken in by several major public galleries.

Harry Tjutjuna is an Aboriginal artist from central Australia. He belongs to the Pitjantjatjara people. Tjutjuna began painting in 2005. He held his first solo exhibition in 2007, in Darwin. His work is now held in several major public galleries in Australia, including the Art Gallery of New South Wales, the National Gallery of Victoria, and the National Gallery of Australia. His painting Ninuku Tjukurpa was a finalist for the Togard Contemporary Art Award in 2009. In 2010 and 2011, another of Tjutjuna's paintings, Wati Nyiru munu Wati Wanka, was chosen as a finalist in both the Western Australian Indigenous Art Awards, and the National Aboriginal & Torres Strait Islander Art Award (NATSIAA).

Tjanpi Desert Weavers is a social enterprise of the NPY Women's Council, representing over 400 women from 26 unique communities in the NPY region. Tjanpi is the Pitjantjatjara word for a type of spinifex grass. The weavers harvest and weave local grasses and some other materials to create handmade works and pieces of art. In producing these works, which mostly consist of baskets, jewellery, beads and fibre sculpture, the enterprise encourages women's employment and economic independence.

Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.

<span class="mw-page-title-main">Ken Sisters</span> Indigenous Australian art collective

The Ken Sisters also known as the Ken Family Collaborative or Ken Sisters Collaborative are a collective of award-winning Pitjantjatjara artists from the Aṉangu Pitjantjatjara Yankunytjatjara Lands of northern South Australia.

Betty Muffler is an Aboriginal Australian artist and ngangkari (healer). She is a senior artist at Iwantja Arts, in Indulkana in Aṉangu Pitjantjatjara Yankunytjatjara, South Australia, known for a series of works on large linen canvases called Ngangkari Ngura .

References

  1. 1 2 3 4 Bevis, Stephen (14 August 2010). "WA artist wins top prize". The West Australian. Darwin. Archived from the original on 17 February 2013. Retrieved 16 November 2012.
  2. "Jimmy Donegan". Collection Online. National Gallery of Victoria. Retrieved 16 November 2012.
  3. 1 2 3 4 5 6 7 O’Riordan, Maurice (October–December 2010). "Jimmy Donegan: The Dazzling Deserts of Mr D". Australian Art Collector (54). Archived from the original on 6 April 2013. Retrieved 16 November 2012.
  4. 1 2 3 4 Ananguku Arts, ed. (2010). Tjukurpa Pulkatjara: The Power of the Law. Wakefield Press. p. 20. ISBN   9781862548909.
  5. 1 2 3 Bannister, Brooke; Kerrigan, Vicki (13 August 2010). "And the winner is, Jimmy Donegan". 105.7 ABC Darwin. Australian Broadcasting Corporation.
  6. 1 2 "Tjanpi feather basket made by Nuniwa Imundura Donegan". Collection search. National Museum of Australia. Retrieved 9 December 2012.
  7. "Winner Telstra Award". 22nd Telstra National Aboriginal & Torres Strait Islander Art Award. Northern Territory Government. Retrieved 9 December 2012.
  8. "Financial and Other Statutory Reports" (PDF). NGV Annual Report 2005/6. National Gallery of Victoria. p. 89 (39). Retrieved 9 December 2012.
  9. "Nuniwa Donegan: Thongs (2004)". Collection search. National Gallery of Australia. Retrieved 9 December 2012.
  10. "JEREMY WILLIAMS – INDIGENOUS ART, CULTURE AND DESIGN".
  11. "Ninuku Arts".
  12. Acker, Tim; Carty, John, eds. (2012). Ngaanyatjarra: Art of the Lands. Sussex Academic Press. p. 31. ISBN   9781742583914.
  13. Stratham, Larine (13 August 2010). "South Australian desert artist Jimmy Donegan wins Telstra art award". Adelaide Now. Darwin. Retrieved 16 November 2012.
  14. 1 2 3 "First-time entrant wins Indigenous art award". ABC News. Australian Broadcasting Corporation. Australian Associated Press. 13 August 2010. Retrieved 16 November 2012.
  15. Gosford, Bob (13 August 2010). "Mr Jimmy Donegan wins the 2010 Telstra Art Award". Crikey. Private Media Pty Ltd.
  16. Eccles, Jeremy (1 January 2011). "Old favourites are still favourites". Australian Art Review. Australian Art & Leisure Media Pty Ltd. Archived from the original on 21 March 2012.
  17. Rothwell, Nicolas (16 August 2010). "Revelatory show of strength in tradition". The Australian. Retrieved 16 November 2012.

Other websites