Jimmy the Kid | |
---|---|
Directed by | Gary Nelson |
Written by | Sam Bobrick |
Based on | Jimmy the Kid novel by Donald E. Westlake |
Produced by | Ronald Jacobs |
Starring | Gary Coleman Paul Le Mat Ruth Gordon Dee Wallace Walter Olkewicz Don Adams |
Cinematography | Dennis Dalzell |
Edited by | Richard C. Meyer |
Music by | John Cameron |
Production company | Zephyr Productions |
Distributed by | New World Pictures |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $800,000 [1] |
Box office | $5 million or $2.6 million [2] |
Jimmy the Kid is a 1982 American comedy film starring Gary Coleman and Paul Le Mat. It was directed by Gary Nelson, produced by Ronald Jacobs, [3] and released on November 12, 1982 by New World Pictures. Following 1981's On the Right Track , it was the second theatrical film release starring Coleman. [4]
The film was based on the 1974 novel of the same name by Donald E. Westlake. It was the third book of Westlake's Dortmunder series. [5] One of the shooting locations was Bob Hope's Malibu Canyon plantation. [6]
Jimmy the Kid grossed $5 million at the box office. [7]
Overall, critical reception of the family-friendly comedy was on the negative side. Critic Gene Siskel, who called himself "one of few Americans who publicly declared his affection for On the Right Track" concluded that Coleman's follow-up was "definitely on the wrong track." [8] Siskel's TV counterpart Roger Ebert also found little to like in the film, but admitted that kids may well enjoy it. [9]
Stephen Hunter of The Baltimore Sun wrote in his review: "Jimmy the Kid proves a longstanding cinema law: Any movie calling itself a "comedy crime caper" is likely to be a misdemeanor against good taste." [10]
Carter Colwell of The Daytona Beach News-Journal wrote in his review: "ONCE UPON a time, Donald E. Westlake wrote a bunch of funny mystery stories. And then one day, he wrote one that was not very funny, but it was still pretty funny. In it, a bunch of klutzy burglars decide to conduct a kidnapping, following a plan laid out in a book one of them has read. And then Donald E. Westlake sold his pretty funny kidnapping story to Hollywood. And they made a movie out of it. It was called Jimmy the Kid. It was not very funny. And it was not pretty funny either." [11]
The Philadelphia Inquirer Staff of The Philadelphia Inquirer wrote in their review: "Jimmy the Kid combines elements of Coco the Clown, Carnac the Magnificent, and the Pink Panther into Movie the Bad. Someone wisely kept this weak Gary Coleman comedy about an overly mature rich kid in the can since 1981." [12]
Jimmy the Kid was released in theatres on November 12, 1982. [13] Jimmy the Kid was released on VHS. [14]
Gary Wayne Coleman was an American actor, known as a high-profile child star of the late 1970s and 1980s. Born in Zion, Illinois, Coleman grew up with his adopted parents, and a kidney disease; due to the corticosteroids and other medications used to treat it, his growth was limited to 4 ft 8 in (142 cm). In the mid-1970s, he appeared in commercials and acted in an episode of Medical Center. He caught the attention of a producer after acting in a pilot for a revival of The Little Rascals (1977), who decided to cast him as Arnold Jackson in the sitcom Diff'rent Strokes (1978–1986), a role which launched Coleman into stardom. For playing the role of Arnold, he received several accolades, which include two Young Artist Awards; in 1980 for Outstanding Contribution to Youth Through Entertainment and in 1982 for Best Young Actor in a Comedy Series; and three People's Choice Awards; a consecutive three wins for Favorite Young TV Performer from 1980 to 1983; as well as nominations for two TV Land Awards. He was rated first on a list of VH1's "100 Greatest Kid Stars", and an influential child actor.
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
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Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted a movie review television series alongside colleague Roger Ebert.
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Donald Edwin Westlake was an American writer with more than one hundred novels and non-fiction books to his credit. He specialized in crime fiction, especially comic capers, with an occasional foray into science fiction and other genres. Westlake created two professional criminal characters who each starred in a long-running series: the relentless, hardboiled Parker, and John Dortmunder, who featured in a more humorous series.
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