Jinny Yu | |
---|---|
Born | 1976 (age 47–48) |
Nationality | Canadian |
Education | Dawson College 1995 Concordia University 1998 |
Alma mater | York University 2002 |
Known for | Painting Installation art |
Style | Contemporary artist |
Awards | Laura Ciruls Painting Award Ontario Arts Foundation Mid-Career Artist Award Council for the Arts in Ottawa |
Jinny Yu (born 1976) [1] [2] is a Canadian artist working primarily in the fields of painting and installation art.
Jinny Yu was born in Seoul, South Korea. [1] She immigrated to Canada in 1988, settling in Montreal. [1] [3] Yu studied fine arts at Dawson College, earning a degree in fine arts in 1995, followed by a Bachelor of Fine Arts at Concordia University three years later. During the mid- and late-1990s, Yu taught art at various schools in Quebec and at the American School of Paris in France. She studied at York University, earning her Master of Business Administration degree in Arts and Media Administration and Master of Fine Arts degree in Visual Arts in 2002. From 2003 until 2005, Yu worked as an assistant professor at Mount Allison University in New Brunswick. She left Mount Allison to serve as a research fellow at the Centre for Studies on Technologies in Distributed Intelligence Systems at Venice International University for a year. Yu participated in several artist residencies—in Berlin and Beijing, and at the Banff Centre in Alberta—before teaching in the Department of Visual Arts at the University of Ottawa in 2007. [4] Today, she serves as Professor at the University of Ottawa. [5] Yu resides in Ottawa, Canada. [1]
Yu's painting series, Story of a Global Nomad, in 2007-2008, examined the socio-economic impact of architecture. Along with that series, Yu's work Sequence, 2009, established her artistic reputation. [4] Other subjects Yu has explored through her work include detachment, connected to her experiences in immigration and relocation, which she calls "global nomadism," and the relationship between painting and space. [6] In 2015, Yu exhibited the site-specific work Don't They Ever Stop Migrating? during the 56th Venice Biennale at the Oratorio di San Ludovico. [4] The installation work used Alfred Hitchcock's 1963 film The Birds as a metaphor for the migration crises in the Mediterranean Sea and Bay of Bengal. The work is now in the permanent collection of the Agnes Etherington Art Centre. [7]
Alexander Young Jackson LL. D. was a Canadian painter and a founding member of the Group of Seven. Jackson made a significant contribution to the development of art in Canada, and was instrumental in bringing together the artists of Montreal and Toronto. In addition to his work with the Group of Seven, his long career included serving as a war artist during World War I (1917–19) and teaching at the Banff School of Fine Arts, from 1943 to 1949. In his later years he was artist-in-residence at the McMichael Canadian Art Collection in Kleinburg, Ontario.
David Milne was a Canadian painter, printmaker, and writer. He was profoundly different from most of his Canadian art contemporaries, especially Tom Thomson and the Group of Seven. He is sometimes referred to as the Master of Absence and known for his ability to reduce a painting to its bare essentials.
Florence Helena McGillivray, also known as F H. McGillivray, was a Canadian landscape painter known for her Post-Impressionist style. Her family home was in Whitby, Ontario. She lived in Ottawa from 1914 to 1928. She was also a teacher. In 1916, on a visit to his studio, she encouraged Tom Thomson.
Annie Pootoogook was a Canadian Inuk artist known for her pen and coloured pencil drawings. In her art, Pootoogook often portrayed the experiences of those in her community of Kinngait, in northern Canada, and memories and events from her own life.
Pegi Nicol MacLeod,, was a Canadian painter whose modernist self-portraits, figure studies, paintings of children, still lifes and landscapes are characterized by a fluidity of form and vibrant colour. Born Margaret Kathleen Nichol, she was a teacher, war artist and arts activist. In 1936 she became a member of the Canadian Society of Painters in Water Colour and one year later she joined the Canadian Group of Painters.
Jin-Me Yoon is a South Korean-born internationally active Canadian artist, who immigrated to Canada at the age of eight. She is a contemporary visual artist, utilizing performance, photography and video to explore themes of identity as it relates to citizenship, culture, ethnicity, gender, history, nationhood and sexuality.
Farouk Kaspaules is an Iraqi-born Canadian artist of Assyrian origin, noted for his engravings and silk-screen photography.
Evergon, also known by the names of his alter-egos Celluloso Evergoni, Egon Brut, and Eve R. Gonzales, is a Canadian artist, teacher and activist. Throughout his career, his work has explored photography and its related forms, including photo-collage, instant photography, colour photocopying, and holography.
Jean-Philippe Dallaire was one of the leading artists working figuratively in the 1960s in Canada. He is known for his festive scenes peopled by macabre characters.
Franklin Brownell was a landscape painter, draughtsman and teacher active in Canada. His artistic career in Ottawa spanned over fifty years.
Milly Ristvedt, also known as Milly Ristvedt-Handerek, is a Canadian abstract painter. Ristvedt lives and paints in Ontario, where she is represented by the Oeno Gallery. A monograph covering a ten-year retrospective of her work, Milly Ristvedt-Handerek: Paintings of a Decade, was published by the Agnes Etherington Art Centre in 1979. In 2017, a second monograph was published by Oeno Gallery which included a survey of paintings from 1964 through to 2016, Milly Ristvedt, Colour and Meaning : an incomplete palette.
John William Hurrell Watts was born in Teignmouth, England on September 16, 1850. He emigrated to Canada in 1873. He was the first curator of the Royal Canadian Academy of Arts' National Gallery. As an architect, he also designed Fleck/Paterson House, St Augustine's and Booth House. He was a founding member of the Ontario Association of Architects.
Meryl McMaster is a Canadian and Plains Cree photographer whose best-known work explores her Indigenous heritage. Based in Ottawa, McMaster frequently practices self-portraiture and portraiture to explore themes of First Nations peoples and cultural identity, and incorporates elements of performance and installation to preserve her mixed heritage and sites of cultural history in the Canadian landscape.
Barry Ace is a First Nations sculptor, installation artist, photographer, multimedia artist, and curator from Sudbury, Ontario, who lives in Ottawa. He is Odawa, an Anishinaabe people, and belongs to the M'Chigeeng First Nation.
Sarah Lavalley (1895-1991) was a nurse, craftswoman, and community leader from Golden Lake Reserve. In addition to her social work, she is known for supporting cultural exchange between the Indigenous community that she was a part of and non-Indigenous people, as well as supporting cultural continuity through her teaching throughout her life. Lavalley was also known as a skilled maker using traditional patterns and stitching techniques, making wearable crafts like moccasins and mittens for instance.
Madge Hamilton Lyons Macbeth was an American-born Canadian writer.
Leslie Reid is a Canadian painter and printmaker from Ottawa, Ontario, known for adding a visual and sensory experience of light to the landscape tradition of painting in Canada. She is also an educator.
Freda Claire Guttman Bain is a Canadian multidisciplinary artist and activist.
Eric Brown (1877–1939) was the first Director of the National Gallery of Canada. His tenure was from 1910–1939.
Michael Belmore is a Canadian sculptor of Anishinaabe descent who works primarily in resistant stone, copper and other metals. His works are in public collections including the National Gallery of Canada, the McMichael Canadian Art Collection, Agnes Etherington Art Centre, National Museum of the American Indian – Smithsonian Museum, and the Art Gallery of Ontario, and he has held exhibitions in both nations.